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Romeo and Juliet (1954)

6.2
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Ratings: 6.2/10 from 330 users  
Reviews: 13 user | 5 critic

In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

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Title: Romeo and Juliet (1954)

Romeo and Juliet (1954) on IMDb 6.2/10

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Nominated for 3 BAFTA Film Awards. Another 8 wins. See more awards »

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Cast

Cast overview, first billed only:
...
Susan Shentall ...
Flora Robson ...
Norman Wooland ...
Mervyn Johns ...
...
...
...
Lydia Sherwood ...
Ubaldo Zollo ...
Enzo Fiermonte ...
Giovanni Rota ...
Giulio Garbinetto ...
Nietta Zocchi ...
Carla Diaz
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Storyline

In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Country:

|

Language:

|

Release Date:

25 November 1954 (Italy)  »

Also Known As:

Romeo und Julia  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Thomas Nicholls is dubbed. See more »

Connections

Version of Romeo and Juliet (1908) See more »

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User Reviews

Lovely Production
1 October 2003 | by (Cleveland, Ohio) – See all my reviews

This film version created by Renato Castellani is a beauty to behold.

In the picturesque settings of Siena, Padova, Verona and Venice, this romantic tale unfolds in glorious color.

While the character interpretations may appeal to a select number, I appreciate the total concept and the carrying out of that objective.

"Romeo" takes on a stylistic life of its own through Castellani, and for those willing to go on his journey, the rewards are great.

Mr. Harvey is interesting to see in an early role. As always, his work is very well thought out, and the aloofness which made him so right for callous young men in later modern roles, is intriguing here. Romeo now has a tinge of egotism and even femininity.

Well, why not? As there are dozens of ways to read a line, so there are many approaches to a character. There's nothing inherently sacrosanct in the role of Romeo, and Harvey interprets the way he (and Castellani) sees him, rather than according to some staid traditional model.

It's hard to believe this lovely production has not yet been transferred to video. Surely one day some enterprising company will take on this project and help preserve a very beautiful production for future generations to enjoy.


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