| Fred MacMurray | ... | Paul Sheridan | |
| Philip Carey | ... | Rick McAllister (as Phil Carey) | |
| Kim Novak | ... | Lona McLane | |
| Dorothy Malone | ... | Ann Stewart | |
| E.G. Marshall | ... | Police Lt. Carl Eckstrom | |
| Allen Nourse | ... | Paddy Dolan | |
| rest of cast listed alphabetically: | |||
| James Anderson | ... | Beery--Mechanic (uncredited) | |
| Joe Bailey | ... | Hobbs (uncredited) | |
| Tony Barrett | ... | Pickup Artist in Bar (uncredited) | |
| Walter Beaver | ... | Detective Schaeffer (uncredited) | |
| Richard Bryan | ... | Detective Harris (uncredited) | |
| Robert Carson | ... | First Bartender (uncredited) | |
| Phil Chambers | ... | Detective Briggs (uncredited) | |
| Dick Crockett | ... | Mr. Crockett (uncredited) | |
| John De Simone | ... | Assistant Bank Manager (uncredited) | |
| Alan Dexter | ... | Detective Fine (uncredited) | |
| Don C. Harvey | ... | Detective Peters (uncredited) | |
| Ann Loos | ... | Bank Teller (uncredited) | |
| Mort Mills | ... | Second Bartender (uncredited) | |
| Ann Morriss | ... | Ellen Burnett (uncredited) | |
| Paul Picerni | ... | Masher in Ann's Hallway (uncredited) | |
| Paul Richards | ... | Harry Wheeler (uncredited) | |
| Marion Ross | ... | Mrs. Crockett (uncredited) | |
| K.L. Smith | ... | Bank Guard (uncredited) | |
| Robert Stevenson | ... | Billings (uncredited) | |
| Hal Taggart | ... | Bank Executive (uncredited) | |
| John Tarangelo | ... | Boy (uncredited) | |
| Mel Welles | ... | Detective (uncredited) | |
| Jack Wilson | ... | Detective (uncredited) | |
Directed by | |||
| Richard Quine | |||
Writing credits | ||
| Roy Huggins | (screenplay) | |
| Thomas Walsh | novel "The Night Watch" and | |
| Bill S. Ballinger | novel "Rafferty" | |
Produced by | |||
| Jules Schermer | .... | producer | |
| Philip A. Waxman | .... | associate producer | |
Original Music by | |||
| Arthur Morton | |||
Cinematography by | |||
| Lester White | (director of photography) (as Lester H. White) | ||
Film Editing by | |||
| Jerome Thoms | |||
Art Direction by | |||
| Walter Holscher | |||
Set Decoration by | |||
| James Crowe | |||
Costume Design by | |||
| Jean Louis | (gowns) | ||
Makeup Department | |||
| Clay Campbell | .... | makeup artist | |
| Helen Hunt | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Jack Corrick | .... | assistant director | |
Sound Department | |||
| John P. Livadary | .... | recording supervisor (as John Livadary) | |
Music Department | |||
| Morris Stoloff | .... | conductor | |
| Nathan Scott | .... | orchestrator (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
In Pushover Fred MacMurray dusts off his acclaimed portrayal of Walter Neff the luckless insurance agent from Double Indemnity and gives him a badge as an easily corruptible cop. The temptation in his path is another dame, in this case Kim Novak being 'introduced' in this film as Columbia's answer to Marilyn Monroe.
MacMurray's a cop who is assigned to get close to gangster Paul Richards's moll Novak. Richards and his mob have pulled off a bank heist and if they had any sense, they'd be out of the country and fleeing. But police captain E.G. Marshall reasons that Richards ain't going nowhere without Novak.
Of course what he doesn't figure on MacMurray's libido as well as Richards. Novak's one cool ice princess in this one, she's willing to spend the loot with one crook as another and one with a badge sounds pretty good to her.
There's a side romance going as well with Novak's neighbor, nurse Dorothy Malone and fellow officer Philip Carey. Malone gets innocently caught up in the intrigue. Carey while doing surveillance on Novak's apartment gets to peeping in on Malone next door. His little Rear Window act pays off in the end.
Pushover is a fine noir drama and highly recommended for those who like myself know full well that Fred MacMurray is capable of a lot more than Disney films and My Three Sons which I think most know him for today. Novak makes a stunning debut as the ultimately luckless moll and the rest of the cast backs them up with a splendid ensemble effort.