6.5/10
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Princess of the Nile (1954)

Approved | | Adventure, Fantasy, Romance | July 1954 (USA)
In 1249, an Egyptian princess allies herself with the son of the Caliph of Bagdad in order to rid Egypt of its Bedouin invaders.

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Cast

Cast overview, first billed only:
...
...
...
...
...
Captain Kral
...
Shaman
...
Goghi
...
Basra
Lisa Daniels ...
Phyllis Winger ...
...
Honey Bruce Friedman ...
Handmaiden (as Honey Harlow)
...
Handmaiden
Genice Grayson ...
Handmaiden
Jeanne Vaughn ...
Handmaiden
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Storyline

Time: A.D. 1249. Shalimar, an Egyptian princess, striving to rid her country of its Bedouin conquerors, forms an alliance with Prince Haidi, son of the Caliph of Bagdad. She practices her intrigues both at the court and, disguised as a dancing girl, in the market place. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Shalimar THE FLAME THAT IGNITED EGYPT! (original print ad - almost all caps)


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

July 1954 (USA)  »

Also Known As:

A Princesa do Nilo  »

Box Office

Budget:

$475,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Some of the sets were reused from Demetrius and the Gladiators (1954) See more »

Quotes

Rama Khan: Stretch him on the rack till his tongue loosens.
See more »

Connections

Referenced in Alma Corsária (1993) See more »

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User Reviews

Hilarious
20 February 2004 | by (New York, NY) – See all my reviews

An absolutely amazing cast (Lee Van Cleef! Jack Elam!) enlivens this utterly preposterous yarn which passes off an Egyptian Hareem that's straight out of Minsky's (down to a few blondes and red heads).

Paget is both lovely and acrobatic, handling action sequences charmingly. Hunter is a stiff. And who knew Michael Rennie fenced left handed?

This film has recently been seen in criculation on AMC, and it's worth catching. The technicolor production design combines with the two-dimensional characters to create the effect of a Prince Valient comic on celuloid. But the appaling acting, ham-fisted dialog and cardboard sets only enhance the film's charm.


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