A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the attack scene according to the script, Grace Kelly was to get out of bed, put her robe on, and answer the phone when it rang. Grace Kelly contended that no woman, being at home, would put a robe on to answer the phone. Alfred Hitchcock agreed, and so the scene was shot with her in her nightgown. See more »
When Swann arrives at Wendice's flat, Wendice tells him they went to the same college but that Swann wouldn't recognize him because he (Wendice) had only arrived in Swann's last year. But immediately afterward Wendice takes the reunion dinner photo from his wall, showing Swann sitting right beside Wendice. Leaving aside the matter of why Swann and Wendice would be attending the same reunion since they had graduated years apart, Swann never contradicts Wendice's assertion that they hadn't seen one another in the 20 years since college. See more »
Mostly enjoyable movie, but hardly a 'great' movie. I am most disappointed by the lack of depth in the Grace Kelly and Cummings characters, which are both one-note uninteresting roles. Grace Kelly is wasted in a passive, weak, and vapid role which relegates her to the status of window dressing (not that there is anything wrong with that!), she might as well be a nice looking piece of furniture in this movie. The Cummings role is wasted as the passion between him and Kelly is not developed, and amazingly, the tension that would exist between Milland and Cummings is never apparent!. This guy was sleeping with Milland's wife, but you would think they were best friends. What a waste. Would have been a lot more interesting if Kelly and Cummings were not such bland, cardboard harmless people and were a little more human, with real emotions (jealousy, hatred, passion, even a little evil).
Milland makes the move interesting to watch as he sets his plan in motion with great charm and flair. Unfortunately, as he is the only interesting character, you kind of feel bad when he is caught in the end and the two sappy characters prevail. Oh well, it could have been a lot more 'noir' if they had not glossed over the fact that Kelly and Cummings are far from the sweet innocents they are portrayed.
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