Two beachcombers with a yacht join woman-with-a-past Rita on a quest for black pearls on a secret island. Arrived, they find another white man has made himself high priest; but George, the ... See full summary »
Having eluded a posse, a wanted man rescues a woman and her young son from a Comanche attack. He then escorts them to the presumed safety of a U.S. Cavalry fort. Trouble develops along the ... See full summary »
Saladin, ruler of the kingdoms surrounding the Latin state of Jerusalem, is brought to attack the Christians in the Holy Land by the sacking of a convoy of Muslim pilgrims, a group which ... See full summary »
Mohamed Abdel Gawad,
Tewfik El Dekn
In 1191, King Richard the Lionhearted, along with several other European monarchs, is in the Holy Land intent on retaking Jerusalem from the Saracens. There is much infighting and outright treachery in the European encampment encampment however. Two nobles in particular, Sir Giles Amaury and Conrad of Montferrat, want to eliminate the English king and attempt to have him assassinated. Severely wounded and on his death bed, Richard is brought back to health by a Saracen doctor recruited by one of his loyal knights, Sir Kenneth of the Leopard. The king recovers from his wounds but when he hears that Sir Lawrence wishes to marry Lady Edith Plantagenet, the knight is banished only to be taken in by the very doctor who treated the king and who has an altogether different identity. Written by
The film invents a military order of "Castelaines" or "Castlers", of which Sir Giles (Robert Douglas) is the Master. In the source novel, these characters are Knights Templar, whom Sir Walter Scott invariably depicted as villains. It is unclear whether the change was made because of the Production Code (Templars were a monastic order, so hostile depictions might fall under the rules against negative depictions of clergy), or to avoid upsetting the Masonic Knights Templar, of which a number of distinguished Hollywood figures were members. See more »
During the joust scene, in the first pass the combattants correctly gallop with the central barrier on their left (shielded) side. In the second pass, they wrongly gallop with the barrier on their unshielded side. See more »
Why is it that people who write movie reviews always expect a message from the movie or the movie to make some social statement, or worse yet each movie has to have academy award performances. King Richard and the Crusaders will never win an academy award for anything. Is it pleasant escapism, absolutely. Knights in armor, damsel in distress, nefarious plots all over the place, swords, pitched battles, good lord all that and you want academy award dialog as well?????? Many a rainy Saturday I crawled up in my chair and watched this movie. Accept it for what it is and don't try to milk more out of it than what is there. As for it being in the top 50 worst movies.. Like I said some people should not review movies. These kinds of film were being pumped out like cannon fodder in the early 50's. Ivanhoe, the Black Knight etc. Even Ivanhoe was not any type of academy award film and yet it received some very favorable reviews. So if your going to post reviews, reflect on what the movie is before slamming it for no good reason.
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