When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
When Jim Fletcher is told by his firm, that his new furniture designs, are not in keeping with the firms image. he threatens to resign, and decides to uproot his family, and emigrate to Australia. but his problems are only just beginning.
Around the turn of the century, in England, alcoholic Uncle Willie is the bane of his family, of which his brother-in-law (Cecil Parker) is the family spokesman. It is decided to let Uncle ... See full summary »
Sir Charles Hare, a young Irish baronet, gambles his all on one of his horses at Ascot. But the horse is 'pulled', and Sir Charles is forced to sell his Irish estate. His aunt, however, has some surprises in store for him.
The address of the bank on the cheque dated 5 August 1953, drawn in favour of Mr S.Lilley, is National Provincial Bank, 62 The Mall Ealing W5. A bank is still at that address (as at April 2010), although it is now a branch of the Allied Irish Banks. See more »
Opening credits prologue: LINGFIELD PARK See more »
This is a fine little Ealing film from the great Basil Dearden - lots of brilliant outdoor shots of various race courses around southern England; really captures the colour and excitement of racing (I don't even like racing or gambling on horses). Okay, some of the racing shots are obviously shot in some empty field somewhere and cut together with racing footage but the effect is good. Great shots of Brentford and west London and some of the main line train stations. There's the Griffin Pub in Brentford (right near the football ground, incidentally) and an incredibly gruff, working class area that is now for the rich only. That's the great thing about these Ealing films - they all give you an amazing insight into a society that has changed so much in just 50 years.
Simple but effective script from Tibby Clarke, too.
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