C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
American girls dream of finding romance in Rome, but there is none for secretaries, Anita tells her replacement at the USDA. But Maria soon meets Prince Dino de Cessi at a party at her ... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
A war correspondent who was stationed in Paris during WW II married a French girl who was murdered by the Nazis. After the war he returns to to try to find his son, whom he lost during a ... See full summary »
Washed up singer/actor Frank Elgin has a chance to make a come-back when director Bernie Dodd offers him the leading role in his new musical. Frank however is very insecure, turns to alcohol and shuns even the smallest of responsibilities, leaving everything up to his wife Georgie who finds it harder and harder to cope with her husband's lack of spirit. Bernie tries to help Frank regain his self-confidence, believing that it is Georgie who's the cause of his insecurity. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The original Broadway production of "The Country Girl" by Clifford Odets opened at the Lyceum Theater on November 10, 1950 and ran for 236 performances. Uta Hagen won the 1951 Tony Award for Actress in a Drama for the role of Georgie Elgin, the same role that won Grace Kelly her only Academy Award for Best Actress. See more »
Strong film version of Clifford Odets' play about an over-the-hill alcoholic singer (Bing Crosby) whose attempts at a comeback in a big Broadway musical seem to be thwarted by his long-suffering and unhappy wife (Grace Kelly), despite the assistance of a well-meaning director (William Holden). The drama is at times melodramatic (director George Seaton tends to push Kelly a little over the top) but it's still pretty potent today (and a lot more effective than the television version done in 1982 with Faye Dunaway). The film's best asset is Holden's fiery performance as the director-his energy keeps the drama pulsing. Some audience members might enjoy the laugh they get from seeing Hollywood try to make Grace Kelly look plain by throwing her behind a pair of thick glasses and a woolly sweater.
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