A man wrongly imprisoned for murder breaks out of jail. He wants to clear his name, but with the police pursuing him, he's forced to take a beautiful young woman, driving a fast sports car,... See full summary »
Shalee Jethro (Dorothy Malone) helps her father run a desert stagecoach station. Five desperate outlaws arrive at the station to await a gold shipment they plan to rob, and Shalee becomes ... See full summary »
Julie, an American on vacation in Mexico, spots a giant, one-eyed amoeba rising from the ocean, but when she tries to tell the authorities, no one believes her. She finally teams up with a marine biologist in an attempt to destroy it.
Rube is the best street car racer in his area. That is, until a new rival steps into town. He will then have to choose which is more important. Winning and keeping his title? Or winning over the love of his life?
Instead of working for a living, Duke and Freddie steal auto accessories and sell to a fence. While Duke is out driving with his girl Peg, she tries to dissuade him from a life of crime. ... See full summary »
Bernard L. Kowalski
After six years in jail Steve returns to claim a ranch left him in a will. The town is in the middle of a rough election masterminded by saloon owner Marie. Steve is soon on the side of the... See full summary »
A man wrongly imprisoned for murder breaks out of jail. He wants to clear his name, but with the police pursuing him, he's forced to take a beautiful young woman, driving a fast sports car, hostage and slip into a cross-border sports car race to try to make it to Mexico before the police get him. Written by
After Frank and Connie watch the antiques race they then attend the Concours d'Elegance, in which the grand prize winner was a Rolls Royce convertible owned by a "Jack Milner" from Beverly Hills. This is a reference to the associate producer, Jack Milner. See more »
The size, shape and location of the smudges on Connie's face change in appearance after the escape from the burning shack. See more »
This wonderful little picture proves that not every movie shot in black and white on a low budget in the early '50's, with plenty of cops, crooks, and guns is film noir. It starts out hinting that direction, though.
Frank Webster is serving time for murder until he breaks out of jail. Webster is all fatalistic about life and depressed about his circumstances, because he's been falsely convicted. Seems he's trying to make an honest buck as a trucker and his biggest rival tries to put him out of business by running him off the road. It is one of the rival's flunkies who is killed in the attempt, and this is the murder that Webster is framed for.
Enter the femme fatale, Connie Adair (Dorothy Malone). Webster kidnaps her and forces her to drive him to Mexico. Connie is plenty femme but not much fatale. She's decent, you see, wants Frank to give himself up and face a jury, where she is sure when his story is told, he will be exonerated. That pop sound you hear is the sound of my film noir balloon bursting.
Though it didn't live up to my expectations of what it would be, what it is turns out to be pretty good. John Ireland and Dorothy Malone give good performances, though they're the only ones who do. Ireland always presents to me as a Robert Mitchum clone, and he sure did here. Malone is stunning. Webster (Ireland) comments at one point on her figure, to which Connie (Malone) replies, indignantly, "There's *nothing* wrong with my figure!" Webster's response: "I noticed." And, he's not the only one.
Bottom line: This was American International's first picture, and they would go on to do many worse. I liked this picture, even if it wasn't film noir. 7 out of 10.
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