Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
Pilot for a proposed western series about a footloose, guitar-strumming cowboy who helps folks with their problems. In the pilot episode, Johnny is hired to provide music for a wedding and ... See full summary »
Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through, but the townsfolk want her gone. When four men hold up a stagecoach and kill a man the town officials, led by Emma Small, come to the saloon to grab four of Vienna's friends, the Dancin' Kid and his men. Vienna stands strong against them, and is aided by the presence of an old acquaintance of hers, Johnny Guitar, who is not what he seems. Written by
Ed Sutton <firstname.lastname@example.org>
The film was part of a package that included Roy Chanslor, a former journalist turned screenwriter, who wrote the screenplay especially for Joan Crawford. At the time, Republic was considered the most prestigious of the minor studios and Nicholas Ray's contract with them gave him a great deal of creative freedom despite the film's modest budget. One of the first things he did was hire Philip Yordan for a complete rewrite of the script. Yordan later said, "He collaborated with me less on the dramatic than the architectural level, creating settings like the saloon, working on the geometrical relationships between places." See more »
After the bank robbery, Vienna and Johnny Guitar are riding along in a buggy drawn by a single horse. While the horse sounds like it is only trotting along, the scenery rushing past the buggy makes it appear the buggy is going at highway speed. See more »
[Dining privately with Vienna in her upstairs room]
Tell me, why did you pick this spot to build? How could you possibly know that the railroad was coming this way?
Some time ago I ran into your surveyor and... we exchanged confidences. When the railroad comes through here, how much do you think this property will be worth?
What's Albuquerque worth?
How would you like to share in it? I'll need all the help I can get.
I couldn't help you. I'm not very handy with a gun.
I'm offering you an ...
[...] See more »
This film is a "western" Noir Film and a passionate love story
The action takes place in the lands of Arizona, around 1880, for several days. Johnny Logan, aka Johnny "Guitar" (Sterling Hayden) is a legendary gunslinger who wants to change her life and agrees to work in Arizona as a guitarist of the "saloon" in Vienna (Joan Crawford), a lover of Dancing Kid (Scott Brady), a former boyfriend Emma Small (Mercedes McCambridge).
"Johnny Guitar" is the ninth film by Nicholas Ray, which is essential in his films and one of his "westerns" most important. The screenplay is written by Ben Maddow, who lends his name to be Philip Yordan away from the office by the "witch hunt" is based on the novel "Johnny Guitar" (1953), Roy Chanslor. Is filmed on location in Red Rock Crossing and other locations in Sedona (Arizona) and in the studio, with a budget of series B. Produced by J. Herbert Yates,
The film is a "western", a work of Cinema Noir and a passionate love story. As "western" transgresses genre norms, because it abandons the usual male exaltation, facing two strong women. Revenge is not conceived as an end in itself: it becomes regarded as a medium. The adventure gives way to romantic drama importance rests on a basic architecture of Cinema Noir. The characters who work in the film are losers, loners, who bear the burden of defeat, frustration and bitterness. Your profile is far from conventional western mythology. Moreover, the film looks at the world through the eyes of deep pessimism believes that corruption is an essential part of it, that society punishes sincerity, innocence and love, vengeance and greed determine the behavior of people Nicholas Ray is concerned adolescence and youth, to which he devotes a later work ("Rebel without a Cause", 1955). Nesting denounces violence in American society and shows the rough face of frustration and sexual repression. It makes use of symbols (guitar) and builds a bitter allegory of the "witch hunt". The characters are well constructed; the talks are fluid, concise and expressive and address special attention to gestures, glances and movements, sometimes wilfully exaggerated
The music, by Victor Young, combines compositions of strings, piano and brass, of great intensity. It focuses on the song "Johnny Guitar" by V. Young and Peggy Lee. Photography makes use of white and black in the locker room to use the system Truecolor, visually gimmicky, and interpretation of Joan Crawford is memorable.
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