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Godzilla (1954)

Gojira (original title)
Unrated | | Drama, Horror, Sci-Fi | 7 May 2004 (USA)
American nuclear weapons testing results in the creation of a seemingly unstoppable, dinosaur-like beast.

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Cast

Cast overview, first billed only:
Akira Takarada ...
Momoko Kôchi ...
Akihiko Hirata ...
...
Fuyuki Murakami ...
Sachio Sakai ...
Toranosuke Ogawa ...
President of Company
Ren Yamamoto ...
Hiroshi Hayashi ...
Chairman of Diet Committee
Seijirô Onda ...
Tsuruko Mano ...
Takeo Oikawa ...
Chief of Emergency Headquarters
Toyoaki Suzuki ...
Kokuten Kôdô ...
The Old Fisherman (as Kuninori Kôdô)
Tadashi Okabe ...
Prof. Tanabe's Assistant
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Storyline

Japan is thrown into a panic after several ships explode and are sunk. At first, the authorities think its either underwater mines or underwater volcanic activity. The authorities soon head to Odo Island, close to where several of the ships were sunk. One night, something comes onshore and destroys several houses and kills several people. A later expedition to the island led by paleontologist Professor Kyôhei Yamane, his daughter Emiko, and young navy frogman Hideto Ogata (who also happens to be Emiko's lover, even though she is betrothed to Dr. Daisuke Serizawa) soon discover something more devastating than imagined in the form of a 164-foot-tall (50-meter-tall) monster whom the natives call Gojira. Now, the monster begins a rampage that threatens to destroy not only Japan but the rest of the world as well. Can the monster be destroyed before it is too late, and what role will the mysterious Serizawa play in the battle? Written by Brian Washington <Sargebri@att.net>

Plot Summary | Plot Synopsis

Taglines:

AWESOME!--and then some! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

7 May 2004 (USA)  »

Also Known As:

Godzilla  »

Filming Locations:

 »

Box Office

Budget:

JPY 100,000,000 (estimated)

Opening Weekend:

$38,030 (USA) (7 May 2004)

Gross:

$10,903 (USA) (18 April 2014)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film received a Japanese Academy Award nomination for Best Picture, but lost to Seven Samurai (1954). However, the film did win the award for Best Visual Effects. It is the only Godzilla movie to receive a nomination for Best Picture. See more »

Goofs

The buildings attacked by Godzilla in the model shots, from the way they "slide" on their bases and explode upwards in one whole piece, do not appear to have any foundations (or, indeed, to be fixed to the ground in any way at all). See more »

Quotes

Daisuke Serizawa-hakase: If my device can serve a good purpose, i would announce it to everyone in the world! But in its current form, it's just a weapon of horrible destruction. Please understand, Ogata!
Hideto Ogata: I understand. But if we don't use your device against Godzilla, what are we going to do?
Daisuke Serizawa-hakase: Ogata, if the oxygen destroyer is used even once, politicians from around the world will see it. Of course, they'll want to use it as a weapon. Bombs versus bombs, missiles versus missiles, and now a new superweapon to throw upon ...
[...]
See more »

Connections

Referenced in Street Trash (1987) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Remembrances of New Year's Eve, 1960
20 March 2006 | by (United States) – See all my reviews

When one thinks of all the schlock that has come out of Japan when it comes to monster movies, many which use the Godzilla figure, one forgets that this was a pretty darn good movie. I remember as a child, watching it on late night television, in 1960. It was New Year's Eve and the adults were out doing whatever it is they did. The presence of Raymond Burr gave me a sense of comfort (Perry Mason was a staple at our house). I realize he was added for American audiences. It didn't matter to me. Unlike so many of its successors, this was nicely paced, didn't bank on Godzilla being a matinée idol (some of the films are so stupid where the thing becomes a friend to Tokyo, a form of defense). This film has the terror of "The Beast from 20,000 Fathoms." The sets were much better. The battle scenes truer than the cheaper things that came later. The monster was a force. I have always enjoyed that scene where one goes over a hill or a rise just before a beach, and on the other side is the monster. The scenes of him wading into the harbor. This is a striking presentation for the early days of monster movies. Of course, it's all based on radiation and the nuclear threat. This stuff enlarges things and makes them rampage. I hope to purchase the Japanese remastered version from 2004. I'd like to see it the way it was intended to be seen.


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