Granting her final request, a Hollywood press agent brings the dead body of an actress, who died after making her first and only film, back to her hometown for burial. To arouse public ... See full summary »
In Argentina, the family man Julio Madariaga is the patriarch of his family and considers his farm the paradise on Earth. One of his daughters, Luisa Desnoyers, has married the Frenchman ... See full summary »
Lawyer Ralph Anderson arrives in Tula, an amazingly remote town in the desert, as reluctant emissary of mob chief Victor Massonetti, who wants the airstrip clear for his unofficial exit ... See full summary »
Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him ... See full summary »
A black-clad Johnny Cash appears in and narrates this version of the story of Jesus' life, death, and resurrection, which was shot on location in Israel. Cash performs a number of original ... See full summary »
June Carter Cash
Caesar Kluck, soft-drink magnate, is found dead in the office of a big radio-broadcasting company. Benjamin Franklin Butts, a sound engineer, discovers that Kluck met his death from ... See full summary »
Jesus' crucifixion shows him nailed through the palms of his hands.(No ropes have been added to help the actor stay in place.) His feet have been nailed separately rather than one placed atop the other. The two thieves aren't nailed but are tied to their crosses. This emphasizes the special or unique nature of Jesus' crucifixion. See more »
It is an irritation to read reviews of films about the life of Christ, whether on IMDb or anywhere else: most of the reviewers are ignoring everything distinctive about the film, focusing on an opportunity to deliver clever put-downs of "biblical extravaganzas." Or they're getting this film mixed up in their minds with other films on the same theme (e.g., one IMDb reviewer compliments the film for never showing Christ's face, showing that he has it confused with Ben Hur). A few realize the merits of Day of Triumph: its take on Judas is a very interesting one indeed, and the parts of Judas, Nicator and Zadok are not only brilliantly acted but brilliantly written. This film's Pontius Pilate is rather interesting too, in fact this is the second-best Pilate I have seen (after Telly Savalas in The Greatest Story Ever Told); he actually talks and acts like the racist colonial administrator Pilate was: "Sabbaths! Passovers! These Jews waste more time on one god than we do on a hundred!", he exclaims after being told that the Jewish priests want to talk to him but refuse to pollute themselves by entering a pagan's house during a holy time, so he has to come to the door to see them instead!). Exactly as in the case of Greatest Story Ever Told, there are some deftly dramatic and original touches; and also as in that case, there are loads of clichés to excite the derisive hoots of folk who are all set up to trash a "biblical spectacular". Yes, I too found the Jesus of this film rather bland and conventional, but (despite some of the comments posted on this site) Judas was certainly not "melodramatic". Indeed, I wish we could have a film combining this Judas with Max von Sydow's earthy Jesus. Altogother, an uneven film--but then, villains are always easier to make interesting than heroes are.
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