The camp classic drama that catapolted De Carlo into stardom. During the Austrian-Prussian war, Anna Marie (De Carlo) is a dancer who is forced to flee her country after she is accused of ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
An artist working in a remote army post is juggling the storekeeper's daughter, his fiancée newly arrived from the east, and the Indian Chief's daughter. But when a vengeful settler manages... See full summary »
At the end of the Civil War, Frank and Jesse James and other former guerillas who rode with Quantrill and Bill Anderson take the oath of allegiance to the Union. Feeling oppressed by ... See full summary »
When a small town is overrun by the gang of outlaws. The Mayor finds that they are under the thumb of the gang's leader, villainous Hoyt Killian. The town's sheriff takes it upon himself to... See full summary »
Jesse James leaves Missouri for Mississippi, and immediately charms all the women in Mississippi out of their bloomers and garters. His first conquest is the banker's daughter who helps him loot the bank in exchange for a promise of marriage; he wanders over to the saloon and runs the crooked partner of the proprietress out of town, takes all of his-and-her money and leaves her, between kisses, hounding him for her share; the third one, the saloon singer, actually makes a mark out of him as she cons him into a boxing match against a professional fighter and he loses the fight and his money, but he holds the singer and the fighter up as they leave town and gets his money back; and then he romances and swindles Cattle Kate, a replay of what he had done somewhere before to Kate and the "gotcha-again" Kate even ends up behind bars. But no film that contains a cat-fight between Peggie Castle and Lita Baron can be called a complete waste of time. Written by
Les Adams <firstname.lastname@example.org>
Don Barry was a heck of an actor; he probably could have been a good director, with a better script and a bigger budget.
As it was, he showed some inventiveness with camera angles in this generally not very good movie.
The title could be rather off-putting, sounding like some kind of exploitation film. As it turned out, the title actually made sense, or at least as much sense as the story could provide.
Peggie Castle was lovely, and actually quite good in a role that could have been ruinous if played differently.
Some of the cast members seemed to have been recruited from bystanders, but ultimately most of them did as well as they could with the script.
Jack Buetel showed he could perform and should be known as more than Jane Russell's leading man in "The Outlaw." Several others did little or nothing other than this film, but one, Mac McAllister, showed enough professionalism and personality I think it's a shame he didn't do more.
In some ways this is a standard Western, but the saloon brawl was definitely non-stereotypical. If you see this film, be sure to pay attention to the sheriff during the fight.
My copy of this film is a DVD in Volume 36 of The Great American Western series from Echo Bridge Home Entertainment. It is not a very good quality picture, and, in too many places, the film was broken and spliced resulting in a jumpiness.
Still, all in all, this is a movie for Western fans and Don Barry fans to see at least once.
Added 18 July 2015: There are now some versions available at YouTube.com. Maybe at least one will be better quality.
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