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One disaster after another happens on this trans-Pacific flight. You have the pilot who loses his nerve! The washed-up co-pilot. The milquetoast flight engineer. The young hot shot second officer. And a cabin full of passengers with every range of problems and personalities there could possibly be. Here you have the Duke in a role he didn't want, and a movie with the title song that became Duke's theme. What else could any John Wayne fan want? It's all here, and then some. Written by
At the time of the filming Hawai'i was not a state but it was a territory of the United States and going through immigration between Honolulu and the mainland was not necessary. No passports for US citizens were ever shown nor needed. See more »
When Jan Sterling showed a newspaper article to Robert Stack, it was dated 1948. Jan commented that the article was "8 years old". The movie was released in 1954, only 6 years after the article was written. See more »
Soundtrack music is important. Try thinking of 'Star Wars' without John Williams' symphonic score, and you'll see what I'm saying. Dimitri Tiomkin knew exactly how to write for this picture, and how to move the audience, for without his classic and at times choral-accentuated theme and the rousing orchestral cues throughout, this would have been merely a good film rather than the near-great film that it is. Had it been made this year, for example, using a contemporary film composer, I believe TH&TM wouldn't carry it off.
There doesn't seem to be a replacement for Tiomkin on the horizon, and we couldn't afford to lose him.
The best lines belong to Jan Sterling (that cosmetics scene is still gripping), Robert Newton, and lovely Claire Trevor, and there's a great low-keyed, anticlimactic finale.
A Nine from me.
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