A team of astronauts lands on a moon of Jupiter to find it populated with beautiful young women looking for mates. An old man explains to the explorers the group's story, as well as the moon's dangers.
Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country ... See full summary »
An alien being with the power of invisibility lands in Santa Monica. Killing two people who attacked him due to the menacing appearance of his spacesuit, the creature takes it off while ... See full summary »
Prof. Erling and his financial backer Victor build a prototype time machine to snatch objects from the past. Latest find, a statuette, radiometrically dates to 5200 AD! When this draws ... See full summary »
After landing on the 13th moon of Jupiter, the men from Earth debark from their ship to find a forested area containing the last remnant of lost Atlantis: an old man named Prossus, a bevy of nubile young women eager for husbands, and -- The Creature. "The beast with the head of a man," laments Prossus. "It must be destroyed -- yet it is indestructible!" Written by
Christopher P. Winter <firstname.lastname@example.org>
The rocket launch used in this film is actually a V-2 rocket that was confiscated by the United States after the Germans were defeated in World War II. The launch took place at the White Sands test range in New Mexico around 1946. It has been used in a number of other 1950s era science fiction films. See more »
When the monster falls into the pit of fire, the mattress he lands on bounces up to the left of the pit. See more »
All Characters from Space are fictional. See more »
I just saw this at the Boston Sci-Fi Film Festival 31. I have a few observations to offer.
This movie certainly falls within the realm of "there go eighty minutes of my life that I'll never get back again". In fact I have two quite earnest theories about this movie that may account for at least a part of its overall horribility.
It is quite obvious that the film was only minimally scripted. There were all the hallmarks of improvised dialog, but not in an artsy experimental cinema kind of way. More like "OK, We've got this sound stage for an hour, but no dialog written. Action!" My other suspicion is that the studio contracted for a film of a specific length, and the director was actively trying to pad it out. This is quite obvious. Another commenter mentioned product placements for Longines watches, but not every time we were subjected to real-time half-minute closeups of clocks were we looking at a Longines.
Finally, If I ever hear Borodin's "Stranger in Paradise" again, I'll strangle myself! It was played at least twelve times, I'd swear.
I've officially named the villain "Mr. Tiki-Head" for reasons that will be obvious if you have the misfortune to view this dreadful excuse for a movie.
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