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Frisky (1954)

Pane, amore e gelosia (original title)
The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.

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(story) (as E.M. Margadonna), (story) | 4 more credits »
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1 win. See more awards »

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When a veteran marshal is sent to a small town, he quickly falls for two women: a midwife and an earthy young woman nicknamed "Frisky".

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Back to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.

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A beautiful and rich widowed woman leaves New York in order to find herself a husband in the italian village she was born in. After many tries she... ends up with the blacksmith of the village.

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The Law (1959)
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Illicit passions pervade an Italian town, where men gather nightly for the cynical "game of the law."

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Determined to postpone his own wedding, a former marshal leaves his bride-to-be and participates at an international music festival in Spain, where he falls for a young dancer.

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Adventurer sets out to save princess' father's kingdom.

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Cast

Cast overview, first billed only:
...
...
Marisa Merlini ...
Roberto Risso ...
Maria Pia Casilio ...
Virgilio Riento ...
...
Il capocomico
Tina Pica ...
Tecla Scarano ...
Teresinella
Vittoria Crispo ...
Madre della Bersagliera
Memmo Carotenuto ...
Carabiniere Baiocchi
Fausto Guerzoni ...
Uomo col cannocchiale
Nino Vingelli ...
Venditore ambulante
Gigi Reder ...
Nico Pepe ...
Maresciallo Spotti
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Storyline

In a small Italian village, Maria De Ritis is engaged to army Lieutenant Pietro Stelluti. Stelluti's superior officer, Marshal Antonio Carotenuto, is contemplating marriage to Annarella Mirziano, but he will be forced to resign if he marries Annarella, since she has an illegitimate child and that is against regulations for army officers. When Stelluti leaves town for a few weeks, the town-gossips create an affair out of the innocent relationship between Maria and Antonio. Stelluti returns and accuses Maria of infidelity, and, she, in reprisal, runs off and joins a traveling theatrical troupe as a dancer. Antonio, after convincing Annarella that he has not betrayed her love, encounters more trouble when the father of Annarella's child shows up and asks that she and the child go away with him. Antonio tells Annarella that it is her decision to make, and she chooses the child's father and leaves with him. Maria arrives back in town, as does an earthquake that destroys her home, but she ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Lollobrigida Is Back...And You'll Never See More Of Her! (original USA poster) See more »

Genres:

Comedy | Romance

Certificate:

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Details

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Language:

Release Date:

6 December 1954 (Italy)  »

Also Known As:

Frisky  »

Filming Locations:

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Italian censorship via #17598 delivered on 23 November 1954. See more »

Connections

Followed by Scandal in Sorrento (1955) See more »

Soundtracks

Miserere... Quel suon, quelle preci solenni
(uncredited)
Performed by Vittorio De Sica
See more »

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User Reviews

 
A joyous, innocent classic from a bygone era
30 March 2015 | by (Brazil) – See all my reviews

PANE, AMORE E FANTASIA and PANE, AMORE E GELOSIA, both directed with admirable lightness of touch by Luigi Comencini, are representative of the best comedies produced by the Italian cinema in the 1950's. In fact, after two decades of brilliant works directed by the likes of Dino Risi, Mario Monicelli, Pietro Germi and a few others, the golden period of Italian comedy ends abruptly in the late 1970's with the work of Lina Wertmuller. In the two Comencini films we see a marvelous case of typical "Commedia dell'arte" plot, character development and acting styles brought to life in rural post-war Italy. Sagliena could well be Subiaco, Gina Lollobrigida's birthplace, or any other small town in Abruzzo or Lazio. This is comedy of character at its best and Comencini was inspired in casting both films. Vittorio DeSica seldom attained the variety of tone and the beautifully controlled exuberance he displays here, except for his legendary turn as the lawyer in Alessandro Blasetti's ALTRI TEMPI. Gina Lollobrigida's sylvan beauty is pure magic, and her acting is a lesson in "commedia" playing. She could be a perfect Colombina in any Goldoni play. The other actors - Tina Pica, Marisa Merlini, Memmo Carotenuto, Roberto Risso, Virgilio Riento, Maria Pia Casilio - form an ideal ensemble that lends support to the principal players. Two classics movies to be revisited always.


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