A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Adapted from a Broadway play that opened at the Plymouth Theater in New York on October 29, 1952 and ran for 552 performances. In the original production, Maurice Evans played Tony Wendice. In this film, John Williams and Anthony Dawson recreate their stage roles of Chief Inspector Hubbard and Captain Lesgate. J. Pat O'Malley later replaced Williams as Hubbard. See more »
When Swann is outside the apartment he checks his wristwatch and it shows the time is 10:53. The dial is plainly visible and has no brand logo. Once Swann has entered the apartment, he checks his watch again. The dial is visible and shows a time of 10:58. Partially hidden below the minute hand now is a miniature of a European steam locomotive. See more »
Hitchcock brings the successful play, Dial M for Murder by Frederick Knott, to life in a shocking new way. Adapted by use of the amazing 3D technology.
This movie is unique for Hitchcock in many ways. It is shot entirely in one room, yet there is never a moment of claustrophobia. As for many movies in the early 50's, it was shot in 3D. And you will at times notice scenes that play into that, but are done with the greatest of expertise. Also he chose not to change the play at all, but rather ride it out.
As the aging tennis pro or the jealous husband, Ray Milland is solid all the way through. And what can I say about Grace Kelly. Behind only Ingrid Bergman and Donna Reed, as the most beautiful and talented actresses of all time. She never fails to impress. She can be quite a darling and at the same time a spectacular bitch.
Probably my favorite Hitchcock film, since it is the first one I saw. I was introduced to him very early in life at the age of 7, by my wicked older sister. For years Psycho haunted me and Vertigo confused. But I do thank her for Notorious and Rear Window. Dial M for and North by Northwest.
Seems to me that Hitch was not the most attractive guy, yet like all of us he favored beautiful women. Especially blonde's. This leads me to the question of, what does a guy like Hitchcock know about women? Maybe simply, how to kill them.
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