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Doctor in the House (1954)

 -  Comedy  -  2 February 1955 (USA)
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Ratings: 6.7/10 from 836 users  
Reviews: 16 user | 9 critic

Simon Sparrow is a newly arrived medical student at St Swithin's hospital in London. Falling in with three longer-serving hopefuls he is soon immersed in the wooing, imbibing and fast ... See full summary »



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Title: Doctor in the House (1954)

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Won 1 BAFTA Film Award. Another 3 nominations. See more awards »





Cast overview, first billed only:
Muriel Pavlow ...
Richard Grimsdyke
Kay Kendall ...
Isobel Minster
Taffy Evans
Suzanne Cloutier ...
George Coulouris ...
Jean Taylor Smith ...
Sister Virtue
Nicholas Phipps ...
Geoffrey Keen ...
Martin Boddey ...
Demonstrator at pedal machine
Joan Sims ...
Rigor Mortis
Gudrun Ure ...
May (as Ann Gudrun)


Simon Sparrow is a newly arrived medical student at St Swithin's hospital in London. Falling in with three longer-serving hopefuls he is soon immersed in the wooing, imbibing and fast sports-car driving that constitute 1950's medical training. There is, however, always the looming and formidable figure of chief surgeon Sir Lancelot Spratt to remind them of their real purpose. Written by Jeremy Perkins <>

Plot Summary | Add Synopsis

Plot Keywords:

student | medical | hospital | doctor | nurse | See more »


When handsome interne meets beautiful nurse - it's a Romantic Rib-Tickler in Love Time! See more »




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Release Date:

2 February 1955 (USA)  »

Also Known As:

Doctor in the House  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)



Aspect Ratio:

1.37 : 1
See  »

Did You Know?


The most popular film of its year at the UK box office. See more »


Lancelot Sprat: You. What's the bleeding time?
Simon Sparrow: 10 past 10.
See more »

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User Reviews

DOCTOR IN THE HOUSE (Ralph Thomas, 1954) ***
16 September 2008 | by (Naxxar, Malta) – See all my reviews

I never had the opportunity to sample the popular “Doctor” series lampooning the medical profession (the inspiration for which was a novel by Richard Gordon – not the horror film-producer) until now; while I thoroughly enjoyed this first (and universally best-regarded) entry, I can’t quite see how the typical farcical situations could be stretched for seven pictures – especially since the rival “Carry On” stable made four films of its own on the subject over the years! Interestingly, at least five members of the film’s cast and crew would become fixtures of that even more durable series – actresses Joan Sims and Shirley Eaton, composer Bruce Montgomery, cinematographer Ernest Steward, and editor Gerald Thomas (director Ralph’s brother who would actually proceed to helm all 31 “Carry On” outings!); incidentally, the entire run of “Doctor” films were similarly Ralph’s domain.

Still, this series clearly had a bigger budget since they were all made in color and attracted a roster of top British stars – none more impressive than the one assembled here: Dirk Bogarde (he would feature in four of these – amazingly, even after he had gone on to more adult roles such as the blackmailed homosexual barrister in VICTIM [1961]!), Kenneth More (his one stint in the series), James Robertson-Justice (whose Sir Lancelot Spratt – turning up in all seven pictures – would become his signature role), Donald Sinden (he was featured in one other entry), Donald Houston (ditto), Muriel Pavlow (she too appeared in one more “Doctor” film – for what it’s worth, she had just co-starred with Alec Guinness in MALTA STORY [1953], shot on location), Geoffrey Keen (who had three series entries to his name), Kay Kendall (in what amounts to an extended cameo – she had just scored her biggest success with GENEVIEVE [1953], coincidentally in the company of two other cast members from this one i.e. More and Keen!) and George Coulouris (a native of Britain, he got his break into films while in Hollywood – though he seemed to have relocated back home by this time and, in fact, would make another two “Doctor” movies).

If one were to compare the “Doctor” series with the “Carry Ons”, judging by this preliminary view of one entry from the former franchise, I’d say that these were essentially genteel (the same goes for GENEVIEVE, itself a classic of British comedy) – which, being aimed at middle-class audiences, stressed characterization over gags…whereas the coarser, wackier style of the “Carry On” brand of humor had the working-class people in mind. Suffice to say that, for all the scrapes they got into, the medical students were no more than merry mischief-makers (with each character a well-established stereotype: charmingly gauche, amiable slacker, incurable womanizer, sports fanatic, etc.) whereas the “Carry On” gang were largely unethical and generally filthy-minded!

Among the comical situations found in DOCTOR IN THE HOUSE are: romantic complications involving Bogarde, More and Sinden; examinations (both scholarly and physical – with Coulouris as a willing, even helpful guinea pig); young girls having a crush on doctor types (Eaton); the students’ own attempt to break into high society by taking advantage of the eminence attached to their aspiring position (the Kendall subplot); being looked upon with suspicion when transporting a skeleton specimen on a bus; the old favorite of a student having a fainting spell inside the operating theater – but who eventually makes good when he has to deliver a baby (on Christmas Eve!) single-handed; college rivalry landing our heroes (they belong to St. Swithin’s, which has a gorilla for a mascot!) into trouble with both the law and their superiors – ditto for an incident in which Bogarde faces expulsion when he tumbles from the roof into the nurses’ quarters (and which is ultimately resolved by Spratt’s personal intervention, being the typical outwardly-gruff-but-essentially soft-hearted chap, reminding a couple of stuffy senior board members of their own past indiscretions), etc.

I guess it’s unfair, at this point, to state my preference for the admittedly patchy “Carry On” films since I’ve watched all 31 entries – all I can say is that the quality of DOCTOR IN THE HOUSE is readily evident, given the sheer amount of talent on display. For the record, the outlet from where I rented the R2 DVD has some (probably all) of the others handy, so I should just check them out now while I’m at it – though only one at a time, since the repetitive environment would no doubt lose its freshness and get tiresome rather quickly…

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