The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
Robin, a young Norman nobleman, is falsely accused by his cousin of murdering another cousin. His accuser is actually in league with the corrupt Sheriff of Nottingham to seize control of ... See full summary »
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
Alan Tanner's new play opens in a week, but Tanner just can't finish the third act. He's retreated to a snowbound cottage to work, but blonde neighbor Pat Quinn wants to play. Producer ... See full summary »
In 1191, King Richard the Lionhearted, along with several other European monarchs, is in the Holy Land intent on retaking Jerusalem from the Saracens. There is much infighting and outright treachery in the European encampment encampment however. Two nobles in particular, Sir Giles Amaury and Conrad of Montferrat, want to eliminate the English king and attempt to have him assassinated. Severely wounded and on his death bed, Richard is brought back to health by a Saracen doctor recruited by one of his loyal knights, Sir Kenneth of the Leopard. The king recovers from his wounds but when he hears that Sir Lawrence wishes to marry Lady Edith Plantagenet, the knight is banished only to be taken in by the very doctor who treated the king and who has an altogether different identity. Written by
The film invents a military order of "Castelaines" or "Castlers", of which Sir Giles (Robert Douglas) is the Master. In the source novel, these characters are Knights Templar, whom Sir Walter Scott invariably depicted as villains. It is unclear whether the change was made because of the Production Code (Templars were a monastic order, so hostile depictions might fall under the rules against negative depictions of clergy), or to avoid upsetting the Masonic Knights Templar, of which a number of distinguished Hollywood figures were members. See more »
The camels in the movie are Bactrian (Asian two-humps), whereas camels in the Middle East are dromedary (one-hump). See more »
[Sir Kenneth tries to steal a kiss]
No, no, my dearly betrothed. Richard would set the headsman on your neck - he has said as much.
Then kiss me quickly, my bonnie, while these lips are still warm.
No, no! (they kiss) Ah, this is a pleasant madness.
A lunacy with which I would love to be afflicted... to the end of my life. If Richard would take my life, I must kiss softly.
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King Richard and the Crusaders is directed by David Butler and adapted to screenplay by John Twist from the novel "The Talisman" written by Sir Walter Scott. It stars Rex Harrison, Viginia Mayo, George Sanders, Laurence Harvey, Robert Douglas, Michael Pate and Paula Raymond. A WarnerColor/CinemaScope production, music is by Max Steiner and cinematography by J. Peverell Marley.
Unfairly maligned as one of the 50 worst movie of all time, David Butler's picture has enough spectacle about it to ensure it can be enjoyed by fans of such fluffy fare. The script is often awful, the historical accuracy equally so, while Rex Harrison who is otherwise excellent singing like a love sick minstrel, is a touch bizarre! But on the other side of the fence is the lush colour, the costuming, Harrison and Sanders' playful jostling, Steiner's rumbling score and the lively action scenes (mucho jousting high in calibre).
It for sure isn't approaching the top end of the swords and shields list of movies, but is it really worse than the likes of Androcles and the Lion, Helen of Troy, Sword of Lancelot etc? No say I! There's fun to be had, both intentional and otherwise. 6/10
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