| Charles Laughton | ... | Henry Horatio Hobson | |
| John Mills | ... | Willie Mossop | |
| Brenda de Banzie | ... | Maggie Hobson | |
| Daphne Anderson | ... | Alice Hobson | |
| Prunella Scales | ... | Vicky Hobson | |
| Richard Wattis | ... | Albert Prosser | |
| Derek Blomfield | ... | Freddy Beenstock | |
| Helen Haye | ... | Mrs. Hepworth | |
| Joseph Tomelty | ... | Jim Heeler | |
| Julien Mitchell | ... | Sam Minns | |
| Gibb McLaughlin | ... | Tudsbury | |
| Philip Stainton | ... | Denton | |
| Dorothy Gordon | ... | Ada Figgins | |
| Madge Brindley | ... | Mrs. Figgins | |
| John Laurie | ... | Dr. MacFarlane | |
| Raymond Huntley | ... | Nathaniel Beenstock | |
| Jack Howarth | ... | Tubby Wadlow | |
| Herbert C. Walton | ... | Printer | |
| rest of cast listed alphabetically: | |||
| Shirley Stelfox | ... | (unconfirmed) | |
| Edie Martin | ... | Old Lady Buying Shoelaces (uncredited) | |
Directed by | |||
| David Lean | |||
Writing credits | ||
| Harold Brighouse | (play "Hobson's Choice") | |
| David Lean | (screenplay) & | |
| Norman Spencer | (screenplay) and | |
| Wynyard Browne | (screenplay) | |
Produced by | |||
| David Lean | .... | producer | |
| Norman Spencer | .... | associate producer | |
Original Music by | |||
| Malcolm Arnold | |||
Cinematography by | |||
| Jack Hildyard | (photographed by) | ||
Film Editing by | |||
| Peter Taylor | |||
Art Direction by | |||
| Wilfred Shingleton | |||
Costume Design by | |||
| John Armstrong | |||
Makeup Department | |||
| Gladys Atkinson | .... | hairdresser | |
| George Partleton | .... | makeup artist | |
| Tony Sforzini | .... | makeup artist | |
Production Management | |||
| John Palmer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Adrian Pryce-Jones | .... | assistant director | |
| John George | .... | third assistant director (uncredited) | |
| Bert Pearl | .... | second assistant director (uncredited) | |
Art Department | |||
| William Hutchinson | .... | assistant art director (as Bill Hutchinson) | |
| James Sawyer | .... | draughtsman (uncredited) | |
Sound Department | |||
| Buster Ambler | .... | sound recordist | |
| John Cox | .... | sound supervisor | |
| Red Law | .... | sound recordist | |
| Barbara Hopkins | .... | dubbing crew (uncredited) | |
| Bob Jones | .... | dubbing crew (uncredited) | |
| Peter Meyers | .... | assistant boom operator (uncredited) | |
| Ken Ritchie | .... | boom operator (uncredited) | |
| Ivor Worsley | .... | dubbing crew (uncredited) | |
Visual Effects by | |||
| Bob Cuff | .... | matte painter (uncredited) | |
| Wally Veevers | .... | special processes (uncredited) | |
Camera and Electrical Department | |||
| Peter Newbrook | .... | camera operator | |
| Alan Hall | .... | clapper loader (uncredited) | |
| Ray Hearne | .... | still photographer (uncredited) | |
| Dennis C. Lewiston | .... | clapper loader (uncredited) | |
| Gerry Turpin | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Julia Squire | .... | costume supervisor | |
Editorial Department | |||
| Teddy Darvas | .... | assembly cutter (uncredited) | |
| Norman Savage | .... | first assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | music director | |
| Royal Philharmonic Orchestra | .... | music player (as The Royal Philharmonic Orchestra) | |
Other crew | |||
| Maggie Shipway | .... | continuity (as Margaret Shipway) | |
| Margaret Dukelow | .... | production secretary (uncredited) | |
| Maggie Unsworth | .... | continuity (uncredited) | |
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| Total Eclipse | Hobson's Choice | Hobson's Choice | The Ruling Class | Howards End |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
This film is still one of my all time favourites. The acting is superb, especially from Sir John Mills who delivers the most convincing piece of acting I have seen. Every part of this film is a joy to watch, from Charles Laughtons drunken behaviour to Brenda De Banzie's sheer determination to get what she wants by forcing Mills' character to stand up for himself once in his life.
They don't make films like this anymore, no profanity, no nudity and no innuendo.
A perfect family movie. You'd be mad to miss this next time you see it's coming on TV .