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'A Hatful of Rain' with Lloyd Nolan, Anthony Franciosa and Don Murray 'A Hatful of Rain' script fails to find cinematic voice as most of the cast hams it up Based on a play by Michael V. Gazzo, A Hatful of Rain is an interesting attempt at injecting "adult" subject matters – in this case, the evils of drug addiction – into Hollywood movies. "Interesting," however, does not mean either successful or compelling. Despite real, unromantic New York City locations and Joseph MacDonald's beautifully realistic black-and-white camera work (and the pointless use of CinemaScope), this Fred Zinnemann-directed melodrama feels anachronistically stagy as a result of its artificial dialogue and the hammy theatricality of its performers – with Eva Marie Saint as the sole naturalistic exception. 'A Hatful of Rain' synopsis Somewhat revolutionary in its day (Otto Preminger's The Man with a Golden Arm,* also about drug addiction, »
- Andre Soares
Following his fall 2014 Le Conversazioni with Zadie Smith (White Teeth) and Patrick McGrath (Asylum and Spider), Antonio Monda invited Joyce Carol Oates and Stephen Sondheim to discuss films that influenced their lives and work.
Le Conversazioni and Rome Film Festival Artistic Director Antonio Monda Photo: Anne-Katrin Titze
- Anne-Katrin Titze
Natalie Portman and husband-to-be Benjamin Millepied on the Red Carpet Natalie Portman and Benjamin Millepied at the Oscars Best Actress winner Natalie Portman and Benjamin Millepied (at the time, Portman's husband-to-be)* arrive at the 2011 Academy Awards ceremony held on Feb. 27 at the Kodak Theatre in Hollywood. Portman took home the Oscar for her performance as a mentally unstable ballerina in Darren Aronofsky's psychological drama Black Swan. An international box office hit, Black Swan was also a Best Picture nominee, ultimately losing the Oscar to Tom Hooper's The King's Speech. Besides Natalie Portman and dancer-choreographer Benjamin Millepied, also in the Black Swan cast are Mila Kunis, Winona Ryder, Barbara Hershey, and Vincent Cassel. Portman's fellow Best Actress contenders were: Annette Bening for The Kids Are All Right. Michelle Williams for Blue Valentine. Nicole Kidman for Rabbit Hole. Jennifer Lawrence for Winter's Bone. Natalie Portman had been previously nominated in »
- D. Zhea
This week marks the 10th anniversary of the release of "Crash" (on May 6, 2005), an all-star movie whose controversy came not from its provocative treatment of racial issues but from its Best Picture Oscar victory a few months later, against what many critics felt was a much more deserving movie, "Brokeback Mountain."
The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later. »
- Gary Susman
Above: a theater advertising Billy Wilder’s Ace in the Hole (1951).If there’s one thing I love almost as much as movie posters (at least as far as the world of movie advertising goes) it is the movie theater marquee. I am particularly attracted to marquees in their more elaborately designed and outlandish incarnations, but I am also fond of photographs of marquees simply as a record of a moment in time when a particular film was out in the world. (One of my personal favorite Movie Poster of the Week posts was this examination of a 1930 photo of Times Square theater signs.)Over the past few years on Tumblr I have been collecting some of the best images of movie theater signage through the ages and today I am launching Movie Poster of the Day’s sister blog Movie Marquees. In Maggie Valentine’s The Show Starts on »
- Adrian Curry
What do Francis Ford Coppola's The Godfather and Apocalypse Now, Bernardo Bertolucci's Last Tango In Paris, Elia Kazan's A Streetcar Named Desire, On the Waterfront, and Viva Zapata!, Daniel Mann's The Teahouse Of The August Moon, Edward Dmytryk's The Young Lions, Gillo Pontecorvo's Burn!, Lewis Milestone's Mutiny On The Bounty, Guys And Dolls directed by Joseph L. Mankiewicz and One-Eyed Jacks have in common? Brando the movie star in Stevan Riley's documentary, Listen To Me Marlon, becomes Marlon, the man.
"Brando was himself fascinated by these same topics of truth and lies, of myth and fantasy and reality."
Hundreds of hours of Brando's audio recordings had gone unheard until Riley took his pick and put together this fascinating portrait. »
- Anne-Katrin Titze
One of the best films of 2015, A Most Violent Year was about New York City in its most crime-ridden year of 1981. Oscar Isaac starred as ambitious Colombian immigrant Abel Morales, who began his career as a truck driver for a heating oil biz run by a mobster whose daughter Anna (Jessica Chastain) he eventually married. Abel took over ‘Standard Heating Oil’, and grew it quickly – but too quickly in the eyes of his competitors. As the movie opened, Abel and his attorney (Albert Brooks) are on the verge of a big move – borrowing a million and a half dollars to buy two oil tanks in a prime area of Queens. With 30 days to secure the cash needed to close the deal, it’s a risky investment, but if all goes according to Abel’s plan, he will eventually be able to store and move fuel on a larger scale. But »
- Tom Stockman
“I coulda been a contender! I coulda been somebody, instead of a bum, which is what I am, let's face it.” That classic scene from “On The Waterfront” was part and parcel behind Marlon Brando's release into the stratosphere of supercool. Beginning with his stage debut as Stanley Kowalski in “A Streetcar Named Desire” (which he, of course, reprised in the 1951 film adaptation), his film debut in “The Men,” and a string of larger-than-life roles culminating with his Oscar-winning turn as Terry Malloy in 'Waterfront,' Hollywood was Brando's oyster in the 1950s, and a man became a cultural symbol. Through these roles, and future titanic turns in “The Godfather,” “Apocalypse Now,” and “The Last Tango in Paris,” we know and remember Marlon Brando as one of the greatest screen actors of all time. But, what of the man behind the actor? This question fuels Stevan Riley's documentary, »
- Nikola Grozdanovic
Game of Thrones: Episode 3–The Sword in the Darkness
Ps3, PS4, Xbox 360, Xbox One, PC, Mac
When the idea of melding the rich world of Game of Thrones with Telltale Games’ unique talent for storytelling was initially proposed, it seemed like a match made in heaven. What better place than Westeros, a locale bursting with lore and dripping with morally murky situations, for a new Telltale series. Unfortunately, more and more as this series continues, it’s beginning to look like the weakest link in the Telltale chain thus far.
Now being the worst series in Teltale’s stable is by no means a negative declaration in and of itself, as Telltale’s major releases have often been in the conversation for the Game of the Year, but it does give rise to two major problems that this Game of Thrones adaptation has, problems that are unlikely to »
- Mike Worby
Otto Preminger’s 1960 film Exodus, which stars Paul Newman, Eva Marie Saint, Ralph Richardson and Lee J. Cobb, celebrates it’s 55th anniversary this year. The Royale Laemmle Theater in Los Angeles will be holding a special one-night-only showing of the 280-minute film on Tuesday, March 31, 2015 at 7:00 pm. Prior to the screening, actress Eva Marie Saint is scheduled to partake in a Q & A and discussion on the making of the film.
From the press release:
Exodus, based on the best-selling novel by Leon Uris about the founding of the state of Israel, was nominated for three Academy Awards in 1960 and won the Oscar for Ernest Gold's majestic, memorable score. Otto Preminger's lavish production, with a screenplay by formerly blacklisted writer Dalton Trumbo, was filmed on location with an all-star cast headed by Paul Newman, Eva Marie Saint, Sal Mineo, Jill Haworth, Peter Lawford, Ralph Richardson, and Lee J. Cobb. »
- email@example.com (Cinema Retro)
It’s hard to ever imagine landmark movies such as Alfred Hitchcock’s Psycho, Orson Welles’ Citizen Kane or Elia Kazan’s On The Waterfront (to name a few), missing from the cinematic timeline. But what of the many potential classics that never even made it to the screen? Cinema history has given birth to countless movies that were never allowed to come into fruition, or were otherwise delayed for an eye-wateringly long time.
Like George Sluizer’s Dark Blood, some films make compromises just so that it can see some form of release years down the line (twenty years on, the remnants of River Phoenix’s final performance was cobbled together). However, in doing so, the film sacrifices its integrity and results in being only a loose representation of what great thing it was originally meant to be.
In a bid to »
- Anthony Lowery
Today, in an effort to combine the past and the present, I wanted to take a look at how the winners in the big eight categories of this most recent Academy Awards ceremony compare to the all time best. To try and figure this out, I’m actually going with the lists of the top 25 in each category that I put out last year. It’s an interesting exercise, since it’s impossible to know which will and which won’t stand the test of time, but there’s a few educated guesses that can be made. For my money, a few of the performances will certainly be remembered for years to come. I don’t think it’s impossible for you to have forgotten already, but here are the big eight winners: Best Picture went to Birdman or The Unexpected Virtue of Ignorance, Best Director went to Alejandro González Iñárritu »
- Joey Magidson
That’s it. It’s over. A winner has been crowned. Birdman joins the illustrious ranks of Best Picture winners like The Godfather, On the Waterfront, Titanic, and uh, Crash.
With Aljeandro Gonzalez Inarritu's backstage drama taking home the top prize, and claiming additional awards for Best Director, Best Original Screenplay and Best Cinematography, only time will tell if it is remembered and revered the same way we now look back on The Sound of Music, Gone with the Wind, and Annie Hall. Or, in time, will leave us scratching our heads like the aforementioned Crash, A Beautiful Mind, or Shakespeare in Love whose repeat value and hindsight show that there may have been more deserving winners in those years:Brokeback Mountain, Capote, Saving Private Ryan, Life is Beautiful, Gosford Park and Moulin Rouge all lost out in their respective years.
The Academy Awards have now awarded 87 Best Picture winners. »
- Rachel West
Part I: The Lawrence Bureau
T.E. Lawrence (1888-1935) ranks among the 20th Century’s oddest heroes. This short, smart, and mischievous British soldier helped organize the Arab Revolt against Turkey, a secondary front of the First World War. He became Emir Feisal’s trusted ally, painfully conscious that the Allies wouldn’t honor promises of independence. After the Paris Peace Conference, Lawrence retreated into the Royal Air Force and Tank Corps as a private soldier, T.E. Shaw.
Lawrence lived a curious double life, befriending both private soldiers and notables like Winston Churchill and George Bernard Shaw. He wrote memoirs and translated Homer while repairing boats and seaplanes. His intellect, warmth, and puckish humor masked internal torment – guilt for failing to secure Arab freedom, regret for two brothers killed in the war, shame over an incident where Turkish soldiers sexually assaulted him.
In his autobiography Seven Pillars of Wisdom, Lawrence »
- Christopher Saunders
By Anjelica Oswald
With the DGA Award in hand, Alejandro Gonzalez Inarritu has become a frontrunner in the best director Oscar race for Birdman.
Only seven winners of the DGA Award have not won the best director Oscar in the 66 years that the Directors Guild of America has given the award. The most recent case was two years ago, when Ben Affleck wasn’t even nominated for the best director Oscar for Argo, which won best picture.
No American has won for best director since 2011 and if Inarritu, who is from Mexico, takes the Oscar this year, the trend will continue. Inarritu could become the second Latin American director to win for best director, following Alfonso Cuaron’s win last year.
In the 86 years since the Academy Awards’ inception, 89 Oscars have been given for best director. Twenty-six awards (29 percent) went to non-American born directors.
At the first annual »
- Anjelica Oswald
Vin Diesel lets his Facebook fans choose who he stars alongside. The 'Fast and Furious' star has revealed that he chose to work with Jason Statham on the latest installment of the action film series after it was suggested by a number of his fans. Speaking on The Tonight Show Starring Jimmy Fallon, he said: ''I listen to Facebook feedback. It's always been important to me. I feel like if Marlon Brando had a Facebook, there would have been an 'On The Waterfront 2'. ''When you're alone and you're reading the feedback, it hits you so if I go and I say, 'Who would you like to see me work with?' And I see the comments saying, 'Jason Statham, Jason Statham,' it's a good idea to listen. And now it is him.'' The film also features the late Paul Walker - who died »
The International Film Music Critics Association has revealed nominations for best in movie music from 2014, and prolific composers James Newton Howard ("The Hunger Games: Mockingjay - Part 1," "Maleficent") and Alexandre Desplat ("Godzilla," "The Grand Budapest Hotel," "The Imitation Game," "The Monuments Men") led the way with seven and six nominations respectively. Film score of the year contenders include just two Best Original Score Oscar nominees: "The Grand Budapest Hotel" and Hans Zimmer's "Interstellar." "The Imitation Game" and Jóhann Jóhannsson's "Theory of Everything," however, were both nominated in the drama category. "Maleficent" landed the most nominations for a film with four, while DreamWorks Animation's "How to Train Your Dragon 2" picked up three (each of them another if you count composer of the year honors for Howard and John Powell respectively). Check out the full list of nominees below. Winners will be revealed on Feb. 19. And be sure »
- Kristopher Tapley
Often called the greatest actor of his generation, if not all 20th-century cinema, Marlon Brando was also one of the most enigmatic, unpredictable, even damaged of movie stars offscreen. That complexity is limned as well as a documentary possibly could manage in “Listen to Me Marlon,” which draws on an extraordinary estate archive of personal materials to let the man tell his story (and analyze) himself. Sure to hold surprises for even those obsessives who’ve absorbed every Brando performance and factoid, this fascinating, artful pastiche merits specialized theatrical release in addition to inevitable cable and rental sales.
The title comes from self-hypnosis tapes we hear that the late subject made for himself, one among umpteen strategies for finding some inner tranquility. While there’s plenty of evidence here that Brando was a “difficult” person, and frequently a disastrous influence on those who loved him, the thing that comes through »
- Dennis Harvey
Despite its title, A Most Violent Year is not about St. Louis in 2015 but about New York City in its most crime-ridden year of 1981. Oscar Isaac stars as ambitious Colombian immigrant Abel Morales, who began his career as a truck driver for a heating oil biz run by a mobster whose daughter Anna (Jessica Chastain) he eventually married. Abel took over ‘Standard Heating Oil’, and grew it quickly – but too quickly in the eyes of his competitors. As the movie opens, Abel and his attorney (Albert Brooks) are on the verge of a big move – borrowing a million and a half dollars to buy two oil tanks in a prime area of Queens. With 30 days to secure the cash needed to close the deal, it’s a risky investment, but if all goes according to Abel’s plan, he will eventually be able to store and move fuel on a larger scale. »
- Tom Stockman
“Kurt Cobain: Montage of Heck” and “Listen to Me Marlon” are intimate and revealing, and one of them is also loud
Kurt Cobain and Marlon Brando, two cultural icons from vastly different eras and arenas, took center stage at the Sundance Film Festival on Saturday, with the back-to-back world premiere of documentaries that drew heavily on words and footage from the rock and acting legends.
“Kurt Cobain: Montage of Heck” and “Listen to Me Marlon” could scarcely be more different. The former is a blistering, raucous and unwieldy look at the Nirvana frontman, the latter an elegant meditation on the »
- Steve Pond
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