The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of filmmaking as a "communal way of life." Ray plays himself in the ... See full summary »
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him ... See full summary »
Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through, but the townsfolk want her gone. When four men hold up a stagecoach and kill a man the town officials, led by Emma Small, come to the saloon to grab four of Vienna's friends, the Dancin' Kid and his men. Vienna stands strong against them, and is aided by the presence of an old acquaintance of hers, Johnny Guitar, who is not what he seems. Written by
Ed Sutton <email@example.com>
Boom shadow at top of frame, as Sterling Hayden waits for Vienna to change clothes in the mineshaft. See more »
[the posse has come to Vienna's, demanding the whereabouts of the Dancin' Kid's gang]
We came for the Kid and his bunch.
[Calmly sitting and playing the piano]
That's what you said yesterday.
We came for you too, Vienna.
[Still playing the piano, unperturbed]
Why? I had nothing to do with robbing the bank. Every man here knows that. I don't have to hold up banks. All I have to do is sit here and wait for the railroad to come through. And that is my intention.
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When Johnny Guitar opened in Brazil probably in 1955, it was released through a big chain of movie theaters and I remember it being quite successful at the box office, no doubt also helped by the song that was a huge hit. Except for a few critics, most people took it just as a good western with no second thoughts. But there was more to it, "as François Truffaut wrote in his review when it was first shown in France "Never trust in appearances. Beauty and profundity are not always found in the "obvious" traditional places; a Trucolor Western from humble Republic can throb with the passion of "l'amour fou" or whisper with an evening delicacy."" (from "The Western" by Phil Hardy, page232). Seeing it recently I was impressed with the fast pace of the film, the great dialogs, the unusual settings, the incredibly strong presence of Joan Crawford, the hysterical character played by Mercedes McCambridge. Nicholas Ray was a creative director and his great achievement in this film was to take the story seriously, and not try to make a satire.
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