8.2/10
2,109
9 user 16 critic

The Crucified Lovers (1954)

Chikamatsu monogatari (original title)
Ishun is a wealthy, but unsympathetic, master printer who has wrongly accused his wife and best employee of being lovers. To escape punishment, the accused run away together, but Ishun is certain to be ruined if word gets out.

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(play), (adaptation) | 1 more credit »
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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Kazuo Hasegawa ...
Mohei
Kyôko Kagawa ...
Osan
Eitarô Shindô ...
Ishun
Eitarô Ozawa ...
Sukeemon (as Saka Ozawa)
Yôko Minamida ...
Otama
Haruo Tanaka ...
Gifuya Dôki
Chieko Naniwa ...
Okô
Ichirô Sugai ...
Gembei
Tatsuya Ishiguro ...
Isan
Hiroshi Mizuno ...
Kuroki
Hisao Toake ...
Morinokoji
Kazue Tamaki ...
Jushiro Umegaki
Kimiko Tachibana ...
Umetatsu Akamatsu
Keiko Koyanagi ...
Okaya
Sayako Nakagami ...
Osono
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Storyline

In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and declare their love for each other. Ishun orders his men to find them, and separate them to avoid public humiliation. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

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Release Date:

November 1970 (USA)  »

Also Known As:

A Story from Chikamatsu  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Osan: No matter what happens to us, I never want to leave your side.
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Connections

Referenced in Kenji Mizoguchi: The Life of a Film Director (1975) See more »

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User Reviews

 
An accessible masterpiece
30 November 2002 | by (Chapel Hill, NC, USA) – See all my reviews

The only print of CHIKAMATUS MONOGATARI I've been able to find was abysmal - I almost couldn't watch it. Which is a shame as this is among the greatest Mizoguchi films. The story - which I believe had been done before and since by other Japanese directors - is a bit straighter than my favorite Mizoguchi films (SANSHO THE BAILIFF and UGETSU MONOGATARI), and is essentially a tale of tragic romance, in this case a transgressive romance that crosses strict class boundaries. As always with Mizoguchi, there is an exquisitely expressed tone of defiance, and

  • bad print aside - I was very pleased. As with all of Mizoguchi's


films, I'm eagerly awaiting a restored DVD release - whenever that may come...


7 of 11 people found this review helpful.  Was this review helpful to you?

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