Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various ... See full summary »
Victor Boniface's life is not exactly a rest cure. Just imagine : Victor is both a store detective and a ... shoplifter (only when he walks in his sleep, mind you)! And falling in love ... See full summary »
In the middle of the night, deputy Philippe Dubaye wakes up his old friend Xavier Maréchal with disturbing news: he has just killed Serrano, a racketeer with extant political connections. ... See full summary »
Just released from prison after serving a six-month sentence, Fernand Bastia goes into hiding. He has indeed double-crossed his gang by keeping part of the product of a robbery for himself.... See full summary »
In the forties and the fifties,Henry Decoin's forte was the film noir:"non coupable" which remains ignored today might be his masterpiece,but there are other interesting works such as "la vérité sur Bébé Donge"or "les inconnus dans la maison" .The almost documentary approach of "Razzia sur la chnouff" (about drugs) seems modern even today.And some works which are difficult to see ("Maléfices" "Bonnes à tuer" and "tous peuvent me tuer" probably deserve to be watched).
"Les intrigantes " belongs to Decoin's films noirs.An extremely good cast (Jeanne Moreau,Raymond Pellegrin and Raymond Rouleau)is very appealing.It strongly displays Hitchcock's influence ,much more than his contemporaries Clouzot and Duvivier: Moreau's face reflected on Pellegrin's glasses is a quotation from "Strangers on a train" (1951) and the use of a theater during the whole movie and for the final sequences recall "stage fright" (1950).Rouleau plays a theater owner who is accused of pushing his associate from a foot-bridge above the stage.But the script is not really good.Moreau's and Pellegrin's (her lover) attitudes do not make much sense.Why ,for instance,does Moreau hide her husband in a mental hospital when he's about to be arrested ? Even if she wants to put him off the scent,it will not delude him for long anyway.
Louis de Funes's fans can be interested in his small part of a lousy playwright.He is not the comic relief though,this is reserved to a man called "Carcassone" whose interventions are irritating.
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