C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Set during the Korean War, a Navy fighter pilot must come to terms with with his own ambivalence towards the war and the fear of having to bomb a set of highly defended bridges. The ending of this grim war drama is all tension.
In Colombia, mining engineer Rian Mitchell discovers Carrero, the lost emerald mine of the Conquistadors, but has to contend with notorious local bandit El Moro's gang and with coffee planter Catherine Knowland's love.
Princess Beatrice's days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to ... See full summary »
An Italian-American neighborhood in Louisiana is disturbed when truck driver Rosario Delle Rose is killed by police while smuggling. His buxom widow Serafina miscarries, then over a period ... See full summary »
Washed up singer/actor Frank Elgin has a chance to make a come-back when director Bernie Dodd offers him the leading role in his new musical. Frank however is very insecure, turns to alcohol and shuns even the smallest of responsibilities, leaving everything up to his wife Georgie who finds it harder and harder to cope with her husband's lack of spirit. Bernie tries to help Frank regain his self-confidence, believing that it is Georgie who's the cause of his insecurity. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Does your wife really want you to play this part?
Yeah, she's all for it.
I was just wondering. The day I met her, she seemed a little difficult about terms and rather domineering, I thought.
She wasn't always like that.
Oh I know, I know. They all start out as Juliets and wind up as Lady Macbeths.
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Strong film version of Clifford Odets' play about an over-the-hill alcoholic singer (Bing Crosby) whose attempts at a comeback in a big Broadway musical seem to be thwarted by his long-suffering and unhappy wife (Grace Kelly), despite the assistance of a well-meaning director (William Holden). The drama is at times melodramatic (director George Seaton tends to push Kelly a little over the top) but it's still pretty potent today (and a lot more effective than the television version done in 1982 with Faye Dunaway). The film's best asset is Holden's fiery performance as the director-his energy keeps the drama pulsing. Some audience members might enjoy the laugh they get from seeing Hollywood try to make Grace Kelly look plain by throwing her behind a pair of thick glasses and a woolly sweater.
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