| Videos (see all 4) |
| Akira Takarada | ... | Hideto Ogata | |
| Momoko Kôchi | ... | Emiko Yamane | |
| Akihiko Hirata | ... | Daisuke Serizawa-hakase | |
| Takashi Shimura | ... | Kyohei Yamane-hakase | |
| Fuyuki Murakami | ... | Professor Tanabe | |
| Sachio Sakai | ... | Newspaper Reporter Hagiwara | |
| Toranosuke Ogawa | ... | Nankai Shipping Company Manager | |
| Ren Yamamoto | ... | Masaji Sieji | |
| Kan Hayashi | ... | Chairman of Diet Committee | |
| Takeo Oikawa | ... | Chief of Emergency Headquarters | |
| Seijirô Onda | ... | Parliamentarian Oyama | |
| Tsuruko Mano | ... | Mrs. Sieji | |
| Toyoaki Suzuki | ... | Shinkichi Sieji | |
| Kokuten Kôdô | ... | The Old Fisherman | |
| Kin Sugai | ... | Ozawa-san | |
| Tadashi Okabe | ... | Reporter Killed on Tower | |
| Ren Imaizumi | ... | Radio Operator | |
| Junpei Natsuki | ... | Power Substation Engineer | |
| Katsumi Tezuka | ... | Gojira / Hagiwara's Editor | |
| Haruo Nakajima | ... | Gojira / Power Station Worker | |
| Yasuhisa Tsutsumi | |||
| Jiro Suzuki | |||
| Saburô Iketani | ... | News Reporter | |
| rest of cast listed alphabetically: | |||
| Shizuko Azuma | |||
| Shizuko Higashi | ... | Partygoer | |
| Kiyoshi Kamata | ... | Partygoer's Escort | |
| Kenji Sahara | ... | Young Lover on the sound | |
| Keiji Sakakida | ... | Mayor Inada | |
| Tamae Sengo | ... | Mother | |
| Ryosaku Takasugi | |||
| Ishirô Honda | ... | Power Station Worker (The Hand that Throws the Switch) (uncredited) | |
Directed by | |||
| Ishirô Honda | |||
Writing credits(in alphabetical order) | ||
| Ishirô Honda | ||
| Shigeru Kayama | story | |
| Takeo Murata | ||
Produced by | |||
| Tomoyuki Tanaka | .... | producer | |
Original Music by | |||
| Akira Ifukube | |||
Cinematography by | |||
| Masao Tamai | |||
Film Editing by | |||
| Kazuji Taira | (as Yasunobu Taira) | ||
Production Design by | |||
| Satoru Chûko | |||
| Takeo Kita | |||
Art Direction by | |||
| Satoru Chûko | |||
| Takeo Kita | |||
Production Management | |||
| Teruo Maki | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Kôji Kajita | .... | chief assistant director | |
| Susumu Takebayashi | .... | second assistant director | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Hisashi Shimonaga | .... | sound recordist | |
| Nobuyuki Tanaka | .... | sound assistant | |
| Norio Tone | .... | sound assistant | |
Special Effects by | |||
| Sadamasa Arikawa | .... | director of photography: special effects | |
| Kuichirô Kishida | .... | special effects lighting | |
| Yoichi Manoda | .... | assistant camera | |
| Hiroshi Mukoyama | .... | matte work | |
| Fumio Nakadai | .... | special effects wire work | |
| Yasuaki Sakamoto | .... | production manager | |
| Sokei Tomioka | .... | assistant camera | |
| Teizo Toshimitsu | .... | monster builder | |
| Eiji Tsuburaya | .... | special effects director | |
| Hajime Tsuburaya | .... | assistant camera | |
| Akira Watanabe | .... | art director | |
| Taka Yuki | .... | opticals | |
| Fuminori Ôhashi | .... | special effects technical advisor (uncredited) | |
Stunts | |||
| Haruo Nakajima | .... | stunt choreographer | |
Camera and Electrical Department | |||
| Yuzuru Aizawa | .... | assistant camera | |
| Choshiro Ishii | .... | lighting technician | |
| Shinji Kojima | .... | lighting assistant | |
| Shoshichi Kojima | .... | lighting assistant | |
Other crew | |||
| Sei Ikeno | .... | assistant: Akira Ifukube | |
| Fumio Nakadai | .... | tail supervisor | |
| Shôji Okawa | .... | tail supervisor | |
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| Godzilla, King of the Monsters! | Godzilla | Godzilla 1985: The Legend Is Reborn | Mothra vs. Godzilla | King Kong |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
Gojira (not Godzilla, King of the Monsters, with Raymond Burr), stands as one of the best monster movies...and one of Japan's finest and most allegory pieces of cinema. The original version of the movie has a lot of anti-nuclear sentiment that the US editors dropped from the Raymond Burr version. A woman on a subway noting that is seemed like she survived Nagaski only to die from Godzilla is an offhand but telling comment on Japan's unique view of the use of nuclear weapons.
The story itself is makes a bit more sense than the patchwork used with Raymond Burr (though that version is also quite good for the genre that it helps perpetuate). The effects are (I think) still great...the grainy, documentary feel of the movie makes it seem a lot more real.