Les diaboliques
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Diabolique (1955) More at IMDbPro »Les diaboliques (original title)


2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007

3 items from 2014


The Definitive Foreign Language Horror Films: 20-11

25 July 2014 6:41 PM, PDT | SoundOnSight | See recent SoundOnSight news »

In an odd turn of events, this list has a number of films that don’t have English-language titles. They just go by whatever the original title was. Good for us. What we do see in this portion of the list is a few movies that weren’t really created specifically to be horror films, but their themes and visuals made it so. In addition, we have some heavyweights of non-horror cinema creating horror films that push the genre all the more upward. “Thinking man horror,” if you will.

20. Le locataire (1976)

English Language Title: The Tenant

Directed by: Roman Polanski

Roman Polanski has made one of the greatest horror “trilogies” of all time with 1965′s British production Repulsion, 1968′s American production Rosemary’s Baby, and 1976′s French production The Tenant, completing his “Apartment Trilogy.” Unlike the other two, Polanski actually stars in The Tenant as Trelkovsky, a reserved man renting an apartment in Paris. »

- Joshua Gaul

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The Mystery Of Picasso Screens at The Classic French Film Festival This Friday

16 June 2014 8:27 PM, PDT | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

The Classic French Film Festival celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the 1980s (with a particular focus on filmmakers from the New Wave), offering a comprehensive overview of French cinema. The Mystery Of Picasso will screen as part of the festival  at 7pm Friday, June 20th at the St. Louis Art Museum.

In 1955, Henri-Georges Clouzot, the acclaimed director of “The Wages of Fear” and “Diabolique,” joined forces with artist Pablo Picasso to make an entirely new kind of documentary, a film that could capture the moment and the mystery of creativity. Together, they devised an innovative technique: The filmmaker placed his camera behind a semi-transparent surface on which the artist drew with special inks that bled through. Clouzot thus captured a perfect reverse image of Picasso’s brushstrokes, and the movie screen itself became the artist’s canvas. »

- Tom Stockman

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The HeyUGuys Interview: James McAvoy on Filth

11 February 2014 5:00 AM, PST | HeyUGuys.co.uk | See recent HeyUGuys news »

In the words of James McAvoy Filth is a “bold, brave, controversial and a rare and precious film in English speaking cinema.” One could almost be mistaken for thinking that Scotland’s leading man was referring to his own performance, if it were not for that one singular word “film.” Every great actor at the mention of their name has that one singular film that immediately comes to mind, or in the case of Robert de Niro a handful of films that can spark a furious impassioned debate amongst red-blooded cineastes. For James McAvoy the character is Bruce Robertson; the film Filth.

Whilst in my introduction to Jon S. Baird’s interview I stated that Filth “delivered a shock to the system, and shook up the cinematic social consciousness with a bold and courageous piece of filmmaking.” Equally McAvoy’s full blooded performance delivered the same shock and shakes that »

- Paul Risker

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2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007

3 items from 2014


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