Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
The Creature from the Black Lagoon is back! This time he's captured by scientists and transported to an aquarium in south Florida. Naturally, he's attracted to the lovely female scientist ... See full summary »
A scientific expedition searching for fossils along the Amazon River discover a prehistoric Gill-Man in the legendary Black Lagoon. The explorers capture the mysterious creature, but it breaks free. The Gill-Man returns to kidnap the lovely Kay, fiancée of one of the expedition, with whom it has fallen in love. Written by
Marty McKee <email@example.com>
When the Creature attacks Zee, the script called for him to pick him up and throw him into the camera for the 3-D effect. Unfortunately, the wires used to lift Zee up to make it appear as though he was actually being picked up by the Creature kept breaking. After two tries, Jack Arnold decided to just have Zee get strangled to death. See more »
The scientists in this movie, presumably geologists and palaeontologists, constantly misuse terms for the geologic time scale. They refer to the Devonian as an "age" and as an "era"; both terms are wrong. The Devonian is a period, which is shorter than an age and longer than an era. Geologic time is divided in units termed, from longest to shortest, Eon > Era > Period > Epoch > Age. The current year is part of the Holocene age of the Quaternary epoch of the Cenozoic era of the Phanerozoic eon. See more »
What kind of fishing is that? Who eats rocks?
I eat rocks, in a manner of speaking. I crush and look inside them and they tell me things.
What do they tell you?
How old they are.
See more »
As many times as this movie has been copied, filmmakers still can't seem to get it right. Considering that this film is considered a trend-setter, it's amazing how many rules this film BREAKS by today's standards. It breaks the notion that full shots of the creature and lots of blood and violence are needed to create a scare. In this film, all you need is a shot of the creature's hand and that piercing three-note musical motive played by brass instruments, and let the imagination fill in the blanks. It shatters the notion that monsters MUST be computer-generated--a guy in a suit CAN be scary. And it proves that black-and-white photography can be just as rich as color photography. The underwater sequences especially are both beautiful (almost surreal) and eerie at the same time.
And then there is the Gill Man himself. It's as if the writers took the best qualities of his predecessors and combined them into the last and best (IMHO) of the Universal monsters. Like The Mummy, he has lived long after he technically should have died; like Frankenstein's monster, he appears to be savage, yet shows intelligence and appreciates beauty; like Dracula, he is seductive. Just check out the scene where he swims with Julie Adams (unbeknownst to her, of course). I believe this is why he has achieved the status of a genuine icon, and deservedly so. Here's hoping he swims the waters for a long time.
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