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Human Desire (1954)

Approved  |   |  Drama, Film-Noir, Romance  |  5 August 1954 (USA)
7.2
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Ratings: 7.2/10 from 2,278 users  
Reviews: 38 user | 23 critic

A Korean War vet returns to his job as a railroad engineer and becomes involved in a sordid affair with a co-worker's wife and murder.

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(screenplay), (novel) (as Emile Zola)
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Title: Human Desire (1954)

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Cast

Complete credited cast:
...
...
Vicki Buckley
...
Carl Buckley
...
Alec Simmons
Kathleen Case ...
Ellen Simmons
Peggy Maley ...
Jean
Diane DeLaire ...
Vera Simmons
Grandon Rhodes ...
John Owens
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Storyline

Jeff Warren, a Korean War vet just returning to his railroad engineer's job, boards at the home of co-worker Alec Simmons and is charmed by Alec's beautiful daughter. He becomes attracted immediately to Vicki Buckley, the sultry wife of brutish railroad supervisor Carl Buckley, an alcoholic wife beater with a hair trigger temper and penchant for explosive violence. Jeff becomes reluctantly drawn into a sordid affair by the compulsively seductive Vicki. After Buckley is fired for insubordination, he begs her to intercede on his behalf with John Owens, a rich and powerful businessman whose influence can get him reinstated. When Buckley suspects she has used sexual favors to persuade Owens, he stabs him to death in a jealous rage in a railroad compartment. Jeff, a potential witness to the homicide, becomes an accessory after the fact. Written by duke1029@aol.com

Plot Summary | Add Synopsis

Taglines:

She was born to be bad...to be kissed...to make trouble! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

5 August 1954 (USA)  »

Also Known As:

The Human Beast  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Fritz Lang wanted to film the movie in Jasper, Alberta, Canada. See more »

Goofs

The closing sequence shows the famous "Trenton Makes, The World Takes" bridge over the Delaware River and the NJ State Capitol out the side window of the locomotive over Jeff Warren's shoulder, meaning the train is headed south on the four-track Pennsylvania Railroad Northeast Corridor. The scene cuts to the front window and the train is on a single-line track in farmland passing a track gang. After Glen waves to the workers, the scene cuts back to a forward view of a three-track railroad passing an opposing steam train that was not visible in the previous shot. See more »

Quotes

Vera Simmons: Were the girls pretty in Tokyo?
Jeff Warren: Yep.
Vera Simmons: Did you date any, uh, beautiful Japanese girls?
Jeff Warren: Well, the officers got a hold of most of the beautiful ones before I got there.
See more »

Connections

Version of Cruel Train (1995) See more »

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User Reviews

 
Lang's gloomy remake of Renoir's "La bete humaine"
4 May 2003 | by (Ottawa) – See all my reviews

"Human Desire" is NOT one of Fritz Lang's masterpieces. Though it has its moments, it ultimately comes off as a second-rate work. A remake of Jean Renoir's 1938 "La bete Humaine" starring Jean Gabin, "Human Desire" is less successful than Renoir's adaptation of the Zola novel, but when all things considered, it is not bad, and is filled with some interesting geometric images & visuals. The film turns out to be gloomy, often bleak melodrama that has a striking affinity with Billy Wilder's "Double Indemnity" in its plot, dealing with a married woman (Gloria Grahame) trying to get rid of her bland husband (Broderick Crawford) through the help of a train engineer (Glenn Ford). If you stop concentrating on the melodramatic plot and focus on Lang's lovely architectural compositions, "Human Desire" becomes quite engrossing picture, on par with "The Big Heat", Lang's previous film noir with Grahame & Ford. From the first image to the last, the scenes of railroad tracks are masterfully handled: we see a series of precise lines and converging tracks moving forward. Moreover, Grahame and Crawford's rooms in their working class house are characterized by a series of squares, boxes, rectangles to conjure up a nightmarish vision of fate and destiny.

Also, it is worth noting that in the same house we see the appearance of television for the first time in Lang's films. Lang will later explore the dangers of media manipulation in his last two American films: "While the City Sleeps" and "Beyond a Reasonable Doubt".


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