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Fear (1954)
"Non credo più all'amore (La paura)" (original title)

 -  Drama  -  1956 (USA)
6.8
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Ratings: 6.8/10 from 403 users  
Reviews: 5 user | 3 critic

Irene Wagner, the wife of prominent scientist Albert Wagner, finds herself blackmailed about her affair by her lover's jealous ex-girlfriend. The plot, an experiment in causing fear, drives her into a rage.

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Title: Fear (1954)

Fear (1954) on IMDb 6.8/10

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Cast

Complete credited cast:
...
Mathias Wieman ...
Renate Mannhardt ...
Luisa Vidor, alias Johann Schultze
Kurt Kreuger ...
Erich Baumann
Elise Aulinger ...
Haushaelterin
Edith Schultze-Westrum
Steffi Stroux ...
(as Steffie Struck)
Annelore Wied
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Storyline

Irene Wagner, the wife of prominent scientist Albert Wagner, finds herself blackmailed about her affair by her lover's jealous ex-girlfriend. The plot, an experiment in causing fear, drives her into a rage.

Plot Summary | Add Synopsis

Taglines:

She was cornered and she knew it...but she couldn't do anything about it...except one thing which could only lead to F-E-A-R!

Genres:

Drama

Certificate:

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Details

Country:

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Language:

Release Date:

1956 (USA)  »

Also Known As:

Fear  »

Company Credits

Production Co:

,  »
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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The last film Roberto Rossellini and Ingrid Bergman made together before their divorce in 1957. See more »

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Featured in Ingrid (1984) See more »

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User Reviews

 
Bergman in the Time of Scandal
2 August 2014 | by (United States) – See all my reviews

A simple story about a simple thing, blackmail. Ingrid Bergman and her husband work in a facility that is trying to work on medical issues, such as the destruction of heart tissue. Bergman, much younger than her husband, has a fling with a playboy type. In the process, an evil woman blackmails her and with each payoff, the amount increases. The film is full of tension as Bergman rushes to get more to this woman. Finally, a ring that means a great deal to the husband is taken. She has to get it back. The events that follow are rather hard to swallow and seem, for me, to diminish the story. Bergman does a slow burn when she gets to that "I've had enough" stage. Things become way too contrived. After seeing the ending, say to yourself, "Is this a real conclusion, even in a 1954 film drama. Bergman, as always, does a really nice job.


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