Bob Hope is being stalked by a predatory widow who is a widow of wealthy husbands many times over. Martha Raye is a Texan heiress who wants to marry her boyfriend Andy Devine, but her ... See full summary »
Indecisive heiress Dee Dee Dillwood is pushed into marrying her sixth fiancée, but unable to face the wedding night, she flees into the adjacent hotel room of commercial pilot Marvin Payne,... See full summary »
Based on James Barrie's play "Alice Sit-By-The-Fire". In turn-of-the-century New York, a young girl who believes she's learned "the seamy side of life" from a risque play takes it upon ... See full summary »
Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's ... See full summary »
Susan is about to be married, but the wedding may get called off after her fiancee summons three former beaus. Each reveals a different portrait of Susan: one describes her as a naive ... See full summary »
William A. Seiter
When Larry Larkin's comic strip needs some freshening up, he calls in ghost-writer Francis X. Dignan to help him with the strip. Things get complicated when Francis rekindles his love for ... See full summary »
Italy, 1757. Lowly tailor Pippo Popolino disguises himself as the great Casanova in order to romance attractive widow Francesca. He little suspects what he's getting into: locked into the incongruous role by the desperation of the real Casanova's creditors, Pippo must journey to Venice on a delicate mission far beyond his capabilities. Written by
Rod Crawford <firstname.lastname@example.org>
When Pippo swoons from kissing Beatrice D'Brizzi, actress Joan Shawlee who plays Beatrice looks off-camera and smiles, breaking character, apparently amused over Bob Hope hamming up his swoon and ad libbing. Similarly, Joan Fontaine visibly cracks up during her initial scene with Hope. See more »
Hope was at his peak when this film was made. It has many of the same elements as his Monsieur Baucaire, a costume drama about a person above his station carrying out an impersonation, getting involved with good looking chicks, fighting comic duels, etc. Hollywood back in the late 40s and early 50s was not above recycling a hit. I love seeing these old films again with the great comedians of those times, Danny Kaye, Red Skelton and, of course, Hope. Their timing and ability to make the corniest gags work still amazes me. Also, this film has so many of the wonderful character actors that made the old studio productions such a treat. These are faces that only the most serious of trivia buffs will recognize and put the names on, but here we have Arnold Moss, Frank Puglia, John Carridine, Lon Chaney Jr., John Hoyt, Primo Carnera, Hugh Marlowe and a very young Raymond Burr. The comparisons by another reviewer with Woody Allen are interesting but, hey! Hope was first.
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