A news-reel like movie about early part of the Frensh Revolution, shown from the eyes of individual people, citizens of Marseille, counts in German exile and, of course the king Louis XVI, ... See full summary »
A man and a woman arrive in a cafe-hotel near the belgian frontier. The customers recognize the man from the police's description. His name is Amedee Lange, he murdered Batala in Paris. His... See full summary »
In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down permanently - like Toni, an Italian who has... See full summary »
Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is ... See full summary »
Boudu, a tramp, jumps into the Seine. He is rescued by Mr Lestingois, a gentle and good bookseller, who gives shelter to him. Mrs Lestingois and the maid Anne-Marie (Mr Lestingois' mistress... See full summary »
After her father's death and her uncle having drunk all the inheritance, Virginia is left alone. She is accepted by a family of bohemians but a quarrel between the bohemians and the ... See full summary »
A propaganda film of the communist party of France, showing who the comrades help the proletarian people against the capitalists. It also features propagandistic speeches of leading members... See full summary »
Henri Danglard, proprietor of the fashionable (but bankrupt) cafe 'Le Paravent Chinois' featuring his mistress, belly dancer Lola, goes slumming in Montmarte (circa 1890) where the then-old-fashioned cancan is still danced. There, he conceives the idea of reviving the cancan as the feature of a new, more popular establishment...and meets Nini, a laundress and natural dancer, whom he hopes to star in his new show. But a tangled maze of jealousies intervenes... Written by
Rod Crawford <email@example.com>
Acknowledgments to Cole Porter from whose lyric CanCan (the title song of his 1953 Broadway show of the same name) I take my one line summary. This is, purely and simply, a Valentine to Paris, the Belle Epoque, the Impressionists, you-name-it. As such it is both stunning and sumptuous.Gabin - who began in the French Music Halls - is superb, but then when isn't he, Arnoul is a revelation. More? Well, the photography is ... the music is ... the ambience is ... aw, what the hell, go see it, do yourself a great big favor. 9/10
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