IMDb > They Were So Young (1954)

They Were So Young (1954) More at IMDbPro »Mannequins für Rio (original title)


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Release Date:
7 January 1955 (USA) See more »
Too innocent! Too willing! and far, far Too Eager!... and so Beautiful!
A model agency in Rio de Janeiro is actually a front for a white-slavery ring that kidnaps European women and sells them on the South American sex market. | Add synopsis »
User Reviews:
Don't Believe Everything You Read In The Newspaper, Girls! See more (8 total) »


  (in credits order) (complete, awaiting verification)
Johanna Matz ... Eve Ullmann
Scott Brady ... Richard Lanning
Ingrid Stenn ... Connie Voorhees

Raymond Burr ... Jaime Coltos
Gisela Fackeldey ... Mme. Lansowa
Kurt Meisel ... Pasquale
Katharina Mayberg ... Felicia

Gert Fröbe ... Lobos
Erica Beer ... Elise LeFevre
Hanita Hallan ... Lena
Elizabeth Tanney ... Emily
Gordon Howard ... Garza
Eduard Linkers ... M. Albert
Pero Alexander ... Manuel

Caterina Valente ... Tanzt & singt auf der (Palacio do Oro)
rest of cast listed alphabetically:
Hannelore Axman ... Vincenta
Das Cornell-Trio ... Music Players
Josef Dahmen ... Dr. Perez
Das Horst Wende-Sextett ... Music Players
William Trenk ... Senor Bulanos
Leo Fischer ... (uncredited)
Friedl Hardt ... VicentaGamboa Mannequin (uncredited)
Ian MacDonald ... General Rodriguez Garcia (uncredited)
Gerhard Wendland ... Singt im Nacht-Club zu Rio (uncredited)

Directed by
Kurt Neumann 
Writing credits
(in alphabetical order)
Ernst Blass  retold by
Jacques Companéez  source material
Felix Lützkendorf 
Kurt Neumann 
Dalton Trumbo  uncredited
Michael Wilson  uncredited

Produced by
Kurt Neumann .... producer
Original Music by
Michael Jary 
Cinematography by
Ekkehard Kyrath 
Film Editing by
Eva Kroll 
Art Direction by
Hans Sohnle 
Costume Design by
Alfred Bücken 
Makeup Department
Gertrud Coesfeld .... makeup artist
Josef Coesfeld .... makeup artist
Production Management
Max Koslowski .... production supervisor
Georg von Block .... production manager (as George von Block)
Second Unit Director or Assistant Director
Frank Winterstein .... assistant director
Sound Department
Ernst Walter .... sound

Production CompaniesDistributors

Additional Details

Also Known As:
"Mannequins für Rio" - West Germany (original title)
See more »
Germany:95 min | USA:80 min
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (Klangfilm-Magnetcord-Eurocord)
Filming Locations:

Did You Know?

Movie Connections:
Referenced in Buccaneer Soul (1993)See more »
Das sind die Nächte in RioSee more »


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2 out of 2 people found the following review useful.
Don't Believe Everything You Read In The Newspaper, Girls!, 25 September 2012
Author: oldblackandwhite from North Texas sticks (see all my reviews)

They Were So Young (aka: Violated, aka: Party Girls For Sale) is an exotic and entertaining late film noir (broadly speaking), set in Brazil, produced in Germany, and featuring second-tier American stars Scott Brady and Raymond Burr. Apparently American pictures were so popular abroad in the 1950's, a couple of Hollywood players at the top of the bill, even lesser lights like Brady and Burr) would ensure better box office both over there and over here. In the English-dubbed version it's obvious only the two American actors are actually speaking English, and were no doubt dubbed over in the original German. Not that you ever forget this is a German production! Most of the characters have Portuguese sounding names but look about as Brazilian as sauerkraut. Michael Jary's full-bodied score sounds like Wagner frolicking about South America. But it works for the best, as all the villains except for Burr are played by Germans such as Gert Forbe. And those Teutonic types -- let's face it, they're not good at anything if not good at sinister! A kinky middle-age dame with the mouth-full handle of Gisela Fackeldey plays a menacing madam in charge of the exploited models to which the title refers. If she had still been in the pink in the 1970's, she would have been the perfect cruel women's SS camp commandant in that shabby species of exploitation films.

This movie teaches two basic morals. Numer one, some guys are turned on by getting crowned on the head with a water decanter. You will have to watch the picture to discover how that one works. Number two is stated in the above summary. Watch out for newspaper ads that promise too much! That's how a covey of pretty and shapely young models are lured to Rio De Janeiro, supposedly to model high-class duds, but in reality to become high-class call girls. Nasty things happen to those unfortunate lasses who try to back out. Our heroine, very comely Johanna Matz, is more determined than most. She enlists the aid of good guy Brady, a mining engineer in Rio looking for a good time. Follows an action-filled, suspenseful and atmospheric adventure in jungle roads, rivers, and villas. Particularly atmospheric and exciting are the climactic scenes on board and around a broken-down tub of a river boat, which is actually a sleazy floating bordello.

Too much ink has been vainly spilled over whether this picture, or various others, qualifies as a film noir. A noir picture does not have to have starkly shadowed and obliquely angled cinematography, or a femme fa-tale, or a morally ambiguous protagonist, though all of these elements are frequently seen. A dark, seamy story will do. But then the more discerning cinema critics confess that "noir" is not actually a genre but more of a style or better yet a mood. It springs from the dark, doom-laden, uncertain, bitter-sweet, dream-like -- even nightmarish -- ambiance of the 1940's. In that decade almost every Hollywood picture produced reflects at least a touch of that mood, even the Westerns. It bleeds into the early 1950's, but it was fading by the time of They Were So Young. Though the term "film noir" was hardly even known to movie makers or audiences of the time, who knew these pictures simply a "melodramas" or "thrillers", it may well be that film-makers in Europe at least, such as They Were So Young's producer/director Kurt Neuman were self-consciously attempting to capture the mood.

They Were So Young captures enough of the noir mood and has enough of the traditional noir elements that it can't be said VCI Entertainment misrepresents the case including the picture in its nicely restored "Forgotten Noir Double Feature" DVD. Attractive lead players, stalwart villainy, atmospheric, suspenseful and entertaining. Better than many of the similar Hollywood efforts of the time, I regret to say.

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