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On the Waterfront (1954)

Approved | | Crime, Drama, Thriller | 22 June 1954 (Japan)
An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

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(screenplay), (based upon an original story by) | 1 more credit »
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Top Rated Movies #134 | Won 8 Oscars. Another 21 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Pat Henning ...
Kayo Dugan
...
...
Tony Galento ...
Tami Mauriello ...
Tillio
John F. Hamilton ...
'Pop' Doyle (as John Hamilton)
John Heldabrand ...
Mott
Rudy Bond ...
Don Blackman ...
Arthur Keegan ...
Abe Simon ...

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Storyline

Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Tender love...terrifying conflict! See more »

Genres:

Crime | Drama | Thriller

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 June 1954 (Japan)  »

Also Known As:

Bottom of the River  »

Box Office

Budget:

$910,000 (estimated)

Gross:

$9,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

On the Waterfront (1954) is widely known to be an act of expiation on the part of Elia Kazan for naming names to HUAC during the Joseph McCarthy witch-hunts of the 1950s. What is less widely reported is that Kazan intended it as a direct attack at his former close friend Arthur Miller who had been openly critical of Kazan's actions. Specifically, it was a direct response to Miller's play The Crucible. See more »

Goofs

The position of Johnny's scarf changes between shots, when Terry talks to him just before their fight. See more »

Quotes

[first lines]
Johnny: [to Terry] You take it from here, Slugger.
See more »

Crazy Credits

and introducing Eva Marie Saint See more »

Connections

Referenced in Murdoch Mysteries: On the Waterfront: Part 2 (2014) See more »

Soundtracks

Here Comes the Bride
(uncredited)
Written by Richard Wagner
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Still Packs A Wallop
1 February 2006 | by (United States) – See all my reviews

Still powerful after all these years, it's easy to see why this film won so many awards. Even though it isn't classified as "film noir," it might as well be, as it has the earmarks of one: gritty, downbeat with a feeling of dread, magnificent black-and-white cinematography, etc.

It's certainly not a "fun" movie but if you appreciate great film-making, you have to rate this near the top of the list Not only is the direction (by one of the all-time greats, Elia Kazan) superb and the photography striking, the acting also is top-rate.

Marlon Brando was just riveting to watch in here and deserved all the accolades he received for his performance. Talk about a guy with mixed emotions and a tormented soul! Eva Marie Saint, as Brando's "conscience" and love interest, proved to be worthy in her role.

The rest of the characters were angry people, always shouting it seemed, always upset at someone. Even the priest, played by Karl Malden, was that way although one of his passionate speeches was remarkable to hear. How many films does one hear about Jesus Christ being everywhere men are? None I can recall, offhand. He, like Saint's character, also influenced Brando to do the right thing.

Lee J. Cobb filled his bill as the angriest of them all, the labor boss who would have anyone killed who dare speak out against his illegal practices, and Rod Steiger was his normal intense self as Brando's older brother. Hey, almost everyone was intense in this film. It gets you involves and wears you out by the end.

Steiger and Brando's conversation in an automobile fairly late in the film ("I couda been a contenda") is one of the most famous scenes in movie history, but I found many memorable scenes in this movie....too many to recount here.

Suffice to say if you are looking for a hard-nosed drama with great acting and photography, a film that still looks and sounds up-to-date in many respects, don't be afraid to give this "oldie" a look. You'll see why it's considered one of the best movies of all time.


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