When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
During the War of 1812 against the United Kingdom of Great Britain and Ireland: General Andrew Jackson has only 1,200 men left to defend New Orleans when he learns that a British fleet will... See full summary »
Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait... See full summary »
This adaptation of Emile Zola's novel "NANA," is about the sexual liaisons of a woman who through her relationships with different men, enjoys a life of pleasure and luxury. However, her lavish life-style does not always bring happiness.
Spring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's ... See full summary »
The most ultra-secret telephone number of all is that of the "Hot'Line' that links the heads of state of the United States and Moscow. A conniving double agent manages to steal the top ... See full summary »
Now I understand why the Nouvelle Vague was so necessary.
I waited a long time to see this adaptation of Zola's famous novel but was really disappointed by the slow pace, the stilted dialogue (badly subtitled as well, in the VHS tape I saw) and the unimaginative camera work. It's pretty clear that this is precisely the type of post-WWII studio film against which Truffaut and Godard rebelled. And thank God they did, because their work is so much more interesting than period potboilers like this one. Martine Carol is vivacious and charming, but with limited acting ability. To be fair, "Nana" is the type of actress who is renowned for her fabulous body and her bold display thereof, rather than for any kind of musical or dramatic skills. (Sound familiar, Hollywood?) Also, as a plus, the film is very frank about how Nana earns a living outside of her stage appearances, and how her entourage skims off her fees by providing either information or access. I found this candor refreshing since most Hollywood movies of this era are very coy about whoring. Think about the presentation of Jo Van Fleet in "East of Eden," for example. Charles Boyer plays the male lead here, a hypocritical aristocrat in the Emperor's employ, but it's an unsatisfying part. It's all about "Nana," and in the end, being the selfish little baggage she is, she would prefer it that way.
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