In eighteenth-dynasty Egypt, Sinuhe, a poor orphan, becomes a brilliant physician and with his friend Horemheb is appointed to the service of the new Pharoah. Sinuhe's personal triumphs and... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith. Written by
Ron Kerrigan <email@example.com>
Near the end of the movie when Peter goes to the house of Messalina to see Demetrius, Messalina throws wine on Peter. The wine stains Peter's under garment on his shoulder and drips on his draped outer toga on his chest. When the camera cuts to another angle, Peter now has a smaller wine spot only on his shoulder with no dripping stains on the chest of the outer toga. When the camera switches back, Peter again has both stains (shoulder and chest) prominently along the front of his outfit. See more »
I have the power of life and death over every being in the empire! My power is as great as any god's! True?
Why should I have to die? Who should I have to suffer death like any plebeian, any slave? Is that logical? Is it?
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It's a pretty good story, actually, this sequel to "The Robe". As entertainment, it has plenty to offer. As history, however, it falls flat on its face. The only accuracy in the story of Caligula is that he was assassinated by one of his own guards. He is also played so outrageously hammy that it is hard to take him seriously. Caligula also wasn't the slightest bit concerned with Christians or Jews, and in real life largely ignored them. His successor, Claudius, played here as a fine old Roman gentleman who wished the Christians well at the end, in fact found them and the Jews both to be a bother, and showed them the doors of Rome at every opportunity. (Please note: with the one politically motivated action of Nero, real persecution of Christians did not occur until much later, under the Emperor Diocletian) And let's not forget the Empress Messalina, probably the most notorious loose woman in Roman history, who comes across here as just a cheating wife. But then - hey, I'm a history buff. The point is that despite these little problems, it is still a good movie, and Victor Mature is perfect as the toughened gladiator. It's a classic and still a favorite
5 of 7 people found this review helpful.
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