Gladys Glover has just lost her modelling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on ... See full summary »
This musical reworking of TOO MANY HUSBANDS (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower ... See full summary »
Pinky Scariano, Allan Ross, and Frankie Davis all join the Army Air Forces with hopes of becoming pilots. In training, they meet and become pals with Bobby Grills and Irving Miller, and the... See full summary »
Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but ... See full summary »
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, ... See full summary »
Pat's a brilliant athlete, except when her domineering fiance is around. The lady's golf championship is in her reach until she gets flustered by his presence at the final holes. He wants ... See full summary »
Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough ... See full summary »
Gladys Glover has just lost her modelling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on other things -- like making a name for herself. Through a fluke of advertising she winds up with her name plastered over 10 billboards throughout city. Suddenly all of New York is clamoring for Gladys Glover without knowing why and playboy Evan Adams III is making a play for Gladys that even Pete knows will be hard to beat. Written by
In Peter's home movie, Evan is filmed driving towards him in the middle of the street. But when Evan actually arrived, Peter was down some steps next to the building, unaware of the Jaguar's approach, and not even filming. See more »
The Immortalization of Gladys Glover...and introducing Jack Lemmon
Judy Holliday was very lucky that she and Garson Kanin worked together so frequently. He had written the Broadway play BORN YESTERDAY that made her a stage star. He wrote the screenplay for her first major film, ADAM'S RIB, with his wife Ruth Gordon. Aided immeasurably by the directing of George Cukor, their success record continued in 1954 with IT SHOULD HAPPEN TO YOU. While BORN YESTERDAY dealt with political corruption, and ADAM'S RIB with the equality of the sexes in the law (in the extreme case of the use of the so-called "unwritten law"), IT SHOULD HAPPEN TO YOU is about the nature of fame and notoriety in modern society.
Gladys Glover (Judy) gets the idea of renting a large billboard near New York City's Columbus Circle, and having her photograph put on it. She's not afraid of doing such a nutty idea - she is a professional model. But her billboard would be advertising just her - not a product or company. The billboard has traditionally been used as the central ad-board for a soap corporation, owned by aristocratic and handsome Peter Lawford. He proceeds to try to romance Judy to get her to give up her lease of the board (which will end in a few months). But the huge degree of notice the board brings to Judy turns her life around. Although she has no message for the public, the public embraces her.
The one active critic she meets is a good looking young documentary maker, who can't see what she is gaining by this. It is not that Judy needs fame - she seems quite level headed. Moreover, the young man is growing jealous at the attentions showed by Lawford to her. He's a really nice young fellow (who would appear in another film with Judy shortly afterward). His name was Jack Lemmon. Usually people thinking of Lemmon's long career recall MR. ROBERTS as his first role. His performance as Ensign Pulver did win an Oscar, but he had made about three movies before that film, and his first role is here.
Michael Shea is also in the film, as a critic who first dismisses Judy as a fiction, like "Kilroy", but subsequently becomes an evil genius to her - becoming her overly forceful agent. And Judy does have to go through some real soul searching here as she determines whether notoriety and fame is worth the trouble it brings.
The film is funnier than this description may suggest. It ranks behind THE SOLID GOLD CADILLAC and BORN YESTERDAY as her best comic performance, completing an interesting trilogy commentary on society in the U.S. at mid-century.
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