The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of filmmaking as a "communal way of life." Ray plays himself in the ... See full summary »
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through, but the townsfolk want her gone. When four men hold up a stagecoach and kill a man the town officials, led by Emma Small, come to the saloon to grab four of Vienna's friends, the Dancin' Kid and his men. Vienna stands strong against them, and is aided by the presence of an old acquaintance of hers, Johnny Guitar, who is not what he seems. Written by
Ed Sutton <email@example.com>
In the beginning of the film, when Johnny Guitar passes by the miners riding, his shadow is projected to his left side. In the next shot it is projected to his right side. See more »
Maybe you're right, Bart. This dust and sand is bad for Corey's lungs. How'd you like to come home with me, Corey?
Where's your home?
New York? I been there. Stinks of fish!
And where you come from don't stink... much.
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I have seen Sterling Hayden in a lot of film that I have been picking up lately, and I must say that I think that he is one of the most underrated actors in Hollywood history. Anyway, there is nothing like mob mentality, and this film proves it. Good acting, good script, Ernest Borgnine (Nicholas Ray gets bonus points for casting him), and some pretty good direction make this a worthwile western for any fan of the genre. Only a couple a places with some shoddy editing make this film kinda weak in my eyes.
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