Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
John Williams won the 1953 Tony Award (Broadway) for Best Featured Actor in a Play for "Dial M for Murder" as Inspector Hubbard; he recreated the role in the movie version. See more »
The Chief Inspector's view of the street from the bedroom changes between scenes. When Margot arrives, a side street can be seen on the left, and the red telephone box in the distance is to the right of the gate post in the foreground. When Tony arrives just a few minutes later, the side street is no longer visible and the phone box is now to the left of the gate post. The parked vehicles have all changed too. When Tony starts to leave for the second time, the perspective and light conditions change back to that of Margot's arrival, with the same cars parked on the right. See more »
Hitchcock brings the successful play, Dial M for Murder by Frederick Knott, to life in a shocking new way. Adapted by use of the amazing 3D technology.
This movie is unique for Hitchcock in many ways. It is shot entirely in one room, yet there is never a moment of claustrophobia. As for many movies in the early 50's, it was shot in 3D. And you will at times notice scenes that play into that, but are done with the greatest of expertise. Also he chose not to change the play at all, but rather ride it out.
As the aging tennis pro or the jealous husband, Ray Milland is solid all the way through. And what can I say about Grace Kelly. Behind only Ingrid Bergman and Donna Reed, as the most beautiful and talented actresses of all time. She never fails to impress. She can be quite a darling and at the same time a spectacular bitch.
Probably my favorite Hitchcock film, since it is the first one I saw. I was introduced to him very early in life at the age of 7, by my wicked older sister. For years Psycho haunted me and Vertigo confused. But I do thank her for Notorious and Rear Window. Dial M for and North by Northwest.
Seems to me that Hitch was not the most attractive guy, yet like all of us he favored beautiful women. Especially blonde's. This leads me to the question of, what does a guy like Hitchcock know about women? Maybe simply, how to kill them.
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