| Eleanor Parker | ... | Joanna Leiningen | |
| Charlton Heston | ... | Christopher Leiningen | |
| Abraham Sofaer | ... | Incacha | |
| William Conrad | ... | Commissioner | |
| Romo Vincent | ... | Boat Captain | |
| Douglas Fowley | ... | Medicine Man | |
| John Dierkes | ... | Gruber | |
| Leonard Strong | ... | Kutina | |
| Norma Calderón | ... | Zala (as Norma Calderon) | |
| rest of cast listed alphabetically: | |||
| Pilar Del Rey | ... | Indian Wife (uncredited) | |
| Bernie Gozier | ... | Gruber's Indian (uncredited) | |
| Jerry Groves | ... | Gruber's Indian (uncredited) | |
| Leon Lontoc | ... | Indian (uncredited) | |
| John Mansfield | ... | Foreman (uncredited) | |
| Ronald Alan Numkena | ... | Indian Boy (uncredited) | |
| Rodd Redwing | ... | Indian (uncredited) | |
| Jack Reitzen | ... | Fat Man (uncredited) | |
| Carlos Rivero | ... | Indian Husband (uncredited) | |
Directed by | |||
| Byron Haskin | |||
Writing credits | ||
| Philip Yordan | (screenplay) front for Ben Maddow and | |
| Ranald MacDougall | (screenplay) | |
| Carl Stephenson | (based on a story by) | |
| Ben Maddow | screenplay (front Philip Yordan) | |
Produced by | |||
| Frank Freeman Jr. | .... | associate producer | |
| George Pal | .... | producer | |
Original Music by | |||
| Daniele Amfitheatrof | |||
Cinematography by | |||
| Ernest Laszlo | (director of photography) | ||
Film Editing by | |||
| Everett Douglas | |||
Art Direction by | |||
| Franz Bachelin | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Grace Gregory | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
| Charles Gemora | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Herbert Coleman | .... | assistant director | |
| Arthur Rosson | .... | second unit director | |
Sound Department | |||
| Gene Garvin | .... | sound recordist | |
| Harry Lindgren | .... | sound recordist | |
Special Effects by | |||
| Charles Gemora | .... | mechanical designer: ants (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
Camera and Electrical Department | |||
| Loyal Griggs | .... | photographer: second unit | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Daniele Amfitheatrof | .... | conductor (uncredited) | |
| Sidney Cutner | .... | orchestrator (uncredited) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
Other crew | |||
| Richard Mueller | .... | technicolor color consultant | |
| Reginald Lal Singh | .... | technical advisor | |
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| Mogambo | Original Sin | Australia | How the West Was Won | Indiana Jones and the Kingdom of the Crystal Skull |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Given the fact that this is the Fifties and the Code was coming to an end, this is still a remarkably erotic film, almost Tennessee Williams like in its treatment of sexual issues.
Charlton Heston's Christopher Leiningen could have been created by Tennessee Willlams. He came to the South American jungles as a teenager and built up a plantation out of the jungle and it took him over 15 years to do it. He now decides to get himself a wife and begat some children.
Heston says so quite frankly he has pointedly refrained from indulging any lust with the native women because in his society there'a a nasty name for whites who do so. In keeping with his Tennessee Williams like character, he's from New Orleans so his attitude to darker skinned people is understandable.
He has his brother put in an advertisement for a mail order bride and Heston can't believe his luck when the drop dead gorgeous Eleanor Parker shows up on his door. She's not what you would picture a mail order bride to be. But then marital problems arise when he discovers she's a widow, used goods as the common phrase was back in the day.
Parker has a few of her own issues and that and Heston's inexperience in these matters lead to a rocky start and almost an ending. But then come the ants.
As District Commissioner William Conrad says, every generation or two something puts ants in the ants pants and up they come out of their ant hills and go on the march destroying every scrap of life before them. And man has found no way to stop them.
The ants kind of make everyone come together in a crisis. What they do is some of the most frightening stuff ever put on film.
If The Naked Jungle were made today it would be far more explicit about all the sexual problems than this version was. There might be better special effects. But you won't get better players than you will in Charlton Heston and Eleanor Parker as leads.
Unless they resurrected Tennessee Williams to write the screenplay.