Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Francis Ford Coppola
C. Thomas Howell,
This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a ... See full summary »
Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after ... See full summary »
Franz "Fox" Biberkopf is a working-class guy, at loose ends when his lover is arrested and the police shutter their carnival booth. In need of cash for his weekly lottery purchase, Fox lets... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by
Colin Tinto <email@example.com>
According to Arthur Miller in his autobiography "Timebends", he had written a screenplay dealing with corruption on the New York waterfront called "The Hook". Elia Kazan had agreed to direct it, and in 1951 they went to see Harry Cohn at Columbia Pictures about making the picture. Cohn agreed in principle to make "The Hook", but his minions were troubled by the portrayal of corrupt union officials. When Cohn asked that the antagonists of the script be changed to Communists, Miller refused. Cohn sent Miller a letter telling him it was interesting that he had resisted Columbia's desire to make the movie pro-American. This film, which did include corrupt union officials, was based on articles by Malcolm Johnson. Kazan asked Miller to write the script, but he declined due to his disenchantment with Kazan's friendly testimony before the House Un-American Activities Committee. Budd Schulberg, a fellow HUAC informer, developed the story and wrote the script. The movie was produced by Sam Spiegel and distributed by Columbia, which had turned down "The Hook". See more »
When Friendly is pushed into the river, the splash, and the sound it makes, are seen and heard twice in succession, instead of just once. See more »
You take it from here, Slugger.
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Opening credits are shown over a bamboo-type mat background. See more »
"Im just a bum sitting in a motor home on a film set, Brando said, and they come looking for ZEUS".
I think Brando was a guy who was perfect in the moment. All his power and shortcomings can be revealed in a single sentence. Other's might have been great and still more will be. But there's just something about him.
For me, Brando has always been the ultimate male. Simply put, bruiting desire. Brando represents the very definition of method acting, even though he was said to have hated the phrase. Being able to reach inside yourself and pull something out that kicks everyone in the ass. He was truly one of a kind. They say sometimes beautiful people are born under a dark cloud. I think Brando was born under a rain of thunderbolts. He was powerful and tragic.
On The Waterfront is basically a showcase for Brando. Everything coming together. This film is truly one for the ages.
I guess the only thing really wrong with this life is time.
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