In Argentina, the family man Julio Madariaga is the patriarch of his family and considers his farm the paradise on Earth. One of his daughters, Luisa Desnoyers, has married the Frenchman ... See full summary »
A young widower named Sam Crockett returns from Kansas City to his small hometown in rural Texas, bringing with him his feisty grandfather and two young sons, Steve and Yoyo. He tries to ... See full summary »
Dave Jennings is a successful, self-made man in the business world, but he can't control his son, Gus, who is primarily a brat fond of throwing temper-tantrums and misbehaving. Dan enrolls ... See full summary »
Another movie with Jerry Lewis and Dean Martin. Jerry and Pete are two friends with no money, looking for some job. They finally find one as workers in a circus, but Jerry has different ... See full summary »
When ex-cop Steve Rollins is released from San Quentin after five years, his only thoughts are of revenge on the men who framed him for manslaughter. Back in San Francisco, his quest for ... See full summary »
Rosa Nicolosi is not the widow of Salvatore Colasberna, the man murdered in the beginning of the movie, but she is in fact the wife of Paolo Nicolosi, the only eyewitness of the murder. ... See full summary »
Lee J. Cobb
"Day of Triumph", a low-budget, church-sponsored film about the life of Christ, was the first Technicolor, English-speaking sound film in which one actually saw and heard an actor playing Jesus Christ (whose face was never shown in such films as "Ben-Hur" or "The Robe".) Once shown on TV annually, it now seems even worse than ever. Filmed on cheesy-looking sets, "Day of Triumph" features unknown Robert Wilson as a Jesus who looks like somebody made up for a small town religious pageant. His performance is completely forgettable and makes Jeffrey Hunter in "King of Kings" look like Laurence Olivier (not that Hunter was bad at all in "King of Kings"; in fact he was quite good; he just wasn't an Olivier).
Noted actor Lee J.Cobb, who gets more screen time than anyone as Zarok, confidant of Judas, and a sort of well-meaning high priest, makes a heroic effort under the circumstances, demonstrating how a great actor can bring class to a religious film that looks and sounds like a cheap B-movie. Judas is played like a villain in a silent melodrama (his "I have sinned!" after his realization that Christ is to be crucified takes first prize for melodramatic overacting) and everyone else is just plain bland. One wonders what director Irving Pichel could have been thinking.
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