| Eleanor Parker | ... | Joanna Leiningen | |
| Charlton Heston | ... | Christopher Leiningen | |
| Abraham Sofaer | ... | Incacha | |
| William Conrad | ... | Commissioner | |
| Romo Vincent | ... | Boat Captain | |
| Douglas Fowley | ... | Medicine Man | |
| John Dierkes | ... | Gruber | |
| Leonard Strong | ... | Kutina | |
| Norma Calderón | ... | Zala (as Norma Calderon) | |
| rest of cast listed alphabetically: | |||
| Pilar Del Rey | ... | Indian Wife (uncredited) | |
| Bernie Gozier | ... | Gruber's Indian (uncredited) | |
| Jerry Groves | ... | Gruber's Indian (uncredited) | |
| Leon Lontoc | ... | Indian (uncredited) | |
| John Mansfield | ... | Foreman (uncredited) | |
| Ronald Alan Numkena | ... | Indian Boy (uncredited) | |
| Rodd Redwing | ... | Indian (uncredited) | |
| Jack Reitzen | ... | Fat Man (uncredited) | |
| Carlos Rivero | ... | Indian Husband (uncredited) | |
Directed by | |||
| Byron Haskin | |||
Writing credits | ||
| Philip Yordan | (screenplay) front for Ben Maddow and | |
| Ranald MacDougall | (screenplay) | |
| Carl Stephenson | (based on a story by) | |
| Ben Maddow | screenplay (front Philip Yordan) | |
Produced by | |||
| Frank Freeman Jr. | .... | associate producer | |
| George Pal | .... | producer | |
Original Music by | |||
| Daniele Amfitheatrof | |||
Cinematography by | |||
| Ernest Laszlo | (director of photography) | ||
Film Editing by | |||
| Everett Douglas | |||
Art Direction by | |||
| Franz Bachelin | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Grace Gregory | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
| Charles Gemora | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Herbert Coleman | .... | assistant director | |
| Arthur Rosson | .... | second unit director | |
Sound Department | |||
| Gene Garvin | .... | sound recordist | |
| Harry Lindgren | .... | sound recordist | |
Special Effects by | |||
| Charles Gemora | .... | mechanical designer: ants (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
Camera and Electrical Department | |||
| Loyal Griggs | .... | photographer: second unit | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Daniele Amfitheatrof | .... | conductor (uncredited) | |
| Sidney Cutner | .... | orchestrator (uncredited) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
Other crew | |||
| Richard Mueller | .... | technicolor color consultant | |
| Reginald Lal Singh | .... | technical advisor | |
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| Mogambo | Original Sin | Australia | How the West Was Won | Indiana Jones and the Kingdom of the Crystal Skull |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
"The Naked Jungle" is the story of a wealthy owner of a big coffee plantation in Brazil's jungle, menaced by an army of warrior ants on the move covering several square miles of ground and eating everything on their way (the Marabunta). The man's unknown mail-ordered wife has just arrived too but something in her past annoys him and a conflict between them is taking place when the ants arrive.
The picture was really original back in 1954 and is very entertaining too. This was probably Byron Haskin's best work as a director with an uneven carrier that included also "I Walk Alone", 1948, and "The War of the Worlds", 1953. The Special effects of Naked Jungle are really good for its time and the fine performances of Charlton Heston and Eleanor Parker as the main couple surely helped to raise the final product. Heston went on to full stardom and Parker continued to keep up her interesting carrier (she had been in some good movies before as "Scaramouche", 1952, and "Detective Story", 1951, and went to good ones too like "The Man with the Golden Arm", 1955). You will also find a good color photography and well designed settings.
A very amusing and enjoyable film with sort of a "B" structure but a real "A" outcome.