Johnny Guitar
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6 items from 2017


New to Streaming: ‘Punch-Drunk Love,’ ‘Free Fire,’ ‘The Salesman,’ and More

7 July 2017 5:01 AM, PDT | The Film Stage | See recent The Film Stage news »

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

Best in Show (Christopher Guest)

Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is »

- Jordan Raup

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James Dean, Johnny Guitar and Film Noir: The 7 Essential Films of Nicholas Ray

30 June 2017 8:01 AM, PDT | Indiewire | See recent Indiewire news »

With Nicholas Ray’s first film, “They Live By Night” recently restored by the Criterion Collection – after the company did a remarkable job with his “Bigger Than Life” and “In a Lonely Pace” – and “Johnny Guitar” set to get it’s streaming debut this weekend on Hulu (July 1), it’s a good time to review the career of one of Hollywood’s greatest mavericks.

Unlike most legendary auteurs, Ray’s career is incredibly uneven. He was a square peg trying to fit into the cylinder of Hollywood, but completely unwilling to round his sharp corners. It wasn’t that his style couldn’t adapt to Hollywood, as his mastery of storytelling through the use of space, composition and performance was readymade for the studio era. However, his uncompromising view of life and the existential struggle of his characters never fit neatly in stories with a clear resolution. His ability to »

- Chris O'Falt

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When In Disgrace With Fortune and Men's Eyes: Close-Up on Nicholas Ray's "In a Lonely Place"

2 June 2017 4:39 AM, PDT | MUBI | See recent MUBI news »

Close-Up is a column that spotlights films now playing on Mubi. Nicholas Ray's In a Lonely Place (1950) is playing  June 2 - July 2, 2017 on Mubi in the United Kingdom as part of the series The American Noir.Although mostly remembered now by the public for his 1955 classic Rebel Without a Cause, Nicholas Ray left behind him a legacy of over twenty feature films. A veritable cinematic explorer, Ray traversed genres ranging from noir, western (most notably his 1954 gender-bending cult Trucolor extravaganza Johnny Guitar), melodrama, epic and experimental film. He dared as few would to shoot in remote and forbidding locations such as the Arctic and Everglades National Park.  What are Ray’s films about? As in his signature piece Rebel, despite Ray’s wide-ranging endeavors in genre and subject matter we are often met with anti-hero protagonists who struggle and rail against authority while lamenting their meaningless and circumscribed existences. »

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David Reviews Michael Curtiz’s Mildred Pierce [Criterion Collection Blu-Ray Review]

21 February 2017 5:00 AM, PST | CriterionCast | See recent CriterionCast news »

With the new release of Mildred Pierce, the Criterion Collection appears to be solidifying a trend over the past couple years of providing a showcase for some of the greatest female actors from Hollywood’s Golden Age. Since late 2014, stars like Claudette Colbert (It Happened One NightThe Palm Beach Story), Rita Hayworth (Gilda, Only Angels Have Wings) and Rosalind Russell (His Girl Friday) have made their first appearances in the Collection, in what can be considered career-defining roles. These additions seem to be addressing a notable blind spot for Criterion. As impressive as their reach has been in bringing many of the most iconic women from the past hundred years of world cinema to the forefront, the continuing absence of silver screen legends like Bette Davis, Olivia de Havilland, Greta Garbo and Elizabeth Taylor, just to name a few, seems like a lingering oversight, a problem yet to be »

- David Blakeslee

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Women on the Verge of a Nervous Breakdown

31 January 2017 11:39 AM, PST | Trailers from Hell | See recent Trailers from Hell news »

Women on the Verge of a Nervous Breakdown

Blu-ray

The Criterion Collection 855

1988 / Color / 1:85 widescreen / 89 min. / Mujeres al borde de un ataque de nervios / available through The Criterion Collection / Street Date February 21, 2017 / 39.95

Starring Carmen Maura, Fernando Guillén, Antonio Banderas, Julieta Serrano, Rossy de Palma, María Barranco, Kiti Manver, Guillermo Montesinos, Chus Lampreave, Yayo Calvo, Loles León, Ángel de Andrés López, José Antonio Navarro.

Cinematography: José Luis Alcaine

Film Editor: José Salcedo

Original Music: Bernardo Bonezzi

Produced by: Augustin Almodóvar

Written and Directed by Pedro Almodóvar

Connected film festival attendees learned about Pedro Almodóvar before everybody else, especially if they had an understanding of new developments in Spanish cinema. Film school had shown us nothing but the very exceptional work of Luis Buñuel, most of which is really from Mexico and France. In the 1980s we Angelenos were just getting access to films by the old-school ‘traditional’ rebel Spaniards Carlos Saura and Juan Antonio Bardem. »

- Glenn Erickson

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Mildred Pierce

28 January 2017 3:01 PM, PST | Trailers from Hell | See recent Trailers from Hell news »

Mildred Pierce

Blu-ray

The Criterion Collection 860

1945 / B&W / 1:37 flat Academy / 111 min. / available through The Criterion Collection / Street Date , 2017 /

Starring Joan Crawford, Jack Carson, Zachary Scott, Eve Arden, Ann Blyth, Bruce Bennett, Lee Patrick, Moroni Olsen, Veda Ann Borg, Jo Ann Marlowe, Butterfly McQueen.

Cinematography: Ernest Haller

Art Direction: Anton Grot

Film Editor: David Weisbart

Original Music: Max Steiner

Written by: Ranald MacDougall from the novel by James M. Cain

Produced by: Jerry Wald, Jack L. Warner

Directed by Michael Curtiz

James M. Cain’s 1941 novel Mildred Pierce offers a venal and self-destructive view of America not with a story of respectable bourgeois society, not the criminal underworld. A de-classed, suburb-dwelling nobody fights her way onto the social register by using men and by hard work… and then watches as her obsessive goals blow up in her face In Cain’s worldview it’s every woman for herself. He drags in an odd personal theme, »

- Glenn Erickson

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2004

6 items from 2017


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