Three good men - a broken boxer, an American veteran trying to win back his mother-dominated wife, and an air force sergeant married to a faithless actress - are corrupted by Miles ...
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When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
Three good men - a broken boxer, an American veteran trying to win back his mother-dominated wife, and an air force sergeant married to a faithless actress - are corrupted by Miles Ravenscourt, an amoral "gentleman." Because they need money, they let Miles lure them into his scheme to rob a postal van with a large cash cargo. Written by
Mike Rogers <MICHAELPEM@aol.com>
Coming to this with neutral expectations, and fresh from seeing Harvey in 'Room at the Top' for the umpteenth time, I was quite surprised to find it watchable, with lots of interesting facets and a cast who complement each other well. Baker (an actor whose work seems to be undergoing some appraisal at film festivals lately) gives some dignity to the down-on-his-luck prizefighter; Harvey convincingly plays an upper-class slimeball alternatively charming and terrorising his wife (interesting played by Margaret Leighton, who would become Mrs Harvey in real life), sparring with the father who despises him, and poisoning his 'friends' lives like a devious snake. Ireland, as the bitter GI with a film star wife flaunting her infidelities each time he comes home from leave, is effective, while Basehart, with a weedy wife and an overbearing mother-in-law, puts across his frustations nicely. So much for characterisation. The film is mainly taken up with a series of flashbacks, showing how the four men find themselves in the situation we see them in at the start. Once it moves back into the present, it feels rushed and the final moralistic voiceover almost kills it. Amongst the other players, Joan Collins as Basehart's wife doesn't do much besides pout and look pretty, while Gloria Grahame as the film actress manages to be simply irritating. All things considered, the film isn't a total success but has enough going on to keep you there with it.
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