The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of filmmaking as a "communal way of life." Ray plays himself in the ... See full summary »
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
Odd little Western that gets off to a snappy start when a man (Matt Dow) is mistaken as a train robber. After the town's sheriff shoots the kid he's riding with, Dow clears his name and ... See full summary »
Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him ... See full summary »
Susan is in the hospital with a bullet near her heart. Marian has told the police that she shot Susan in a rage as Susan was giving up singing. Marian and Luke found Susan when she was a ... See full summary »
Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through, but the townsfolk want her gone. When four men hold up a stagecoach and kill a man the town officials, led by Emma Small, come to the saloon to grab four of Vienna's friends, the Dancin' Kid and his men. Vienna stands strong against them, and is aided by the presence of an old acquaintance of hers, Johnny Guitar, who is not what he seems. Written by
Ed Sutton <email@example.com>
Several sources claim that Dennis Hopper appeared as an uncredited extra in this film. However, Hopper himself denied this in an interview. See more »
When Johnny has the shootout with Bart in front of the hill-top cabin, in the background we can see Vienna standing on the deck of the cabin, her body all the way to the timber railing. She is in sunlight. Then the view of her goes to a closeup, but now she is standing inside the door opening - in what is obviously a studio shot. This is probably connected to the fact that Joan Crawford insisted on her close-ups only being filmed in the studio, where the lighting could be rigidly controlled. No close-up of her was ever shot while on location. See more »
[Seeing, for the first time, Johnny Guitar wearing a gun, and not realizing who he really is]
Well, look at Mr. Guitar! All dressed up and looking mighty dangerous.
What did you want to tell me?
[Mockingly, and completely unaware that Johnny Guitar is actually an extremely capable gunfighter]
Oh, I'm too scared, now that you've gotta' gun.
You better lay off him, Kid.
I wouldn't hurt him.
I wasn't thinking of *you* hurting *him.*
Oh, you mean he might shoot himself in the leg, trying to draw?
[...] See more »
When Johnny Guitar opened in Brazil probably in 1955, it was released through a big chain of movie theaters and I remember it being quite successful at the box office, no doubt also helped by the song that was a huge hit. Except for a few critics, most people took it just as a good western with no second thoughts. But there was more to it, "as François Truffaut wrote in his review when it was first shown in France "Never trust in appearances. Beauty and profundity are not always found in the "obvious" traditional places; a Trucolor Western from humble Republic can throb with the passion of "l'amour fou" or whisper with an evening delicacy."" (from "The Western" by Phil Hardy, page232). Seeing it recently I was impressed with the fast pace of the film, the great dialogs, the unusual settings, the incredibly strong presence of Joan Crawford, the hysterical character played by Mercedes McCambridge. Nicholas Ray was a creative director and his great achievement in this film was to take the story seriously, and not try to make a satire.
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