Japan is thrown into a panic after several ships explode and are sunk. At first, the authorities think its either underwater mines or underwater volcanic activity. The authorities soon head to Odo Island, close to where several of the ships were sunk. One night, something comes onshore and destroys several houses and kills several people. A later expedition to the island led by paleontologist Professor Kyôhei Yamane, his daughter Emiko, and young navy frogman Hideto Ogata (who also happens to be Emiko's lover, even though she is betrothed to Dr. Daisuke Serizawa) soon discover something more devastating than imagined in the form of a 164-foot-tall (50-meter-tall) monster whom the natives call Gojira. Now, the monster begins a rampage that threatens to destroy not only Japan but the rest of the world as well. Can the monster be destroyed before it is too late, and what role will the mysterious Serizawa play in the battle? Written by
Brian Washington <Sargebri@att.net>
In 2004, Rialto Pictures released the original Japanese version of Gojira (1954) in the U.S. for the first time since 1955. The release included a new print in the original Japanese with new English subtitles. See more »
The buildings attacked by Godzilla in the model shots, from the way they "slide" on their bases and explode upwards in one whole piece, do not appear to have any foundations (or, indeed, to be fixed to the ground in any way at all). See more »
If my device can serve a good purpose, i would announce it to everyone in the world! But in its current form, it's just a weapon of horrible destruction. Please understand, Ogata!
I understand. But if we don't use your device against Godzilla, what are we going to do?
Ogata, if the oxygen destroyer is used even once, politicians from around the world will see it. Of course, they'll want to use it as a weapon. Bombs versus bombs, missiles versus missiles, and now a new superweapon to throw upon ...
[...] See more »
When one thinks of all the schlock that has come out of Japan when it comes to monster movies, many which use the Godzilla figure, one forgets that this was a pretty darn good movie. I remember as a child, watching it on late night television, in 1960. It was New Year's Eve and the adults were out doing whatever it is they did. The presence of Raymond Burr gave me a sense of comfort (Perry Mason was a staple at our house). I realize he was added for American audiences. It didn't matter to me. Unlike so many of its successors, this was nicely paced, didn't bank on Godzilla being a matinée idol (some of the films are so stupid where the thing becomes a friend to Tokyo, a form of defense). This film has the terror of "The Beast from 20,000 Fathoms." The sets were much better. The battle scenes truer than the cheaper things that came later. The monster was a force. I have always enjoyed that scene where one goes over a hill or a rise just before a beach, and on the other side is the monster. The scenes of him wading into the harbor. This is a striking presentation for the early days of monster movies. Of course, it's all based on radiation and the nuclear threat. This stuff enlarges things and makes them rampage. I hope to purchase the Japanese remastered version from 2004. I'd like to see it the way it was intended to be seen.
24 of 31 people found this review helpful.
Was this review helpful to you?
| Report this