When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
When Jim Fletcher is told by his firm, that his new furniture designs, are not in keeping with the firms image. he threatens to resign, and decides to uproot his family, and emigrate to Australia. but his problems are only just beginning.
This movie debut for saucy British TV comic Benny Hill has Benny leaving his job as a sweeper after winning some money. He becomes a private detective and investigates a plot to assassinate... See full summary »
Nineteenth century England. When Nicholas Nickleby's father dies and leaves his family destitute, his uncle, the greedy moneylender, Ralph Nickleby, finds Nicholas a job teaching in a ... See full summary »
When Georgie Crain (Fella Edmonds) goes to Newmarket for the first time, he peeks inside the High Street shop of Boyce & Rogers, the famous saddle makers. The stuffed horse on the left inside is Robert the Devil who was trained at Palace House in Newmarket. He won the St Leger and came second in the Derby in 1880, winning GBP24,000 that season - a huge sum of money at the time. Robert the Devil is still in Newmarket, at the premises of Gibson Saddlers, the firm that took over Boyce & Rogers in the early 1960s. See more »
Opening credits prologue: LINGFIELD PARK See more »
This is a fine little Ealing film from the great Basil Dearden - lots of brilliant outdoor shots of various race courses around southern England; really captures the colour and excitement of racing (I don't even like racing or gambling on horses). Okay, some of the racing shots are obviously shot in some empty field somewhere and cut together with racing footage but the effect is good. Great shots of Brentford and west London and some of the main line train stations. There's the Griffin Pub in Brentford (right near the football ground, incidentally) and an incredibly gruff, working class area that is now for the rich only. That's the great thing about these Ealing films - they all give you an amazing insight into a society that has changed so much in just 50 years.
Simple but effective script from Tibby Clarke, too.
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