Crime Wave (1954)

Director:

André De Toth

Writers:

Bernard Gordon (adaptation)
John Hawkins (story)

Release Date:

6 March 1954 (USA)

Genre:

Crime | Film-Noir | Drama

Plot:

Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter.

Plot Keywords:

Gas Station | Home Invasion | Escaped Convict | Interrogation | Lapd

Cast

Sterling Hayden	...	Det. Lt. Sims
Gene Nelson	...	Steve Lacey
Phyllis Kirk	...	Ellen Lacey
Ted de Corsia	...	'Doc' Penny
Charles Bronson	...	Ben Hastings (as Charles Buchinsky)
Jay Novello	...	Dr. Otto Hessler
Nedrick Young	...	Gat Morgan
James Bell	...	Daniel O'Keefe
Dub Taylor	...	Gus Snider (as Dubb Taylor)
Gayle Kellogg	...	Detective Kelly
Mack Chandler	...	Sully

Also Known As:

The City Is Dark (UK)

Runtime:

73 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

West Germany:16 (nf) | Australia:PG | Finland:(Banned) (1953) | USA:Approved (PCA #16297) | Sweden:15

Filming Locations:

Burbank, California, USA

Company:

Warner Bros. Pictures

Trivia:

A few seconds of footage in Crime Wave are borrowed from _Deadly Is The Female (1950)_. When suspects are rounded up following the attack on the gas station, we see police cars stopping by the entrance of a police station and letting out their suspects. This piece of footage can be seen in Deadly Is The Female, just after the payroll holdup, when police launch their dragnet.

Goofs:

Continuity: When Nedrick Young (as Gat Morgan) is first shot, he grabs his chest by the right pectoral. When he grabs his wound later, it has migrated to the lower center abdomen.

Quotes:

'Doc' Penny: Think about that wife of yours, Steve. You can't afford to make any mistakes.

Movie Connections:

Featured in Crime Wave: The City Is Dark (2007) (V)

Soundtrack:

'S Wonderful

Well paced, well cast late noir from underrated Andre De Toth

It's too bad Andre De Toth didn't contribute more to the noir cycle, because on the evidence he was a natural (plus he was married to early-noir icon Veronica Lake). The Pitfall, made in 1948, looks more and more like one of the best, and most central, movies in the cycle, but (except for the early, more gothic Dark Waters) De Toth only returned to it once, with Crime Wave. Its story is not a fresh one: an ex-con trying to go straight (Gene Nelson) is coerced by circumstances to aid and abet a gang of his former cellmates. The uncomfortable spot he finds himself in lies between them and the law, personified by Sterling Hayden as a tough, unforgiving police detective. There's much more attention to character in the film's hour-and-a-quarter running time than in many full-length features of the era; Jay Novello, as an alcoholic veterinarian who doubles as an underworld sawbones, is especially memorable. By any reckoning Crime Wave is a minor film -- even a minor second feature -- but De Toth lavishes easy expertise on it; it's surprisingly well paced, well shot, as well interestingly cut. Why so many talented directors (many of them refugees from Europe) were relegated, in the 1950s, to "genre" movies -- crime dramas, 3-D schlockfests and westerns -- is a puzzle. In any case, I'd give any three of De Toth's westerns AND his House of Wax for just one more film noir boasting his directorial credit.