The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through, but the townsfolk want her gone. When four men hold up a stagecoach and kill a man the town officials, led by Emma Small, come to the saloon to grab four of Vienna's friends, the Dancin' Kid and his men. Vienna stands strong against them, and is aided by the presence of an old acquaintance of hers, Johnny Guitar, who is not what he seems. Written by
Ed Sutton <firstname.lastname@example.org>
Although Philip Yordan is credited as a screenwriter on the film, his contribution to the screenplay actually was written by Ben Maddow, whom Yordan fronted for, splitting the fee with the black-listed writer. See more »
After the bank robbery, Vienna and Johnny Guitar are riding along in a buggy drawn by a single horse. While the horse sounds like it is only trotting along, the scenery rushing past the buggy makes it appear the buggy is going at highway speed. See more »
Look... everybody's looking at me. It's the first time I ever felt important.
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I was 15 the very first time I watched this wonderful movie, and from that moment it became a kind of cult classic, a cinema icon, for me. I had to wait over ten years to be able to enjoy it again, and by this time it had reached the category of legend on my personal film paradise. The great score by Victor Young, which I never could forget, is probably the most romantic and sentimental music ever composed for the screen, with the Johnny Guitar theme, with the voice of Peggy Lee, bringing us the fascination of the legend they called Johnny Guitar. Also the fantastic colourful images, with those reddish tones of fire and passion, and the backgrounds, the landmarks, the characters and the sutile and perfect dialogues, make this film a total masterpiece or modern cinema. A western without savages, cavalry, rodeos, and the usual John Ford stuff. A different western, ahead of its time, and very misunderstood by the public then, but, fortunately, reborn from the limbo and forgiveness, rediscovered by new generations, and still alive, fresh as in its first day, and always inmortal. Joan Crawford was never so great, and the exchange of poisoned words with McCambridge at the saloon "You haven't got the nerve" , and "If I don't kill you first" on reply to "I'll kill you" by Emma, makes me to smile, as both characters show they wear the trousers rather than the men do. In short, there never was a film like Johnny Guitar, and there never will. Now, on its 50th aniversary, it is time to enjoy it once more, and to wish that we could have been at Vienna's, being part of that group of characters with no equal in cinema iconography.
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