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Frisky (1954)
"Pane, amore e gelosia" (original title)

6.7
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Ratings: 6.7/10 from 312 users  
Reviews: 1 user | 2 critic

The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.

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Title: Frisky (1954)

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Cast

Cast overview, first billed only:
...
...
Marisa Merlini ...
Roberto Risso ...
Maria Pia Casilio ...
Virgilio Riento ...
...
Il capocomico
Tina Pica ...
Tecla Scarano ...
Teresinella
Vittoria Crispo ...
Madre della Bersagliera
Memmo Carotenuto ...
Carabiniere Baiocchi
Fausto Guerzoni ...
Uomo col cannocchiale
Nino Vingelli ...
Venditore ambulante
Gigi Reder ...
Nico Pepe ...
Maresciallo Spotti
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Storyline

In a small Italian village, Maria De Ritis is engaged to army Lieutenant Pietro Stelluti. Stelluti's superior officer, Marshal Antonio Carotenuto, is contemplating marriage to Annarella Mirziano, but he will be forced to resign if he marries Annarella, since she has an illegitimate child and that is against regulations for army officers. When Stelluti leaves town for a few weeks, the town-gossips create an affair out of the innocent relationship between Maria and Antonio. Stelluti returns and accuses Maria of infidelity, and, she, in reprisal, runs off and joins a traveling theatrical troupe as a dancer. Antonio, after convincing Annarella that he has not betrayed her love, encounters more trouble when the father of Annarella's child shows up and asks that she and the child go away with him. Antonio tells Annarella that it is her decision to make, and she chooses the child's father and leaves with him. Maria arrives back in town, as does an earthquake that destroys her home, but she ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Another Gay and Sparkling Comedy Comes Your Way! (original USA poster) See more »

Genres:

Comedy | Romance

Certificate:

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Details

Country:

Language:

Release Date:

6 December 1954 (Italy)  »

Also Known As:

Frisky  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Italian censorship via #17598 delivered on 23 November 1954. See more »

Connections

Follows Bread, Love and Dreams (1953) See more »

Soundtracks

Aida
(uncredited)
Composed by Giuseppe Verdi
See more »

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User Reviews

Review and summary.
6 September 2001 | by (United States) – See all my reviews

BREAD, LOVE AND JEALOUSY or "FRISKY" as the American distributor re-titled it upon its initial American release, is a sequel to the tremendously successful BREAD, LOVE AND DREAMS made in 1953. They were the first two of a series of earthy comedies which Gina Lollobrigida got tired of making. She was replaced in PANE AMORE E... (SCANDAL IN SORRENTO) by Sophia Loren. At the time of their release, these amusing country comedies were seen by critics as a frivolous departure from the more serious neo-realist films of the period, but audiences loved them precisely because of their light charm and their escapist qualities. Most film historians say that BREAD, LOVE AND JEALOUSY isn't quite up to the quality of its predecessor, but the fact is that they are cut from the same cloth and seem like two parts of the same film, as pleasing and delightful today as when they came out, even better, given the sweet spice of nostalgia. Borrowing elements of Shakespearean comedy, this film is about the parallel amorous fortunes of two couples, one young, one middle-age. We encountered them both in the first film. "Maresciallo" Antonio Carotenuto (Vittorio De Sica) must resign his position in the village in order to marry the town midwife, an unwed mother. Pietro, the young policeman who is to marry "Bersagliera" or "Frisky" (Lollobrigida) is transferred to another town. Frisky is assigned to the maresciallo who takes her into his house as a servant. Gossip about the two grows. The fiancé returns and breaks off the engagement. The father of the midwife's child appears, proposes marriage, and the parish priest induces the woman to accept. The wrongly maligned Frisky makes peace with her fiancé. Another midwife arrives in town. The maresciallo can lust hopefully once more. The movie could be called "All's Well that Ends Well, Italian Style." There isn't much one can say about a movie as simple and unassuming as this, except that the performers bring it off admirably and command our attention for an hour and a half. No social moral, no essay into the alienation of modern man, no peeks at the filmmaker's navel exist here...only the ingratiating talents of Gina Lollobrigida and Vittorio De Sica under the humane direction of Luigi Comencini.


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