Peter, a WW II 'displaced person' about to be deported jumps ship in New York harbor in an effort to find an ex-G.I named Tom whom he helped during the war and can prove Peter's right to ... See full summary »
Wrangler Clay Phillips and his young brother are taking horses to Sonora when they come across four dancehall girls heading the same way, stuck with a wrecked buggy. He takes the girls on ... See full summary »
Claude Jarman Jr.
When successful business man Lee Warren suspects his wife is having an affair, he sets out find her lover, kill him, and make it look like suicide. Complications set in, when he finds out ... See full summary »
At an exclusive psychiatric clinic, the doctors and staff are about as crazy as the patients. The clinic head, Dr. Stewart McIver, thinks that it would be good therapy for his patients to ... See full summary »
Johnny Damico botches a murder case and is suspended from the force. In reality, he is put undercover to identify the mysterious boss of the NY waterfront who has murdered everyone in his way. Will Johnny be next in line?
Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis? Written by
Rod Crawford <email@example.com>
A grimly determined homicide detective tries to nab a suspected cop-killer, even after getting kicked off the force. Although there are some implausible plot elements, this is a pretty good noir. It's anchored by stellar performances from Sterling Hayden (in a part quite similar to his role in CRIME WAVE, from the same year) and the great Gloria Grahame (whose character is rather suspiciously close to her part in THE BIG HEAT, from the previous year). Gene Barry is very good too, although I can't say much about him without spoiling things. The film takes an unpredictable second act twist, at least it was far different from what I was expecting, which was more of a LOOPHOLE scenario. Grahame's entrance is strange -- she looks a bit awkward doing the nightclub singer shtick, but perhaps it suits her character to be uncomfortable in that position. The story is paced very well and has some brutal scenes, fine cinematography and generally good dialogue. Maybe not one of the greats, but definitely worth checking out, especially for Grahame fans.
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