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Johnny Guitar (1954)

 -  Drama | Western  -  27 May 1954 (USA)
7.7
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Ratings: 7.7/10 from 9,729 users  
Reviews: 99 user | 66 critic

A strong willed female saloon owner is wrongly suspected of murder and bank robbery by a lynch mob, when she helps a wounded gang member.

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(screenplay), (novel), 2 more credits »
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Title: Johnny Guitar (1954)

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Cast

Complete credited cast:
...
...
...
Scott Brady ...
...
John McIvers
Ben Cooper ...
Turkey Ralston
...
...
...
Corey
Frank Ferguson ...
Marshal Williams
...
Eddie
...
Mr. Andrews
Ian MacDonald ...
Pete
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Storyline

Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through, but the townsfolk want her gone. When four men hold up a stagecoach and kill a man the town officials, led by Emma Small, come to the saloon to grab four of Vienna's friends, the Dancin' Kid and his men. Vienna stands strong against them, and is aided by the presence of an old acquaintance of hers, Johnny Guitar, who is not what he seems. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

Gun-Queen of the Arizona Frontier ! . . . and her kind of men !!!

Genres:

Drama | Western

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 May 1954 (USA)  »

Also Known As:

Johnny Guitare  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(RCA Sound System)

Color:

(Trucolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

According to Penny Stallings' "Flesh and Fantasy", the crew broke into spontaneous applause after one of Mercedes McCambridge's powerhouse scenes, which infuriated star Joan Crawford. According to Nicholas Ray, he then began shooting the younger actress' scenes in the early morning before Crawford got there. After the star witnessed one of these early shoots, she flew into a rage, broke into McCambridge's dressing room and slashed her clothes to shreds. McCambridge blamed her next two years of inactivity on Crawford's repeated attempts to blacklist her. See more »

Goofs

In the beginning of the film, when Johnny Guitar passes by the miners riding, his shadow is projected to his left side. In the next shot it is projected to his right side. See more »

Quotes

Vienna: You haven't changed at all, Johnny.
Johnny: What made you think I had?
Vienna: In five years, a person should learn something.
Johnny: Five years ago, I met you in a saloon; now I find you in one. I don't see much change.
Vienna: Except I *own* this one.
See more »

Connections

Referenced in Passeio com Johnny Guitar (1996) See more »

Soundtracks

Johnny Guitar
by Peggy Lee and Victor Young
Sung by Peggy Lee
Heard instrumentally over the opening credits and throughout the film
Played on the piano by Joan Crawford (dubbed)
Sung partially at the end by Peggy Lee
See more »

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User Reviews

An enjoyable film - but a very unusual western
10 April 2004 | by (United Kingdom) – See all my reviews

Just outside of town is a small saloon where the owner, Vienna, plans to develop a new town once the railroad comes through. However her associations with criminals (namely the Dancin' Kid and his gang) bring the disapproving Emma Small and the authorities to the saloon. Aided by the arrival of a man from her past, Vienna stands against them, but only succeeds in putting off the inevitable confrontation in a situation made worse by love and deception.

I came to this film simply because it was the username of another person on the imdb boards and I was intrigued as to what it was about. The film starts as a western but it simply doesn't conform to that genre, instead it is a weirdly matriarchal piece where the traditional roles are almost roundly reversed and the whole film has an otherworldly feel to it. The plot summary doesn't really do justice to a story that essentially comes down to being a battle between Emma and Vienna as well as throwing up all manner of issues regarding the relationships between the characters. The western clichés become secondary to these relationships and the director seems to prefer these to any lynching or shoot out.

The full colour of the film gives it a gaudy, otherworldly appeal that is very enjoyable. Fires range in terrible, hellish reds, while shadows divide scenes of emotional complexity. Heck, it even goes down to the basic level of having the innocent Vienna dressed in perfect white before doing a blood red shirt to become a fugitive. Not all of this works of course, and several times I wished it would settle down into a film that I could recognise rather than being so different from what I am used to, but it was more interesting as a result (aside from being less accessible).

The cast are roundly good but the fireworks belong to the two lead actresses. Despite being the title character, Hayden is rather underplayed but I think that was the point - he is not the typical Western man's man. Crawford is very good as Vienna but she is out-hammed and out-vamped by McCambridge who is excellent. In any other film her performance would be woefully OTT but against the background of a saloon burning with a hellish fire, her facial expression work very well and her whole performance fits well too.

Overall this film is no classic western - mainly because it is not a western but rather a complex story in western clothes. The gaudy colours and cleverly framed shots only serve to enhance a plot that is difficult to fully appreciate but is engaging none the less.


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