After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through, but the townsfolk want her gone. When four men hold up a stagecoach and kill a man the town officials, led by Emma Small, come to the saloon to grab four of Vienna's friends, the Dancin' Kid and his men. Vienna stands strong against them, and is aided by the presence of an old acquaintance of hers, Johnny Guitar, who is not what he seems. Written by
Ed Sutton <firstname.lastname@example.org>
Joan Crawford insisted on her close-ups only being filmed in the studio, where the lighting could be rigidly controlled. No close-up of her was ever shot while on location. See more »
When Johnny has the shootout with Bart in front of the hill-top cabin, in the background we can see Vienna standing on the deck of the cabin, her body all the way to the timber railing. She is in sunlight. Then the view of her goes to a closeup, but now she is standing inside the door opening - in what is obviously a studio shot. This is probably connected to the fact that Joan Crawford insisted on her close-ups only being filmed in the studio, where the lighting could be rigidly controlled. No close-up of her was ever shot while on location. See more »
Johnny Guitar (Sterling Hayden) walks into a saloon run by Vienna (Joan Crawford), who is his past love whom he hasn't seen for five years. He's looking for a job as guitar player. Many things has changed since they saw each other for the last time, Vienna turned from a plain saloon singer to its owner, and Johnny Guitar, also known as John Logan, one of the fastest to draw the gun in the West, passed through many tribulations too, but one thing immediately becomes clear as they meet again (`I've waited for you, Johnny') that the major suffering they had to pass through was the solitude, the pain of separation from each other.
But five years is a long time and `How many man have you forgotten? As many as you remember.' There's a man she hasn't forgotten yet called Dancing Kid and there's also a woman who haven't forgiven Vienna for not forgetting him, his most dangerous rival in life and in love Emma (Mercedes McCambridge), ready to stop before nothing to have her revenge on Vienna and get Dancing Kid's heart back from her possession.
But `Spin the wheel, Eddie!' and here is Emma together with town's Marshal accusing Dancing Kid and his partners of recently committed robbery. The accusation that soon makes them go against the law and flee together with Johnny and Vienna. `Keep the wheel spinning, Eddie!' There they are on the run towards the end culminating in a duel between the two women and in so many loves and so many deaths. `Stop spinning the wheel, Eddie!'
Fabulous acting by fabulous actors, wonderful script with unforgettably intelligent and witty dialogs, magnificent direction and intensity of passions surpassing the impact of deaths of `cowboys dying with the grace of ballet dancers' (François Truffaut in his review on the film). What more can I say? Simply one of the greatest Westerns ever made that deserves to be seen and seen again. 10/10
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