In eighteenth-dynasty Egypt, Sinuhe, a poor orphan, becomes a brilliant physician and with his friend Horemheb is appointed to the service of the new Pharoah. Sinuhe's personal triumphs and... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith. Written by
Ron Kerrigan <firstname.lastname@example.org>
The film is set in AD 53. One of the statues surrounding the Emperor's throne is Michelangelo's David which wasn't finished until 1503. See more »
You'll never get him back. What can you offer him ? The company of slaves and beggars ? The refuse of Rome ? Poverty and self-denial ? Prayers ? Tears ? Death ? You see, I've studied your teachings, and I, Fisherman, I can give him the world. If he has to choose between us, do you think he'd hesitate for one minute ? Of course not. And that's why you hate me. I can see it in your eyes.
What you see in my eyes is pity.
[she tosses her goblet of wine in his face]
Get out !
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The box office reception of The Robe for 20th Century Fox exceeded a whole lot of expectations. What to do, but make a sequel to tell of where the rest of some of these characters wound up.
Victor Mature as Demetrius, Michael Rennie as St. Peter, and Jay Robinson as Caligula continue their roles from The Robe. An original screenplay was done with these characters already familiar to the public from the film and from the beloved Lloyd C. Douglas novel. The film starts with a clip from the end of The Robe where Caligula has condemned Richard Burton and Jean Simmons to execution. As they leave Simmons hands Jesus's robe to an unnamed extra and says it's for the big fisherman.
Of course it gets into Michael Rennie's hands, but Jay Robinson has heard rumors about this magical robe the Christians possess. Nobody can get an obsession like Robinson so he finds Demetrius who's now got a girlfriend in Debra Paget. He's sold back into slavery this time as a gladiator.
Mature who was a supporting character in The Robe takes center stage here. He goes through quite a test of faith on many levels, including an affair with the notorious Messalina played by Susan Hayward. She's appropriately tempting and Mature's flesh is definitely weak here if not in the arena.
Michael Rennie who has always played aesthetic upper class gentlemen is really miscast as the rugged outdoor St. Peter. He does what he can with the part, but my conception of St. Peter at various times of his life is better realized by Howard Keel in The Big Fisherman and Finlay Currie in Quo Vadis. These two look like they made a living outdoors, I could never see Rennie out on a commercial fishing boat.
Of course Robinson continues with his well received portrayal of Caligula from The Robe. The difference is that in The Robe he was the spoiled heir to the throne. In Demetrius and the Gladiators, Robinson truly descends into madness as he starts believing he's divine.
Another outstanding performance is William Marshall as Glycon, the gladiator/slave from Ethiopia. Marshall had a tremendous speaking voice, think James Earl Jones and Marshall makes him sound like a soprano. Had he come along a few years later, Marshall would have had the career Mr. Jones had. He's probably best remembered today for both the Blacula films and in an episode of the original Star Trek series as Dr. Dengstom who invents a computer to run the Enterprise.
Some of this ground was covered better in the highly rated I Claudius series from the BBC. But that does not diminish Demetrius and the Gladiators in quality. Both should be seen and evaluated side by side on their own separate merits.
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