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Dial M for Murder (1954)

 -  Crime | Thriller  -  29 May 1954 (USA)
8.2
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Ratings: 8.2/10 from 73,437 users  
Reviews: 224 user | 105 critic

An ex-tennis pro carries out a plot to murder his wife. When things go wrong, he improvises a brilliant plan B.

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(screen play), (adapted from his play)
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Title: Dial M for Murder (1954)

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Top 250 #163 | Nominated for 1 BAFTA Film Award. Another 3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
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Leo Britt ...
Patrick Allen ...
George Leigh ...
George Alderson ...
First Detective
Robin Hughes ...
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Storyline

In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Plot Keywords:

murder | blackmail | writer | evidence | letter | See more »

Taglines:

It Holds You Spellbound with Suspense! See more »

Genres:

Crime | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 May 1954 (USA)  »

Also Known As:

Alfred Hitchcock's Dial M for Murder  »

Box Office

Budget:

$1,400,000 (estimated)

Opening Weekend:

$12,562 (USA) (9 April 1999)

Gross:

$12,562 (USA) (9 April 1999)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(WarnerColor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Alfred Hitchcock had chosen a very expensive robe for Grace Kelly to wear when she answered the phone. The actress balked and said that no woman would put a robe on to answer the phone when she was sleeping alone but would answer it in her slip. Hitchcock agreed to do it her way and liked the way the rushes turned out. The director agreed to allow the actress to make all costume decisions for herself in their subsequent films together. See more »

Goofs

After the Inspector switches raincoats without Tony's knowledge, as Tony leaves his apartment, he pulled the door shut causing the door latch to lock the door without the need of a key from the outside. See more »

Quotes

[first lines]
Margot Mary Wendice: let me get you another drink. Mark, before Tony comes I ought to explain something.
Mark Halliday: Yes, I've been waiting for that.
Margot Mary Wendice: I haven't told him anything about us.
See more »

Crazy Credits

The title is shown on a background of a British telephone dial; its MN/6 marking is replaced by a single large M which forms the single M of the title. See more »

Connections

Version of Dial M for Murder (1958) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Excellent
21 January 2013 | by (Derby, UK) – See all my reviews

What gets me about this film every time I see it is just how simple it is. The witty urbanity of the dialogue goes without saying (hem), the acting is stagily impeccable, and the direction by Hitchcock is limited by the small sets but masterful for all that.

Cold Ray Milland plans and sets up the murder of his demure but faithless wife Grace Kelly by a virtual stranger who is urged on by the stick of exposure of his misdeeds and the carrot of GBP1,000 in used notes. Of course all of his convoluted plans go horribly or thankfully wrong, depending on your point of view, leading to an even more convoluted revised plan. When first seen when young I wasted my time because I wasn't paying attention at the critical moment so missed the point and didn't get it: the key is how did the baddie get into the apartment? It's incredibly verbose, being from a stage play after all and at times it seems nothing more than a radio show with pictures. The long scene setting and verbal sparring by Milland and Anthony Dawson is superb to hear - it's fascinating for its relentless poetry, and of displaying a now-dead world. I could never understand the attraction of 3D movies, least of all with this particular attempt, or why Kelly was continually uglified by the Hollywood machine when she never looked lovelier than in here when she was playing stressed out throughout.

I wonder if Hitch remembered the jokey murder scene he did in 1930 in Elstree Calling when Jameson Thomas realised he was murdering in the wrong apartment? Turn that key you have and go in, it's a remarkably literate film and as intricate inside as any lock.


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I was hoping the husband would get away with it--Anyone else feel same turidmadsen
Really? metallicatt731
I swear I saw this movie in B+W hlippman
Movies About Committing the 'Perfect Crime' JosephASpadaro
not at all surprized about the key MADDOXRJM
Latch Key LesterFester
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