The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
In eighteenth-dynasty Egypt, Sinuhe, a poor orphan, becomes a brilliant physician and with his friend Horemheb is appointed to the service of the new Pharoah. Sinuhe's personal triumphs and... See full summary »
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
Action-packed look at the beginnings of the fall of the Roman Empire. Here is the glory, the greed and grandeur that was Rome. Here is the story of personal lust for power, and the ... See full summary »
Coop's an ex-ballplayer is now a peanut vendor, who takes too much of an interest in the game. But he's passed on his craze for baseball to his son, Christie. When his dad gets fired, Chris... See full summary »
Pablo Kramsky is a journalist who, in possesion of a gun, starts to commit vengeance crimes so he can write about them and succed in his job. He then creates a character, a national hero, famous for battling crime.
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith. Written by
Ron Kerrigan <email@example.com>
The set of the Christian neighborhood in Rome has previously been used in The Robe (1953) (of which this film is the sequel) as the village of Cana. We can easily recognize the well with old broken columns. See more »
A common misconception was that half the gladiators in the arena would be killed. In actuality there were many times that the losing gladiator's life would be spared. This was partially due to him, or her, giving a good battle. The gladiators were also very valuable to their owner's. Emperor Claudius, who followed Caligula, was known for not showing mercy even when it was a good fight. See more »
I have the power of life and death over every being in the empire! My power is as great as any god's! True?
Why should I have to die? Who should I have to suffer death like any plebeian, any slave? Is that logical? Is it?
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If made today, they'd call this The Robe II. Mostly a beefcake fest and spectacle rather than a first class religious drama--which is what "The Robe" was. This one has lots of gladiator fights in the arena and "a day in the life " at gladiator school stuff. The action is quite excitingly staged, but lessened by the handicap of early Cinemascope, where close ups and even medium closeups looked distorted and were very seldom used.
Susan Hayward is fun to watch as a sexually ravenous and manipulative noblewoman. Victor Mature confirms his acting chops (see "My Darling Clementine") by making a the struggling hero part believable, in a part that could have been cardboard rendered by many an action hero actor.
The video quality on this DVD is disappointingly mediocre; Fox obviously didn't spend any money on restoration, as they do with many of their titles from the 1950's. Colors are muddy, and the print, while perfectly watchable, is scratched. Stereo sound is so-so, and at least on my system, I didn't hear any surround sound, which this movie certainly had (this was a significant aspect of early Cinemascope presentations).
The actor playing bad guy Caligula gives one of the most hammy, over the top performances I can remember; he seems to have studied at the Simon Legree school of melodrama.
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