| Bob Hope | ... | Pippo Popolino | |
| Joan Fontaine | ... | Francesca Bruni | |
| Audrey Dalton | ... | Elena Di Gambetta | |
| Basil Rathbone | ... | Lucio / Narrator | |
| Hugh Marlowe | ... | Stefano Di Gambetta | |
| Arnold Moss | ... | The Doge | |
| John Carradine | ... | Foressi | |
| John Hoyt | ... | Maggiorin | |
| Hope Emerson | ... | Duchess of Castelbello | |
| Robert Hutton | ... | Raphael, Duc of Castelbello | |
| Lon Chaney Jr. | ... | Emo the Murderer (as Lon Chaney) | |
| Raymond Burr | ... | Bragadin | |
| Frieda Inescort | ... | Signora Di Gambetta | |
| Primo Carnera | ... | Corfa | |
| Frank Puglia | ... | Carabaccio | |
| Paul Cavanagh | ... | Signor Alberto Di Gambetta | |
| Romo Vincent | ... | Giovanni | |
| Henry Brandon | ... | Capt. Rugello | |
| Natalie Schafer | ... | Signora Foressi | |
| Douglas Fowley | ... | Second Prisoner | |
| Nestor Paiva | ... | Gnocchi | |
| Lucien Littlefield | ... | First Prisoner | |
| rest of cast listed alphabetically: | |||
| Eric Alden | ... | Maggiorin's Ruffian (uncredited) | |
| John Alderson | ... | Outside Guard (uncredited) | |
| Oliver Blake | ... | Amadeo (uncredited) | |
| Charles Cooley | ... | Manservant (uncredited) | |
| Gino Corrado | ... | Ambassador (uncredited) | |
| John Doucette | ... | Mounted Guard (uncredited) | |
| Dan Dowling | ... | Cloth Merchant (uncredited) | |
| Trippe Elan | ... | Small Boy (uncredited) | |
| Marla English | ... | Girl on Bridge (uncredited) | |
| Fritz Feld | ... | Diplomat (uncredited) | |
| Bess Flowers | ... | Marquesa (uncredited) | |
| Barbara Freking | ... | Maria (uncredited) | |
| Kathryn Grant | ... | Girl on Bridge (uncredited) | |
| Joe Gray | ... | Court Guard (uncredited) | |
| Chuck Hicks | ... | Assistant Headsman (uncredited) | |
| Arline Hunter | ... | Girl in Window (uncredited) | |
| Richard Karlan | ... | Outside Guard (uncredited) | |
| Walter Kingsford | ... | Minister (uncredited) | |
| Skelton Knaggs | ... | Little Man (uncredited) | |
| Edith Leslie | ... | (uncredited) | |
| Torben Meyer | ... | Attendant (uncredited) | |
| Paul Newlan | ... | Regniacci (uncredited) | |
| Vincent Price | ... | Casanova (uncredited) | |
| Keith Richards | ... | Servant (uncredited) | |
| Michael Ross | ... | Jailer (uncredited) | |
| Dick Sands | ... | Headsman (uncredited) | |
| Joan Shawlee | ... | Beatrice D'Brizzi (uncredited) | |
| Rexene Stevens | ... | Swimmer (uncredited) | |
| Joseph Vitale | ... | Guard on Steps (uncredited) | |
| Anthony Warde | ... | (uncredited) | |
Directed by | |||
| Norman Z. McLeod | |||
Writing credits | ||
| Hal Kanter | (written for the screen by) and | |
| Edmund L. Hartmann | (written for the screen by) (as Edmund Hartmann) | |
| Aubrey Wisberg | (story) | |
Produced by | |||
| Paul Jones | .... | producer | |
Original Music by | |||
| Lyn Murray | |||
Cinematography by | |||
| Lionel Lindon | (director of photography) | ||
Film Editing by | |||
| Ellsworth Hoagland | |||
Art Direction by | |||
| Albert Nozaki | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Ross Dowd | |||
Costume Design by | |||
| Edith Head | (costumes: women) | ||
| Yvonne Wood | (costumes: men) | ||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
Production Management | |||
| Roy Burns | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Michael D. Moore | .... | assistant director | |
| Ralph Axness | .... | assistant director (uncredited) | |
| Henry E. Brill | .... | assistant director (uncredited) | |
| Cliff Reid Jr. | .... | assistant director (uncredited) | |
Sound Department | |||
| Gene Garvin | .... | sound recordist | |
| Gene Merritt | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
Music Department | |||
| Sidney Cutner | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
| Fred Steiner | .... | orchestrator (uncredited) | |
Other crew | |||
| Josephine Earl | .... | dances stager | |
| Richard Mueller | .... | technicolor color consultant | |
| Fred Cavens | .... | fencing trainer (uncredited) | |
| Fred Cavens | .... | supervisor: dueling scenes (uncredited) | |
| Hilda Grenier | .... | technical director (uncredited) | |
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| Dangerous Beauty | Casanova | Adventures of Don Juan | Barry Lyndon | The Three Musketeers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This is a great film for all Bob Hope fans and lovers of vintage comedy everywhere. The colour, as in a lot of these old movies, is very rich and is a real treat for the eyes. As pointed out by other reviewers, the theme is quite similar to that of Bob's earlier black and white film "Monsieur Beaucaire", but none the worse for it.
In order to save a group of merchants from bankruptcy, Bob, as Pippo Popolino, a miserable tailor's apprentice, agrees to impersonate the great lover "Casanova". As Casanova, he is engaged by a Duchess to test the love of her son's future bride and is promised a large sum of money if succeeding in the seduction. The jokes arrive thick and fast and as usual, Bob's delivery is masterful. Ironically though, for me, one of the funniest lines comes from Basil Rathbone who, playing Lucio, the former servant of Casanova sharing in the deception of the impersonation of his former master, declares to the hapless Pippo at a particularly frustrating moment "You'll never be anyone other than Pippo Popolino and I can't think of anything more insulting!". There are excellent supporting roles from the aforementioned Rathbone and Arnold Moss as the Doge, who our hero refers to as "a snake with a beard". There are some great visual jokes too with Bob remarking while dancing with his intended victim "I have a big following in Venice" at which point his sword drags a tablecloth loaded with crockery from a table, which he then trails behind him in the dance and tries to kick away nonchalantly. What really makes the film though is the pace and delivery of Bob's stream of one-liners.
Mr Hope at his very best!