Lt. Faraday has two wagons full of guns that he and his men must deliver. He also must escort two young ladies through hostile Indian Country. It is up to Running Horse to sabotage the ...
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A gunslinger rides into the town of Purgatory and tells the townspeople he's the town tamer they've been expecting, knowing full well that he shot the man back in the desert. He agrees to ... See full summary »
William J. Hole Jr.
Outlaw Matt Ringo escapes prison and wants to co-opt his former outlaw brother Billy into robbing a Wells Fargo money shipment but Billy has gone straight, the town Marshal is Wyatt Earp and the Clinton gang wants in on the deal.
Lt. Faraday has two wagons full of guns that he and his men must deliver. He also must escort two young ladies through hostile Indian Country. It is up to Running Horse to sabotage the wagons so that they will end up at Massacre Canyon where they will meet their fate. Written by
Tony Fontana <email@example.com>
An undercover cavalry detachment must deliver a shipment of rifles across Apache land. It doesn't help that the lieutenant is closer to a whiskey bottle than to his men.
Some good ideas in the screenplaythe quarreling two male leads (Carey & Kennedy), the "wounded" Indian infiltrator, the treacherous parson (Dumke). Trouble is the cheap budget restricts filming to cramped LA area, when a much larger landscape is needed. Then too, I agree with reviewer aimless-46: the shootout at the end is the most clumsily staged I've seen. And I've seen a ton. But then they're in Bronson Canyon (familiar from dozens of sci- fi's), which doesn't provide much room to maneuver. Note also how the Parson (Dumke) provides wives, and not hookers, even though the latter makes more sense for the footloose men. That distinction, however, makes the service acceptable to the Production Code of the time. Too bad the fine noir actress Audrey Totter is wasted in an apparently tacked-on role, likely for marquee value. Anyway, the screenplay is not without imaginative ideas, along with a commanding performance from the always reliable Douglas Kennedy. Nevertheless, the lowly budget, plus uneven acting (Carey and Donnell) undercuts too much of that potential, resulting in a highly erratic oater.
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