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| Ray Milland | ... | Tony Wendice | |
| Grace Kelly | ... | Margot Mary Wendice | |
| Robert Cummings | ... | Mark Halliday | |
| John Williams | ... | Chief Inspector Hubbard | |
| Anthony Dawson | ... | Captain Lesgate (Swann) | |
| Leo Britt | ... | The Storyteller | |
| Patrick Allen | ... | Detective Pearson | |
| George Leigh | ... | Detective Williams | |
| George Alderson | ... | First Detective | |
| Robin Hughes | ... | Police Sergeant O'Brien | |
| rest of cast listed alphabetically: | |||
| Richard Bender | ... | Banquet Member (uncredited) | |
| Sanders Clark | ... | Detective (uncredited) | |
| Jack Cunningham | ... | Bobby (uncredited) | |
| Robert Dobson | ... | Police Photographer (uncredited) | |
| Guy Doleman | ... | Detective (uncredited) | |
| Bess Flowers | ... | Woman Departing Ship (uncredited) | |
| Robert Garvin | ... | Banquet Member (uncredited) | |
| Michael Hadlow | ... | Undetermined Role (uncredited) | |
| Sam Harris | ... | Man in Phone Booth (uncredited) | |
| Alfred Hitchcock | ... | Man at Tony's Table at the Dinner in Photograph (uncredited) | |
| Harold Miller | ... | Men's Club Party Member (uncredited) | |
| Martin Milner | ... | Policeman Outside Wendice Flat (uncredited) | |
| Forbes Murray | ... | Judge at Margot's Trial (uncredited) | |
| Ben Pollock | ... | Banquet Member (uncredited) | |
| Thayer Roberts | ... | Detective (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Frederick Knott | (screenplay) | |
| Frederick Knott | (adapted from his play) | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| Rudi Fehr | |||
Art Direction by | |||
| Edward Carrere | |||
Set Decoration by | |||
| George James Hopkins | |||
Makeup Department | |||
| Gordon Bau | .... | makeup artist | |
| Otis Malcolm | .... | makeup artist (uncredited) | |
| Gertrude Wheeler | .... | hairdresser (uncredited) | |
Second Unit Director or Assistant Director | |||
| Mel Dellar | .... | assistant director | |
| C. Carter Gibson | .... | second assistant director (uncredited) | |
Art Department | |||
| Herbert Plews | .... | props (uncredited) | |
Sound Department | |||
| Oliver S. Garretson | .... | sound | |
| Stanley Martin | .... | sound (uncredited) | |
| Robert G. Wayne | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Eddie Leon Albert | .... | camera assistant (uncredited) | |
| Wesley Anderson | .... | camera operator (uncredited) | |
| Pat Clark | .... | still photographer (uncredited) | |
| Vic Johnson | .... | gaffer (uncredited) | |
| Dudie Maschmeyer | .... | grip (uncredited) | |
| William John Ranaldi | .... | camera assistant (uncredited) | |
| Leonard J. South | .... | camera technician (uncredited) | |
| Claude Swanner | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Moss Mabry | .... | wardrobe | |
| Jack Delaney | .... | wardrobe: men's (uncredited) | |
| Lillian House | .... | wardrobe: ladies' (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Dimitri Tiomkin | .... | conductor | |
Other crew | |||
| Rita Michaels | .... | script supervisor (uncredited) | |
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Surprisingly this is a lesser-known Hitchcock film but still stands up today as an exciting thriller full of twists and turns.
Ray Milland is excellent as ex-tennis pro Tony Wendice who decides to commit the perfect murder of his wife (Grace Kelly) when he learns of her affair with Robert Cummings (who isn't given much to do). In fact, Milland's subtle performance has you wanting the murder plot to work! Though it has to be said, Kelly's helpless female turn does not help in this regard either.
Hitchcock's skill here is to totally involve the viewer in the labyrinthine plot involving keys, telephone calls and stockings so that at the end of the film you haven't even noticed that virtually all the scenes are in one room.
If you like clever, wordy films with a touch of humour then I recommend `Dial M For Murder'. 8/10