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Creature from the Black Lagoon (1954)

Approved | | Adventure, Horror, Sci-Fi | 5 March 1954 (USA)
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A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.

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(screenplay), (screenplay) (as Arthur Ross) | 1 more credit »
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Cast

Complete credited cast:
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Kay Lawrence (as Julia Adams)
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Lucas
...
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Zee
Henry A. Escalante ...
Chico (as Henry Escalante)
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Storyline

A scientific expedition searching for fossils along the Amazon River discovers a prehistoric Gill-Man in the legendary Black Lagoon. The explorers capture the mysterious creature, but it breaks free. The Gill-Man returns to kidnap the lovely Kay, fiancée of one in the expedition, with whom it has fallen in love. Written by Marty McKee <mmckee@wkio.com>

Plot Summary | Plot Synopsis

Taglines:

Not since the beginning of time has the world beheld terror like this! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

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Release Date:

5 March 1954 (USA)  »

Also Known As:

Black Lagoon  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Julie Adams performed all of her own stunts for this film. See more »

Goofs

Far side of water tank visible during underwater scenes. See more »

Quotes

David Reed: We didn't come here to fight monsters, we're not equipped for it.
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Connections

Referenced in A Bird in the Hand (2011) See more »

Frequently Asked Questions

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User Reviews

 
This is the quintessential monster movie.
12 April 2000 | by (Columbia, SC) – See all my reviews

As many times as this movie has been copied, filmmakers still can't seem to get it right. Considering that this film is considered a trend-setter, it's amazing how many rules this film BREAKS by today's standards. It breaks the notion that full shots of the creature and lots of blood and violence are needed to create a scare. In this film, all you need is a shot of the creature's hand and that piercing three-note musical motive played by brass instruments, and let the imagination fill in the blanks. It shatters the notion that monsters MUST be computer-generated--a guy in a suit CAN be scary. And it proves that black-and-white photography can be just as rich as color photography. The underwater sequences especially are both beautiful (almost surreal) and eerie at the same time.

And then there is the Gill Man himself. It's as if the writers took the best qualities of his predecessors and combined them into the last and best (IMHO) of the Universal monsters. Like The Mummy, he has lived long after he technically should have died; like Frankenstein's monster, he appears to be savage, yet shows intelligence and appreciates beauty; like Dracula, he is seductive. Just check out the scene where he swims with Julie Adams (unbeknownst to her, of course). I believe this is why he has achieved the status of a genuine icon, and deservedly so. Here's hoping he swims the waters for a long time.


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