Crime Wave (1954)

Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter.

Director:

André De Toth

Writers:

Crane Wilbur (screen play), Bernard Gordon (adaptation),

Stars:

Sterling Hayden, Gene Nelson, Phyllis Kirk

Cast

Complete credited cast:
Sterling Hayden	...	Det. Lt. Sims
Gene Nelson	...	Steve Lacey
Phyllis Kirk	...	Ellen Lacey
Ted de Corsia	...	'Doc' Penny
Charles Bronson	...	Ben Hastings (as Charles Buchinsky)
Jay Novello	...	Dr. Otto Hessler
Nedrick Young	...	Gat Morgan (as Ned Young)
James Bell	...	Daniel O'Keefe
Dub Taylor	...	Gus Snider (as Dubb Taylor)
Gayle Kellogg	...	Detective Kelly
Mack Chandler	...	Detective Sully

Storyline

Three San Quentin escapees (Penny, Hastings and Morgan) kill a cop in a gas-station holdup. Wounded, Morgan flees through black-shadowed streets to the handiest refuge: with former cellmate Steve Lacey, who's paroled, with a new life and lovely wife, and can't afford to be caught associating with old cronies. But homicide detective Sims wants to use Steve to help him catch Penny and Hastings, who in turn extort his help in a bank job. Is there no way out for Steve?

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Plot Keywords:

gas station | bank | downtown la | abortionist | murder | 

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Genres:

Crime | Film-Noir | Drama

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

6 March 1954 (USA)

Also Known As:

Von der Polizei gehetzt

Filming Locations:

Whiteman Airport - 12657 Osborne Street, Pacoima, Los Angeles, California, USA

Company Credits

Production Co:

Warner Bros

Technical Specs

Runtime:

73 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

According to an interview on US DVD, Jack L. Warner originally wanted Humphrey Bogart and Ava Gardner to star in the movie, but André De Toth vehemently protested this. Warner was fed up after a long argument and told De Toth he could make the movie any way he wanted, but it had to be in two weeks, which suited De Toth since he finished under schedule and under budget with his preferred star, Sterling Hayden.

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Goofs

When Nedrick Young (as Gat Morgan) is first shot, he grabs his chest by the right pectoral. When he grabs his wound later, it has migrated to the lower center abdomen.

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Quotes

'Doc' Penny: Think about that wife of yours, Steve. You can't afford to make any mistakes.

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Connections

Featured in A Personal Journey with Martin Scorsese Through American Movies (1995)

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Soundtracks

"'S Wonderful"
Music by George Gershwin
Lyrics by Ira Gershwin
Performed by Doris Day on record

User Reviews

"Murder is my business and midnight is my beat."

"You know, it isn't what a man wants to do, Lacey, but what he has to do. Now you take me. I love to smoke cigarettes, but the doctors say I can't have them. So what do I do? I chew toothpicks. Tons of 'em." Developed as The City is Dark and shot as Don't Cry, Baby before being released as Crime Wave, Andre de Toth's still surprisingly tough police procedural is a film that wears its economy as a badge of pride. Offered a big budget and a 35-day shooting schedule if he made it with Humphrey Bogart and Ava Gardner, de Toth held out for Sterling Hayden even though it mean a fraction of the budget and a 15-day shooting schedule – and still managed to come in ahead and shoot the film in only 13 days. It was worth sticking to his guns. The film may have made little splash when it opened in 1954, but it's a near classic that fully deserves its growing reputation, and as the hardboiled cop who's all-knowing judge and jury, Hayden so effectively strides through the film like a colossus in a towering performance (literally: for much of the film he's shot from low angles) that it's impossible to imagine Bogart as being anything but a comparative disappointment in the role. The kind of guy who doesn't need doors because he can walk through walls, he doesn't act tough – he IS tough. He's practically the blueprint for L.A. Confidential's Bud White, and it's no surprise that James Ellroy is a big fan of the film, sharing an entertaining, occasionally expletive-deleted audio commentary with Eddie Muller on Warner's Region 1 DVD.

The plot is simple enough: a trio of escaped cons (Ted de Corsia, Charles Bronson when he was still Charles Buchinsky and Ned Young) kill a cop when robbing Dub Taylor's gas station for eating money and involve innocent parolee Gene Nelson, leaned on by cops and crooks alike, in their escape plans. But the execution is what raises the bar here, particularly in the first third when the police bring in all the usual suspects. Shot in an almost verite documentary style, the film has a great look thanks to Bert Glennon's striking cinematography – deep focus, harsh blacks and bright fluorescent whites often sharing the same frame, with such a stark photojournalistic realism that some of the setups could pass for Weegee's classic crime scene photos. It captures the feeling of L.A. at night like almost no other film, with outstanding location work and an unforgiving eye for human weakness and hopeless cases. It certainly takes some of the shine off Kubrick's subsequent The Killing – it certainly got there first in terms of its look, and it's probably no accident that Kubrick hired two of the cast for his own caper movie.

While its undoubtedly Hayden's movie, the supporting cast is for the most part exceptionally strong and well-drawn. Nelson is convincing enough as the bitter ex-con caught in the middle that it's a shame that the former dancer didn't go on to anything more interesting than directing some of Elvis' worst movies, Phyllis Kirk makes more of an impression as his wife than the script would lead you to expect while Jay Novello makes a big impact as a drunken horse doctor who hates people but loves dogs and has no scruples about rifling a corpse's pockets for services not rendered. Not everyone is quite so good, unfortunately: Bronson overdoes his dumb thug and a wildly miscast Hank Worden is barely able to deliver his lines as Nelson's airport boss (is there anyone you'd feel LESS safe being in charge of airplane maintenance than Hank Worden?). As for Timothy Carey's truly amazing display of psychotic tics as the last guy in the world you'd want to leave your wife with – well, since all his directors maintained Carey was never acting but really WAS like that offscreen as well, we can let that slide.

The film does briefly give into sentimentality at the end – though very, very begrudgingly – and it's never quite as good as that powerhouse first third, but it's certainly a sharp punch below the belt to the cop movie that you won't forget in a hurry. Along with a brief adulatory featurette with various noir historians and Oliver Stone waxing lyrical about the film, the DVD also includes the original trailer introduced by an in-character Hayden telling us "Murder is my business and midnight is my beat." Great stuff.