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Mamie Van Doren
At Rio Galdez's remote Brazilian trading post live assorted outcast Americans and Europeans, including Jerry Russell, ex-engineer who became obsessed with the Jivaro headhunters' treasure, quit his job, and took up with the bottle and local girl Maroa. But he still gets letters from his nominal fiancée in California, and unexpectedly the shapely, glamorous Alice Parker arrives, expecting to marry a rich planter. Disillusioned, Alice is almost ready to fall into Rio's arms when news comes that Jerry is missing in Jivaro country... Written by
Rod Crawford <firstname.lastname@example.org>
Fernando Lamas and Rhonda Fleming starred in this Pine-Thomas Production set in the Amazon tributary source country in Brazil. Jivaro is not about the Jivaro Indians who are the native inhabitants, but rather about the danger they are to anyone else. Clearly they are not a people to be messed with especially on their own turf.
It's on his turf that Lamas trades with the Jivaro, at his trading post on one of the Amazon tributaries. Lamas also owns a boat that makes The African Queen look like the Queen Mary. And on it he brings a passenger in the form of shapely Rhonda Fleming who has come unannounced to the area seeking her fiancé Richard Denning who 'owns' a big plantation.
Denning barely owns the clothes on his person. He's a dissolute drunk who came to the area seeking fame and fortune and he's still seeking it in the form of ancient Inca treasure in some lost city deep in the middle of Jivaro country. He's writing lies to Rhonda and taking up with native girl Rita Moreno.
And Denning has up and gone into the Jivaro country before Fleming arrived. Fleming also has Lamas and Brian Keith both panting hot and heavy after her, Keith a lot more crudely.
Jivaro is a competent well made action film with a dash of romantic pentagon in the mix. The credits don't list where Jivaro was shot and I doubt Paramount spent the money to go to the Amazon head water country. But Pine-Thomas did a very good job in recreating it, they were good that way, made competent pictures that looked good and never strained Paramount's budget.
I'd give this one a look.
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