The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
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Jean-Paul rebels against his bondage to his uncle, the Marquis de St. Malo, and journeys to the far-off Mayan hills of Guatemala seeking a hidden treasure. He is the rightful heir to his ... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith. Written by
Ron Kerrigan <firstname.lastname@example.org>
The set of the Christian neighborhood in Rome has previously been used in The Robe (1953) (of which this film is the sequel) as the village of Cana. We can easily recognize the well with old broken columns. See more »
Caligula was emperor of Rome from 37 to 41 CE. The apostle Peter is known to have been incarcerated by Herod Agrippa, who reigned from 40 to 44 CE. When he came to Rome is unknown but this must have been later, only after there were followers of the new religion there (after 50 CE). So, Caligula and Peter were never in Rome at the same time. See more »
You'll never get him back. What can you offer him ? The company of slaves and beggars ? The refuse of Rome ? Poverty and self-denial ? Prayers ? Tears ? Death ? You see, I've studied your teachings, and I, Fisherman, I can give him the world. If he has to choose between us, do you think he'd hesitate for one minute ? Of course not. And that's why you hate me. I can see it in your eyes.
What you see in my eyes is pity.
[she tosses her goblet of wine in his face]
Get out !
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Filmed at almost the same time, this film was a fitting sequel to "The Robe," considering it did not have the star power of the earlier film. None the less it loses some of the reverence of the first film, as Demetrius, so passionate a Christian in the first film, seems to give in and give up on it all too quickly in this one. The tie-in of the final scene from "The Robe" as the opening scene to this movie was a good advertising ploy, and the musical score of Franz Waxman melded well with the earlier Newman themes. The powerful insanity of Caligula is once again handled well by Jay Robinson, who brought the character vividly to life, as I remember from my Roman History studies. If the Rome of those days was as charming as depicted in these films, I would not have minded living there and then.
The performances of the cast, especially the minor characters, was excellent, although Mature was still awfully stiff in his performance. But a good sequel over all.
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