Conflict of Wings (1954)

Director:

John Eldridge

Writers:

John Pudney
Don Sharp (novel)
(more)

Genre:

Drama | Comedy

Plot:

In rural Norfolk, villagers are spurred to action when it is announced that the nearby RAF station is taking over the Island of Children...

Plot Keywords:

Group 3 | Based On Novel

Cast

John Gregson	...	Cpl. Bill Morris
Muriel Pavlow	...	Sally
Kieron Moore	...	Squadron Leader Parsons
Niall MacGinnis	...	Harry Tilney
Harry Fowler	...	Leading Aircraftman 'Buster'
Guy Middleton	...	Adjutant
Sheila Sweet	...	Fanny Bates
Campbell Singer	...	Flight Sgt. Campbell
Frederick Piper	...	Joe Bates
Russell Napier	...	Wing Cmdr. Rogers
Bartlett Mullins	...	Soapy
Edwin Richfield	...	Smother Brooks
Margaret Withers	...	Mrs Tilney
rest of cast listed alphabetically:
Howard Connell	...	Flight Officer, Flying Control
Beryl Cooke	...	Miss Nelson
Tony Doonan	...	Range Corporal
John Gale	...	Range Leading Aircraftman
Brian Harding	...	1st Pilot
Barbara Hicks	...	Mrs. Thompson
Humphrey Lestocq	...	Squadron Leader Davidson
Charles Lloyd Pack	...	Bookie
William Mervyn	...	Mr Wentworth
Brian Moorehead	...	3rd Pilot
Hugh Moxey	...	Mr. Ruddle
Dorothea Rundle	...	Mrs. Trotter
Harold Siddons	...	Flight Lt. Edwards
David Spenser	...	Corporal, Flying Control
Peter Swanwick	...	Sergeant, Working Party
Guy Verney	...	2nd Pilot
Gwenda Wilson	...	Miss Flew
George Woodbridge	...	Man in charge of Pumping-Station (uncredited)

Directed by
John Eldridge

Writing credits (in alphabetical order)
John Pudney
Don Sharp		novel
Don Sharp		screenplay

Produced by
Herbert Mason	....	producer

Original Music by
Philip Green

Cinematography by
Arthur Grant
Moray Grant

Film Editing by
Lito Carruthers

Art Direction by
Ray Simm

Costume Design by
Amy C. Binney		(as Amy Binney)

Makeup Department
Jill Carpenter	....	makeup artist
Pearl Tipaldi	....	hair stylist

Production Management
Terry Hunter	....	production manager

Second Unit Director or Assistant Director
Jack Causey	....	assistant director

Sound Department
Len Page	....	sound recordist

Camera and Electrical Department
Martin Curtis	....	aerial photographer
Jim Goding	....	assistant aerial photographer
Moray Grant	....	assistant camera

Music Department
Philip Green	....	conductor

Other crew
Ann Forsyth	....	continuity
Gladys Goldsmith	....	continuity
Don Sharp	....	associate director

Production Companies

• Group 3

Distributors

• British Lion Film Corporation (1954) (UK) (theatrical)
• Associated Artists Productions (AAP) (1954) (USA) (theatrical)

Also Known As:

Runtime:

84 min

Country:

UK

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Filming Locations:

Cley Mill, Cley-next-the-Sea, Norfolk, England, UK

Company:

Group 3

Difficulty Balancing Comedy And Drama

While I am a fan of British movies, particularly comedies of the 1950s and 1960s, I was not familiar with this movie. However I had warm expectations given the cast led by the usually dependable John Gregson and Muriel Pavlow. The movie concerns a British air force base that is activated as a training facility. Requiring a target range the government conscripts a nearby marsh, the Island of Children, for that purpose. The marsh is a wildlife habitat principally for birds (hence title Conflict of Wings between birds and aircraft). Obviously the local inhabitants, led by native daughter Muriel Pavlow and an assortment of colorful character actors (i.e. Niall MacGinnis, Frederick Piper), lead a fight to save the marsh. This leads to conflict with her boyfriend, airman John Gregson, as well as the base commander Kieron Moore. Combining comedy and drama is difficult and here it doesn't really succeed. There is almost a sub-genre of British comedies about colorful locals rising up (i.e. Passport To Pimlico, Titfield Thunderbolt). However, in all instances, the enemy are incompetent bureaucrats or buffoons. Here the air force is shown as capable, concerned but committed to their responsibilities. Periodically Kieron Moore is required to look out into mid-space and give a speech about the need for military preparedness, with appropriate references to just past crisises in Korea and Malaysia. The fact that decent people have to make difficult choices may be more representative of real life but it is less satisfying in reel life. Here the shifting between comic efforts and near tragic efforts by the the local population results in an uneven and ultimately unsatisfying cinema experience. Acting is generally good and technical credits, including color photography of the marsh, are also good.