Fiona, Evelyn and Susanna are sisters. Their mother dies on the Lusitania, their father is killed in France, they must manage their Fifth Avenue mansion by themselves. Fiona marries Charles... See full summary »
Avery Bullard, President of the Tredway Corporation has died. But he never named a clear successor, so the Board members must choose a replacement. The most likely is Loren Shaw, a skilled businessman, but some of the others don't like his calculating ways. But to stop him, they'll have to find someone else they can back. Will it be the engineer Don Walling? That will take convincing, they don't trust his youth and idealism. And he isn't even sure he wants the job, he might be happier creating rather than politicking. Written by
Ken Yousten <firstname.lastname@example.org>
In addition to the Tredway Corporation headquarters building seen in exterior shots being the Pennsylvania Power & Light (PPL) building in Allentown, Pennsylvania, additional evidence that the fictional community of "Millburgh, PA" is patterned after Allentown is that it was also the only city in Pennsylvania other than Philadelphia and Pittsburgh (which Millburgh clearly is not) that was served by United Airlines in 1950. When Mr. Shaw drops Walt Dudley off at the airport on Friday evening the flight being announced is "Flight 79 to Pittsburgh and Chicago" and the aircraft seen at the gate is a UAL DC-3; Dudley is also arrives back from Chicago on Saturday in a UAL DC-3. (Curiously while waiting for Mr. Bullard to arrive for the 6PM Executive Committee meeting on Friday Mr. Dudley says that he has a "7PM date with a DC-6" which is clearly incorrect.) UAL began service to Allentown-Bethlehem-Easton Airport in 1935. (The airport scenes in the film were actually shot at Long Beach Airport south of Los Angeles.) The twin cities of Bethlehem and Allentown also had direct passenger rail service from New York City in 1950 via the Lehigh Valley Railroad (from Pennsylvania Station at 33rd St and 8th Ave) and the Jersey Central Railroad (from Liberty-Courtland Street) with the 88 mile trip taking about two hours. There is also a St. Martin's church in Allentown where the funeral was expected to be. See more »
When Don tries to delay the start of the meeting, Shaw states that five members are sufficient for a quorum -- the four men present plus Julia Tredway's proxy (and later, Julia in person). But all Don had to do to hold up the meeting was to walk out, thereby depriving it of the necessary quorum. See more »
[pre-opening-credits sequence; views of skyscrapers]
It is always up there, close to the clouds, on the topmost floors of the sky-reaching towers of big business. And because it is high in the sky, you may think that those who work there are somehow above and beyond the tensions and temptations of the lower floors. This is to say that it isn't so.
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For all the MGM-ness of it -- the all-star roster of contract players and freelancers, the classy production values, Louis Calhern doing his reliable devilish-rogue act -- it has touches that one associates with neither the plush studio nor the time period. It's pretty frank about high-powered execs and their mistresses, for one, and the handheld camera of the opening sequence (through unfakeable Wall Street locations, yet) and lack of background music are more typical of independent movies of a few years later. Contrast it with "Woman's World" from the same year, which is also a corporate-power-struggle yarn (and also has June Allyson as a devoted, gauche corporate wifey), but is fake from the get-go. This one is dated in Holden's we're-all-in-this-together speechifying, not to mention the one-company factory town, and Stanwyck's histrionics are a bit over the top. (Hey, I love her too; her unchecked hysterics have to be Robert Wise's fault.) But the dialogue is terser than one generally associates with Ernest Lehman, the shady stock maneuvers are unfortunately as relevant as ever, and the juicy melodramatics still pack a punch. In fact, as corporate drama goes, it's as entertaining as all getout. Fredric March is a standout in a high-powered cast, and Shelley Winters, for once, underplays.
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