IMDb > Johnny Guitar (1954)
Johnny Guitar
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Johnny Guitar (1954) More at IMDbPro »


Overview

User Rating:
7.7/10   9,549 votes »
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Director:
Writers:
Philip Yordan (screenplay)
Roy Chanslor (novel)
(more)
Contact:
View company contact information for Johnny Guitar on IMDbPro.
Release Date:
27 May 1954 (USA) See more »
Genre:
Tagline:
Gun-Queen of the Arizona Frontier ! . . . and her kind of men !!!
Plot:
A strong willed female saloon owner is wrongly suspected of murder and bank robbery by a lynch mob, when she helps a wounded gang member. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 win See more »
NewsDesk:
(64 articles)
Viennale 2014. Cinema's Torch
 (From MUBI. 12 November 2014, 11:53 AM, PST)

Voting On The Most Badass Villain In Cinema Is Now Open
 (From FEARnet. 5 May 2014, 12:00 PM, PDT)

The Alamo Drafthouse 100 Essential Favorite Films
 (From Rope Of Silicon. 13 December 2013, 1:15 PM, PST)

User Reviews:
Color, Color, Everywhere! See more (98 total) »

Cast

  (in credits order) (verified as complete)

Joan Crawford ... Vienna

Sterling Hayden ... Johnny 'Guitar' Logan

Mercedes McCambridge ... Emma Small
Scott Brady ... Dancin' Kid

Ward Bond ... John McIvers
Ben Cooper ... Turkey Ralston

Ernest Borgnine ... Bart Lonergan

John Carradine ... Old Tom

Royal Dano ... Corey
Frank Ferguson ... Marshal Williams

Paul Fix ... Eddie

Rhys Williams ... Mr. Andrews
Ian MacDonald ... Pete
rest of cast listed alphabetically:
India Adams ... Singer for Miss Joan Crawford (singing voice) (uncredited)
Trevor Bardette ... Jenks (uncredited)
George Bell ... Posseman (uncredited)
Bob Burrows ... Posseman (uncredited)
Curley Gibson ... Posseman (uncredited)
Chick Hannan ... Posseman (uncredited)
Clem Harvey ... Posseman (uncredited)
Frank Marlowe ... Frank - Bartender (uncredited)
John Maxwell ... Jake - Bank Clerk (uncredited)
Jack Montgomery ... Posseman (uncredited)
Sheilk O'Brien ... Posseman (uncredited)
Robert Osterloh ... Sam (uncredited)

Denver Pyle ... Posseman (uncredited)
Rocky Shahan ... Cowboy at Hanging (uncredited)
Dean Williams ... Posseman (uncredited)
Sumner Williams ... Posseman (uncredited)
Sheb Wooley ... Posseman (uncredited)

Will Wright ... Ned - Bank Teller (uncredited)

Directed by
Nicholas Ray 
 
Writing credits
Philip Yordan (screenplay)

Roy Chanslor (novel)

Ben Maddow  uncredited
Nicholas Ray  uncredited

Produced by
Nicholas Ray .... producer (uncredited)
 
Original Music by
Victor Young 
 
Cinematography by
Harry Stradling Sr. (director of photography) (as Harry Stradling)
 
Film Editing by
Richard L. Van Enger 
 
Art Direction by
James W. Sullivan  (as James Sullivan)
 
Set Decoration by
Edward G. Boyle (set decorations)
John McCarthy Jr. (set decorations)
 
Costume Design by
Sheila O'Brien (costumes designed by)
 
Makeup Department
Peggy Gray .... hair stylist
Bob Mark .... makeup supervisor
 
Second Unit Director or Assistant Director
Herbert E. Mendelson .... assistant director (as Herb Mendelson)
 
Sound Department
T.A. Carman .... sound
Howard Wilson .... sound
 
Special Effects by
Howard Lydecker .... special effects
Theodore Lydecker .... special effects
 
Stunts
Robert Bradshaw .... stunts (uncredited)
Jack Montgomery .... stunts (uncredited)
Rocky Shahan .... stunts (uncredited)
Charles Wilcox .... stunts (uncredited)
 
Camera and Electrical Department
Nels Mathias .... grip (uncredited)
 
Music Department
Sidney Cutner .... orchestrator (uncredited)
Leo Shuken .... orchestrator (uncredited)
Stanley Wilson .... additional orchestrator (uncredited)
 
Other crew
Herbert J. Yates .... presenter
Jason Lindsey .... dialogue director (uncredited)
Ralph McCutcheon .... horse trainer (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
110 min | West Germany:104 min (cut version)
Country:
Language:
Color:
Color (Trucolor)
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:16 | Australia:PG | Brazil:14 | Canada:PG | Chile:18 | Finland:K-16 | Iceland:12 | Netherlands:18 (original rating) (1955) | Norway:16 | Portugal:M/12 | Sweden:15 | UK:A (original rating) (passed with cuts) | UK:PG (tv rating) | UK:PG (video rating) (1986) (1998) | USA:Unrated | USA:Approved (PCA #16818) | West Germany:12 (nf) (cut version) | West Germany:16 (nf) (original rating)

Did You Know?

Trivia:
This film was intended for 3D viewing.See more »
Goofs:
Continuity: In the first long scene, ostensibly one uninterrupted time sequence, Vienna wears three very different shades of lipstick: first a bright magenta, then a dark tomato red, then a medium carmine shade.See more »
Quotes:
Vienna:[Spoken to Johnny Guitar, with a certain scornful bitterness] A man can lie, steal... and even kill. But as long as he hangs on to his pride, he's still a man. All a woman has to do is slip - once. And she's a "tramp!" Must be a great comfort to you to be a man.See more »
Movie Connections:
Featured in Pure Blood (1982)See more »
Soundtrack:
Johnny GuitarSee more »

FAQ

This FAQ is empty. Add the first question.
38 out of 53 people found the following review useful.
Color, Color, Everywhere!, 9 September 2002
Author: telegonus from brighton, ma

This deservedly legendary western has to be seen to be believed. Directed by Nicholas Ray in blazing color, courtesy of Harry Stradling, Jr., it's western featuring the rivalry between two women, Joan Crawford and Mercedes McCambridge, as they quarrel over two men, Sterling Hayden and Scott Brady, and shake things up in the Old West, Hollywood style, 1954. The film is for all practical purposes experimental. Ray is indulging himself in color, composition and space, nudging the viewer toward laughter at every twist and turn of its convoluted plot. As a purely visual exercise the film is a rousing success. Although Victor Young's music is nice, and the late Peggy Lee does a good job with the title tune, this one's better with the sound off. It is a movie to see, to experience, and very hard to discuss. Lord knows, I've tried. If you can make sense out of it, I'll buy you dinner. My best guess is that Ray was taking all the aspects of film that are traditionally ancillary and incidental, and putting them ahead of everything else. What I like most about Johnny Guitar is the way Joan Crawford's saloon is designed, the undergound cave, the waterfall, the cabin on top of the hill, the moments of intimacy and emotion as they occur in these places, and how the viewer is encouraged to suspend his disbelief of what the story is about and give into his emotions, as the characters give into theirs', and let the devil take the hindmost. Ray succeeded marvelously here, as there's nothing else quite like this one; and the movies in general as far as I'm concerned are still lagging behind it, by several decades.

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