A 164-foot-tall (50-meter-tall) monster reptile with radioactive breath is revived, thanks to nuclear testing. It goes on a mad rampage, destroying Tokyo - can it be stopped? Should it be killed? Written by
Marty McKee <email@example.com>
One of the potential names for Godzilla was Anguirus. The name was discarded but used in the second Godzilla film, Godzilla Raids Again (1955) as the name of the monster that Godzilla fights. See more »
Godzilla in his closeups is a hand-controlled puppet that looks different from the full-body suit. It has different eyes, more prominent spikes on its head, and the arms are much, much smaller. See more »
Chief of Emergency Headquarters:
This is quite a problem, professor. If this keeps up, we'll have to suspend the international shipping routes. Have you found a way? Is there something we can do to defeat it?
So, that's it...
Chairman of Diet Committee:
Professor Yamane, let's be honest. If there's a way to defeat Godzilla, we need to know.
It's impossible! Godzilla absorbed massive amounts of atomic radiation and yet it still survived! What do you think could kill it? Instead, we should focus on why it is still alive. That should be our top priority!
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Along with the 1933-version of "King Kong", this original Japanese release of "Gojira" is THE most essential giant monster movie ever and one the very few horror movies that every film lover in general has to see at least once. Why? Because, it's so much more than just silly drive-in cinema with a cheap looking monster! This is dark and apocalyptic Sci-Fi with a nearly allegorical rant about nuclear warfare and the honest fear for new types of weaponry. But I really don't feel like going into the deeper meaning behind "Gojira", as it primarily is an adrenalin rushing and overpowering action classic that doesn't need intellectual defense at all. One of the many reasons why I love this film so much (and same goes for "King Kong") is that we don't have to wait a dreadfully long time and/or endure a large amount of tedious speeches before we see the monster we want to see! Godzilla makes his highly memorable first appearance after approximately 20 minutes (by stretching his neck over a cliff!) and, from then on, this is deliciously hectic and paranoid monster-madness! The little bugger is presumably the result of too much H-bomb radiation and lives in the depths of the ocean, near the island of Odo. But now he's heading for Tokyo with his unnameable strength, fiery breath and oh yeah insatiable appetite for destruction! Particularly this extended sequence in which Godzilla blasts his way through the Japanese capital, crushing buildings and setting monuments on fire, is very impressive and legendary. The actor-in-monster-costume works a lot better than any form of computer engineered effects and the carefully imitated Tokyo sets are truly enchanting. The absolute best aspect about this production is its powerful score, which makes Godzilla even more threatening. Great stuff!
This milestone simultaneously meant the go-ahead for an innumerable amount of quickly shot sequels ("Son of Gozilla", "Godzilla vs. Mothra"), spin-offs ("Godzilla VS. King Kong"), remakes ("Godzilla 1984", the hi-tech American version) and of course an overload of pathetic imitations ("Reptilicus", "Monster from a Prehistoric Planet"). I still have to see all the direct sequels but don't really know what to expect from them. I guess that even if they're only half as good as this original, I'll be very satisfied.
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