Simon Belin is an actor touring the provinces with his company. Although talented he has never been given the opportunity to shine on stage. It is always Bérimont, a matinée idol past his ... See full summary »
Detective Marco is assigned to investigate a murder that has occurred at an exclusive boarding school for adolescent girls. The victim is a popular, wealthy girl found strangled in her bed.... See full summary »
Gervais and his friend Bernard, two prisoners of war, manage to escape from the camp where they are held. Bernard is determined to take refuge with Hélène, his war grandmother, a woman with... See full summary »
Georges Villard is a modest bank employee who dreams of earning more money so that he can live more comfortably. When Monsieur Steve offers him a chance to do just that he accepts without a... See full summary »
Isabelle, the daughter of multimillionaire Frank Lindstrom, chooses to marry an impoverished journalist, Jean de Charvin. Lindstrom is convinced that Jean is after the money Isabelle will ... See full summary »
Noel Annequin is the black sheep of a social-climbing bourgeois family who married for love and stayed in the country while his professional brothers were improving their social position. ... See full summary »
In the forties and the fifties,Henry Decoin's forte was the film noir:"non coupable" which remains ignored today might be his masterpiece,but there are other interesting works such as "la vérité sur Bébé Donge"or "les inconnus dans la maison" .The almost documentary approach of "Razzia sur la chnouff" (about drugs) seems modern even today.And some works which are difficult to see ("Maléfices" "Bonnes à tuer" and "tous peuvent me tuer" probably deserve to be watched).
"Les intrigantes " belongs to Decoin's films noirs.An extremely good cast (Jeanne Moreau,Raymond Pellegrin and Raymond Rouleau)is very appealing.It strongly displays Hitchcock's influence ,much more than his contemporaries Clouzot and Duvivier: Moreau's face reflected on Pellegrin's glasses is a quotation from "Strangers on a train" (1951) and the use of a theater during the whole movie and for the final sequences recall "stage fright" (1950).Rouleau plays a theater owner who is accused of pushing his associate from a foot-bridge above the stage.But the script is not really good.Moreau's and Pellegrin's (her lover) attitudes do not make much sense.Why ,for instance,does Moreau hide her husband in a mental hospital when he's about to be arrested ? Even if she wants to put him off the scent,it will not delude him for long anyway.
Louis de Funes's fans can be interested in his small part of a lousy playwright.He is not the comic relief though,this is reserved to a man called "Carcassone" whose interventions are irritating.
7 of 7 people found this review helpful.
Was this review helpful to you?