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Jail Bait (1954)

Unrated | | Crime, Film-Noir, Thriller | 12 May 1954 (USA)
Vic Brady draws young Don Gregor into a life of crime. He then blackmails Gregor's plastic surgeon father into fixing up his face so he can evade the cops.

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(story), (story) | 2 more credits »
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Cast

Complete credited cast:
...
Inspector Johns
...
Marilyn Gregor
Herbert Rawlinson ...
Doctor Gregor
...
Lieutenant Bob Lawrence
Clancy Malone ...
Don Gregor
Timothy Farrell ...
Tedi Thurman ...
Loretta (as Theodora Thurman)
Bud Osborne ...
Night Watchman
Mona McKinnon ...
Miss Willis
Don Nagel ...
Detective Davis
John Robert Martin ...
Detective McCall
La Vada Simmons ...
Miss Lytell
Regina Claire ...
Newspaper Woman
John Avery ...
Police Doctor
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Storyline

Vic Brady draws young Don Gregor into a life of crime. He then blackmails Gregor's plastic surgeon father into fixing up his face so he can evade the cops.

Plot Summary | Plot Synopsis

Taglines:

Changing the Face of Crime Forever! See more »


Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

12 May 1954 (USA)  »

Also Known As:

Hidden Face  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Herbert Rawlinson was formerly a leading man in the silent film era. His acting career started in the early 1910s. See more »

Goofs

The police car has no markings on the door, front or rear. See more »

Quotes

Vic Brady: They've had my picture in the files so long it's getting moldy.
See more »

Connections

Edited from Yes Sir, Mr. Bones (1951) See more »

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User Reviews

An Ed Wood-Style Crime Drama
13 February 2006 | by (Ohio) – See all my reviews

In "Jail Bait", Ed Wood applies his boundless enthusiasm and limited talent to the crime movie genre. From a technical viewpoint, it's actually one of his less unsound features, although that cuts down somewhat on the unintentional laughs that it provides. The story is actually pretty solid, and could have served as the basis for a pretty good film-noir. Most of its weaknesses are in the acting, pacing, and dialogue, plus the occasional zany out-of-place detail.

The story uses a basically familiar setup, but adds a couple of extra components to it. Lyle Talbot and Steve Reeves play a pair of policemen investigating the misdeeds of a young man whose father is a highly respected doctor. The doctor and his daughter, meanwhile, try to protect the son both from the police and from the career criminal who has led him astray. For the most part, the story is conventional but believable, with a rather clever ending.

Most of the rest of the production does not come up to the level of the story. The ever-loyal Talbot gives his typically earnest performance, trying to make the dialogue sound as good as possible, while enduring some amusingly awkward interactions with the stilted Reeves. The rest of the cast is generally nondescript, and sometimes noticeably out of their depth.

The dialogue contains some of the expected unintentional laughs, and the characters often overexert themselves on unnecessary exposition or on pointing out details that were already completely obvious. The pacing, likewise, is inconsistent from scene to scene, although with fewer of the kinds of direction and editing slip-ups that generally characterize Wood's features.

No one could ever deny that Wood loved making movies, and he made sincere efforts to make them as well as he could, which is what has kept his movies so watchable despite their shortcomings. "Jail Bait" attempts to emulate the classics of its genre, but it is severely limited by the lack of talent and other resources.


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